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Musician

Teddy Hill

Born:

2

Article: Drum Addiction

Mere Noisemakers

Read "Mere Noisemakers" reviewed by Troy Hoffman


Drummers used to be predominantly known as mere noisemakers (not musicians) coming out of the Vaudeville-era, where percussionists were seen as background tools. They often carried out sound effect cues, sent from studios to theaters, for silent films. This left drummers with the responsible task of mimicking the sounds of hurricanes, car crashes and thunderstorms from ...

2

Article: Radio & Podcasts

Pat Metheny, Howard Britz & Charles Goold

Read "Pat Metheny, Howard Britz & Charles Goold" reviewed by Joe Dimino


We start the 751st Episode of Neon Jazz with a relatively new musician that has seen a lot of action in his young life. Drummer Charles Goold kicks things off with a song off his 2022 album Rhythm in Contrast. We also take a look into some new music from veterans of the jazz world in ...

13

Article: Profile

Thelonious Monk: A Thriving Legacy

Read "Thelonious Monk: A Thriving Legacy" reviewed by Doug Hall


If legendary jazz musicians were collected together in one giant jigsaw puzzle and each musician was one piece—Thelonious Monk's individual piece would be impossible to cut out. As a singular artist, his shape or place in jazz is too uniquely non-conforming. From a musical and historical standpoint, he is recognized as one of the ...

3

Article: Radio & Podcasts

That Dizzy Cat - Dizzy Gillespie (1945 - 1948)

Read "That Dizzy Cat - Dizzy Gillespie (1945 - 1948)" reviewed by Russell Perry


Dizzy Gillespie grew up professionally playing in the big bands of Teddy Hill, Cab Calloway, Earl Hines and Billy Eckstine and writing for Woody Herman and Jimmy Dorsey. The wartime economy with its shortages and the musician's strike of the early 1940s led Gillespie to focus on small combos for his own projects, including his seminal ...

46

Article: Under the Radar

Culture Clubs: A History of the U.S. Jazz Clubs, Part II: New York

Read "Culture Clubs: A History of the U.S. Jazz Clubs, Part II: New York" reviewed by Karl Ackermann


Jazz didn't abandon Chicago but its further development only began to take on a distinct personality in the 1960s. By the late 1920s, the next phase of the jazz scene had shifted from Chicago to New York though, initially, there was no red carpet rolled out. As jazz bands made their way to New York they ...

21

Article: Live Review

European Jazz Conference 2016

Read "European Jazz Conference 2016" reviewed by Ian Patterson


European Jazz Conference 2016 National Forum of Music Wroclaw, Poland September 22-25, 2016 We have two ears and only one mouth so perhaps we should listen more than we speak. This old maxim is often credited to Hellenistic philosopher Zeno of Citrium, though who's to say he didn't ...


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