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Article: Album Review

Roberta Piket: Solo

Read "Solo" reviewed by Dan McClenaghan


Listening back on Roberta Piket's discography, with recordings like the trio affair, Love and Beauty (Thirteenth Note Records, 2007) and the ambitious Side, Colors (Thirteenth Note Records, 2013), it's clear that the New York-based pianist has established herself as “an artist deserving wider recognition." With Solo she cements a reputation as a top level jazz artist. ...

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News: Recording

Piano Sutras, A Glistening New Thirsty Ear Solo Release From Pianist Matthew Shipp Is Ready For You

Piano Sutras, A Glistening New Thirsty Ear Solo Release  From Pianist Matthew Shipp Is Ready For You

By Chris Rich Amid the snow swirl and chill of a late February this year, Matthew Shipp headed to Park West Studios to commence work on a solo recording which will be called Piano Sutras. “On Wednesday February 20, pianist/composer Matthew Shipp recorded his next Thirsty Ear record, “Piano Sutras”, at Park West Studios in Brooklyn. ...

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Article: Interview

Kerry Politzer: Voice And Voicings

Read "Kerry Politzer: Voice And Voicings" reviewed by George Colligan


The following interview is reprinted from George Colligan's blog, Jazztruth. Kerry Politzer is one of my favorite musicians, period. (Yeah, she's my wife, you gotta problem wit dat? No, I see the potential conflict of interest, but hey, it's all about who you know, right?) Seriously, Politzer is one of the most ...

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Article: Live Review

MONK'estra at SFJAZZ Center

Read "MONK'estra at SFJAZZ Center" reviewed by Harry S. Pariser


MONK'estraSFJAZZ CenterSan Francisco, CAAugust 22, 2013The music of the legendary Thelonious Monk (October 10, 1917-February 17, 1982) has rarely been heard in a big band setting. The second most-recorded jazz composer after Duke Ellington, Monk's music is nothing if not popular. While Ellington composed over a thousand songs, Monk penned only ...

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Article: Record Label Profile

Losen Records: New Norwegian Sounds

Read "Losen Records: New Norwegian Sounds" reviewed by Jakob Baekgaard


Mention the phrase “the Norwegian sound" and many listeners will get an image in their head. An image of a natural, deep echoing sound influenced by the mountains and hills of the Norwegian landscape. Such an image is, of course, a cliché, but to some critics it has stuck and distorted the rich fertility of the ...

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Article: Extended Analysis

Fred Hersch and Julian Lage: Free Flying

Read "Fred Hersch and Julian Lage: Free Flying" reviewed by Victor L. Schermer


This album is the latest of several recordings in which pianist Fred Hersch solos or joins forces with some highly intelligent, advanced musicians to provide jazz renditions with a sophisticated, chamber music quality. Others are Hersch's Alone at the Vanguard (Palmetto, 2011); Leaves of Grass (Palmetto, 2005)--an ensemble composition based on Walt Whitman's poems--and two additional ...

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Article: Record Label Profile

Dreambox Media: The Philadelphia Jazz Label

Read "Dreambox Media: The Philadelphia Jazz Label" reviewed by Mike Oppenheim


Any fan of the great American music that is jazz is surely aware that the art form's history depended on the convergence of geography, individual talents, and inspiration. Cities such as New Orleans, Kansas City, Chicago, and New York are synonymous with particular styles of jazz. One often overlooked city is Philadelphia, the birthplace and/or home ...

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Article: Extended Analysis

The New Gary Burton Quartet: Guided Tour

Read "The New Gary Burton Quartet: Guided Tour" reviewed by John Kelman


For some, retirement means winding down and enjoying what life has to offer, after a lifetime spent with the daily grind of making a living. With most musicians, however, while making a living has been a not insignificant challenge, making music can hardly be called a daily grind; it's work, to be sure, but it's also ...

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Article: Extended Analysis

Sven Ake Johansson: Jazzbox

Read "Sven Ake Johansson: Jazzbox" reviewed by Mark Corroto


Funny how listening to the five-CD Jazzbox by free jazz drummer Sven-Åke Johansson may remind you of the British punk rock band The Clash's first hit single “Train In Vain" (1980). Like Joe Strummer and Mick Jones, Johansson's career has been one that has worked to challenge the language of American music. In The Clash's case, ...

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Article: Interview

Joe Manis: Killin'!

Read "Joe Manis: Killin'!" reviewed by George Colligan


[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]Sometime last year, I got an email from a dude named Joe Manis, who said he was from Eugene and he wanted me to make a recording with him. He wanted me to play organ. I said to myself," Hmmm. Tenor player ...


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