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Ayelet Rose Gottlieb: Betzidei Drachim [Roadsides]
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by Eyal Hareuveni
Israeli, Canada-based vocalist Ayelet Rose Gottlieb attempts in her fourth solo album to portray a possible peaceful vision of the Middle-East through a wise arrangement of Israeli and Palestinian poetry. These poems, all sung in Hebrew (and all translated to English) suggest that behind the conflict, contrasting historical, political and even cultural narratives live people who ...
Mark Dresser / Gerry Hemingway / Assif Tsahar: Code Re(a)d
by Eyal Hareuveni
Code Re(a)d documents the live, free improvised meeting of Israeli saxophonist Assif Tsahar with the massive rhythm section of double bass master Mark Dresser and powerful drummer Gerry Hemingway, recorded at Tshar's home base, the Levontin 7 club in Tel Aviv in May 2011. Dresser and Hemingway began to play together in the legendary Anthony Braxton ...
Farthest South: Spheres & Constellations
by Eyal Hareuveni
The Israeli psychedelic trio Farthest South focused on new sonic territories on its sophomore album, Spheres & Constellations, abandoning attempts to flirt with free jazz as they did on their debut Omens & Talismans,(2013), working with Israeli sax hero Albert Beger. On its new incarnation the band sounds completely different, still relying on exploratory, in-the- moment ...
Avishai Cohen: Almah
by Bruce Lindsay
After a dozen albums as leader and a career that has seen him perform with Chick Corea, Mark Guiliana and Alicia Keys, Almah finds bassist Avishai Cohen returning to his first loves. Those “first loves," according to the press notes, are classical music and, more particularly, chamber music. Almah is a return to these loves, but ...
Tel Aviv White Night Festival 2014
by Eyal Hareuveni
Tel Aviv White Night Festival Enav Canter Tel Aviv, Israel February 6-7, 2014 The program of the 10th anniversary of Tel Aviv White Night Festival, for contemporary and improvised music, was more modest and focused this year than in previous years, but remained faithful to its vision--introducing innovative and forward-thinking ...
Take Five With Shlomi Cohen
by AAJ Staff
Meet Shlomi Cohen: Grammy-nominated saxophonist Shlomi Cohen, born in Tel Aviv, Israel, has had a multicultural musical education, based in part on his surroundings both in Tel Aviv and New York City, and also from his Moroccan and Yemeni heritage. This mix of styles in his sound has made him a much sought-after saxophonist. Shlomi ...
Tatsuya Nakatani / Harold Rubin / Barre Phillips / Assif Tsahar
by Eyal Hareuveni
Japanese percussionist Tatsuya Nakatani's last visit to Israel produced two albums. Both are totally different in their spirit. Both feature Nakatani's unique manner of shaping and extracting sounds from the cymbals and the skins of the drums that blossom as a memorable music. Harold Rubin / Barre Phillips / Tatsuya ...
Meet Eyal Hareuveni
by AAJ Staff
I currently live in: Jerusalem, Israel I joined All About Jazz in: 2004 What made you decide to contribute to All About Jazz? At first, All About Jazz provided me a way to express my thoughts, insights and feelings about certain albums that I was listening to, and shared with other friends, ...
Ido Bukelman / Daniel Davidovsky / Ofer Bymel: EFT II
by Eyal Hareuveni
The sophomore release of the Israeli Electro Free Trio--EFT-- continues where the impressive debut (OutNow Recordings, 2011) stopped. An aggressive and experimental hybridization of spontaneous, free improvised approaches, real-time electronics who draw inspiration from noise and industrial music, all spiced with references to progressive and metal rock. This tough blend of sounds was solidified in many ...
Farthest South: Omens & Talismans
by Eyal Hareuveni
Farthest South is a new alternative Israeli band, comprised of a core trio from the alternative Tel Aviv Scene that attempts to challenge its formative musical experience by playing spontaneous, on-the-spot music. The three-- Guitarist Barry Berko has a background in alternative rock and contemporary music; bassist Yair Yona played in psychedelic rock and folk music ...
