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Article: My Favourite Things

Alexander Hawkins

Read "Alexander Hawkins" reviewed by Paolo Peviani


Il tratto principale della mia musica È molto difficile rispondere ma spero che, in qualche modo, il tratto principale della mia musica corrisponda al tratto principale di me stesso. La qualità che desidero nei musicisti che suonano con me Gioia, apertura, generosità, e che non abbiano paure nel fare musica.

Article: Live Review

La Lydian Sound Orchestra al Parco della Musica di Roma

Read "La Lydian Sound Orchestra al Parco della Musica di Roma" reviewed by Mario Calvitti


Lydian Sound Orchestra Teatro Studio, Parco della Musica Roma 17.02.2017 Fresca di consacrazione come Miglior Gruppo Italiano dell'anno al Top Jazz 2016, la Lydian Sound Orchestra è una band fondata quasi 30 anni fa dal compositore e arrangiatore Riccardo Brazzale, che si richiama direttamente a George Russell (nel nome del gruppo) e ...

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Article: Profile

Rolling in Rhythm: Philly Joe Jones and Charles Wilcoxon

Read "Rolling in Rhythm: Philly Joe Jones and Charles Wilcoxon" reviewed by Dustin Mallory


Drummer “Philly" Joe Jones is known as one of the most recorded drummers in jazz history, appearing on more than 200 albums. His legacy as a studio drummer appears on seminal classics like John Coltrane's Blue Train, Thelonious Monk's Blues at the Five Spot, Miles Davis's Milestones, and Bud Powell's Time Waits. Beside these recordings, Jones ...

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Article: Album Review

Matt Mitchell: Forage

Read "Forage" reviewed by Dan McClenaghan


Alto saxophonist Tim Berne could have been called, at the dawn of the new millennium, the American artist least likely to join the ECM Records roster. The thought here was that Berne's relentless momentum and frequent agitation and flat out wild man brazenness wouldn't fit in well enough with the European impressionism/Nordic cool approach (a definite ...

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Article: Live Review

Monty Alexander Trio at Longwood Gardens

Read "Monty Alexander Trio at Longwood Gardens" reviewed by Geno Thackara


Monty Alexander Trio The Ballroom at Longwood Gardens Kennett Square, PA February 11, 2017 It's generally a good sign for any show if the players onstage are smiling and laughing more than anyone else in the room. If there's been one main constant to Monty Alexander's music over his 59-year career, ...

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Article: New York @ Night

Monty Alexander: Looking Back

Read "Monty Alexander: Looking Back" reviewed by Peter Jurew


Monty AlexanderJazz Standard New York, NYFebruary 1, 2017 A lot has changed since I started covering the New York beat for All About Jazz in mid-2016. In that time, we have witnessed epic changes in our city, our country, our world--changes that are already affecting our culture, including and perhaps ...

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Article: My Blue Note Obsession

The Best of Lou Donaldson, Volume 1 – 1957-1967

Read "The Best of Lou Donaldson, Volume 1 – 1957-1967" reviewed by Marc Davis


I'm not a huge fan of Best Of albums. Artists make albums of music--some with themes, some without--and you go with it. One album generally equals one mood, so why mix them up? But then... Lou Donaldson is an alto saxophonist who spent virtually his entire career at one label: Blue Note. ...

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Article: Album Review

Deborah Brown: Kansas City Here I Come

Read "Kansas City Here I Come" reviewed by Victor L. Schermer


Jazz vocalists occupy a wide swath of styles from those who mercilessly belt out a tune to those who use the ever evolving vocabulary of the jazz idiom with care and precision. Deborah Brown is one of the most sophisticated of the latter genre. She is a true artist. She never wastes a note, inflection, or ...

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News: Recording

On April 7, Visionary Avant-Garde Composer Joe Garrison Returns With “the People Upstairs”

On April 7, Visionary Avant-Garde Composer Joe Garrison Returns With “the People Upstairs”

As a 25-year veteran of pushing the boundaries of modern composition, prolific musician Joe Garrison is getting set to introduce his most adventurous project yet. Releasing April 7, The People Upstairs is the follow-up to 2013’s Veranda, which the San Diego Troubadour favorably compared to the ground-breaking work of Oliver Nelson while also landing in NBC ...

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Article: What is Jazz?

Listening to Jazz Knowingly and Authentically: The Epistemology and Ontology of Jazz

Read "Listening to Jazz Knowingly and Authentically: The Epistemology and Ontology of Jazz" reviewed by Victor L. Schermer


"What a peculiar privilege has this little agitation of the brain which we call 'thought.'" --David Hume I deliberately used the words “epistemological" and “ontological" in the title in order to attract your attention. If you don't know what they mean, you're going feel put off or curious. If you do know, you're going ...


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