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71

Article: Live From Philadelphia

January 2012: Craig Ebner, Ravi Coltrane, Lucas Brown and Norman David

Read "January 2012: Craig Ebner, Ravi Coltrane, Lucas Brown and Norman David" reviewed by RJ Johnson


Craig Ebner QuartetMoonstone Arts CenterJanuary 13, 2012Craig Ebner, a Philadelphia based guitarist best known for his work with organist Joey DeFrancesco, led his quartet through a brief yet powerful set at the Moonstone Arts Center in Center City Philadelphia. Now in its third year, the Moonstone Arts Center operates out ...

67

Article: Album Review

Talking Cows: Almost Human

Read "Almost Human" reviewed by Dan McClenaghan


Talking Cows may be the world's only bovine-themed jazz group. Titles of previous CDs include Bovinity (Morvin Records, 2006) and Dairy tales (Morvin Records, 2009). Almost Human indicates a move further in the primate direction. But where a true bovine creature may have an aspect of the ruminative in its nature, the Talking Cows does not. ...

92

Article: New York Beat

Jimmy Owens and the Monk Evolution

Read "Jimmy Owens and the Monk Evolution" reviewed by Nick Catalano


When an artist comes along who convolutes traditional form, it sometimes takes eons for that artist's contribution to be understood, evaluated and finally appreciated. Initially, composer Igor Stravinsky was thrown out of Paris at the premier of “Le Sacre du Printemps," author James Joyce was banned in Boston for Ulysses," and composer John Cage ridiculed for ...

152

Article: Album Review

Oz Noy: Twisted Blues Volume 1

Read "Twisted Blues Volume 1" reviewed by Glenn Astarita


Born in Israel and a New Yorker since 1996, guitarist Oz Noy's star is on the rise with this fifth solo album, amid numerous session gigs with notable jazz and jazz-fusion artists. Ultimately, Noy brings a signature voice to the forefront and his global approach to the electric guitar imprints a trademark of sorts. With his ...

99

Article: Extended Analysis

Skip Heller: Foolish Me

Read "Skip Heller: Foolish Me" reviewed by C. Michael Bailey


Fred “Skip" Heller is a hip musical polymath from Philadelphia, living on the West Coast, where he burns through musical styles like there is no definition. He has a major, and unapologetic, jones for John Hartford and Roger Miller and an encyclopedic knowledge of American music, of which he continues to be a student, teacher, shaman. ...

123

Article: On and Off the Grid

What's The Point, Part 1

Read "What's The Point, Part 1" reviewed by Dom Minasi


This is the first entry for my new column at All About Jazz. I actually published What's The Point? in my own blog in January 2012. All About Jazz asked if I would be interested in writing for them; I was surprised and honored. I decided to update and rewrite the original article; because of the ...

74

Article: Live Review

Barry Harris at the Village Vanguard

Read "Barry Harris at the Village Vanguard" reviewed by Bob Kenselaar


Barry HarrisVillage VanguardNew York, NYJanuary 15, 2012 Ambling in from the back of the room, Barry Harris introduced his trio to the crowd at the Village Vanguard as the musicians filed in ahead of him: Ray Drummond on bass, Leroy Williams on drums, and then he announced, with a wink, ...

151

Article: Interview

Sonny Rollins: Mark of Greatness

Read "Sonny Rollins: Mark of Greatness" reviewed by R.J. DeLuke


Making two trips to the White House within a calendar year, to receive two of the nation's most prestigious awards bestowed upon artists, is more than fairly momentous. Those are significant feathers in the ol' cap--surely reasons to crow or, at the very least, feel pretty satisfied about oneself.So it had to be a ...

149

Article: Interview

Kenny Burrell: Every Note Swings

Read "Kenny Burrell: Every Note Swings" reviewed by Chris M. Slawecki


Kenny Burrell has appeared on so many essential jazz recordings that jazz history and his story seem irretrievably intertwined. Billie Holiday's valedictory rumination Lady Sings the Blues (Verve, 1956)? Jimmy Smith's epochal funk throwdown Back at the Chicken Shack (Blue Note, 1960)? Tony Bennett's Carnegie Hall debut? Kenny Burrell played guitar for them all. Even Jimi ...

158

Article: Race and Jazz

BAM or JAZZ: Part Two!

Read "BAM or JAZZ: Part Two!" reviewed by Greg Thomas


Jazz, an art form given birth in the United States by descendents of the formerly enslaved, has a complicated relationship with race. Although race, as a popular idea, has no basis in biology, many people mentally adhere to the idea of dividing groups of people based on “race" as opposed to understanding how groups of people ...


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