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220

Article: Album Review

David "Fathead" Newman: Life

Read "Life" reviewed by Terrell Kent Holmes


Even after decades in the music business, it's clear that David “Fathead Newman still has many, many notes left to play. Toward that end Life is a handful of chestnuts on which he displays his formidable triple-threat skills on tenor sax, alto sax and flute. Newman's sultry tenor on “Girl Talk speaks volumes ...

223

Article: Album Review

Lionel Loueke: Virgin Forest

Read "Virgin Forest" reviewed by Terrell Kent Holmes


Guitarist/singer Lionel Loueke's Virgin Forest blends West African rhythms with standard jazz idioms, boiling down the music to its soul-catching essentials. Loueke sings and scats in Fon and Mina, languages from Benin and Mali, and his vocals and guitar playing are so seductive that one doesn't need to understand either to be drawn in.

166

Article: Album Review

Mamiko Watanabe: One After Another

Read "One After Another" reviewed by Terrell Kent Holmes


With the release of One After Another, add Mamiko Watanabe to the list of talented jazz pianists that have come out of Japan in recent years. Watanabe composed all of the songs on this impressive debut and they show a strong, fully developed hard bop sensibility. Watanabe's composing MO is to start off a song with ...

351

Article: Interview

Jimmy Cobb: Standard-Bearer

Read "Jimmy Cobb: Standard-Bearer" reviewed by Terrell Kent Holmes


One night in 2006, drummer Jimmy Cobb walked through the foyer of a New York jazz club with a lit stogie jammed coolly between his teeth. Someone standing in line for the next show wondered aloud if smoking was allowed in the club. Another patron waiting nearby figured that anyone who could survive the uncertainties of ...

224

Article: Album Review

Turtle Island Quartet: A Love Supreme: The Legacy of John Coltrane

Read "A Love Supreme: The Legacy of John Coltrane" reviewed by Terrell Kent Holmes


The Turtle Island Quartet honors saxophone titan John Coltrane with A Love Supreme: The Legacy of John Coltrane, putting its distinct signature on tunes written by, inspired by, or associated with Trane in ways that are faithful to the original concepts while giving them new dimensions and depth. Jimmy Garrison's signature four-note bass ...

377

Article: Multiple Reviews

Frank Morgan: A Night in the Life & Reflections

Read "Frank Morgan: A Night in the Life & Reflections" reviewed by Terrell Kent Holmes


Frank Morgan A Night in the Life: Live at the Jazz Standard, Volume 3 HighNote 2007 Frank Morgan Reflections HighNote 2007 The irrepressible alto sax man Frank ...

283

Article: Album Review

Kenny Werner: Lawn Chair Society

Read "Lawn Chair Society" reviewed by Terrell Kent Holmes


Keyboardist Kenny Werner's ambitious work Lawn Chair Society is an amalgam of straight-ahead jazz, R&B and funk, skillfully blending the avant-garde, the accessible and the modernistic. The rush-hour scatting of Dave Douglas' cornet and Chris Potter's bass clarinet on “Lo's Garden and the postmodern “New Amsterdam, featuring Potter's gritty tenor, set the CD's tone. The tight ...

229

Article: Album Review

Ari Hoenig: Inversations

Read "Inversations" reviewed by Terrell Kent Holmes


Drummer Ari Hoenig has always created emotionally satisfying and challenging jazz, and his streak continues with Inversations. The bebop classic “Anthropology begins with an interplay between Hoenig on drums and pianist Jean-Michel Pilc, with bassist Johannes Weidenmueller on pizzicato. The trio executes this classic jazz groove to perfection, playing with the tempo and displaying the tune's ...

104

Article: Multiple Reviews

Piano/Guitar Duos: Anacronics and Quartet

Read "Piano/Guitar Duos:  Anacronics and Quartet" reviewed by Terrell Kent Holmes


Sergi Sirvent & Santi Careta Anacronics Fresh Sound-New Talent 2007 Pat Metheny/Brad Mehldau Quartet Nonesuch 2007 Anacronics and Quartet are twin discs of different mothers. Each one ...

152

Article: Album Review

Jed Levy: Gateway

Read "Gateway" reviewed by Terrell Kent Holmes


Listening to Gateway, by tenor man Jed Levy, is like walking along a familiar street and being pleased by previously unnoticed nuances in the architecture of a building. Levy's tunes are small samples of exploration. With a different number of bars, a key change or a different tempo, Levy takes the listener to unexpected places.


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