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Charles Mingus and Miles Davis: Changing Moods
by Mark Werlin
The recordings of Charles Mingus in the mid-1950s document a musical voice so distinctive that they are immediately recognizable today. But Mingus' obsessive commitment to the primacy of the composition was not always shared by his peers, nor understood by his critics. A public feud between Mingus, who was struggling unsuccessfully to win critical ...
Teddy Charles: New Directions
Vibraphonist Teddy Charles was playing free jazz nearly as early as Lee Konitz, Lennie Tristano, Billy Bauer and Gil Melle. In 1951, '52 and '53, Teddy recorded a series of three 10-inch LPs for Prestige in the trio, quartet and quintet formats. I was thinking of Teddy yesterday and gave them a listen, finding the material ...
Phil Woods: 1931-2015
by AAJ Staff
In memory of NEA Jazz Master, Phil Woods. This article was previously published in November 2002. All About Jazz: Looking back on the almost three decade history of your Quintet, one question springs immediately to mind. You've had the same rhythm section of Steve Gilmore on bass and Bill Goodwin on drums ever since ...
The Third Annual World Vibes Congress Creates Waves in Asbury Park
by Gloria Krolak
Another epic gathering of vibraphone players was uncorked and, like Champagne on New Year's Eve, this bubbly was not staying in the bottle. Part of the Third World Vibes Congress, the jam exploded at the packed Langosta Lounge and Restaurant on Asbury Park's boardwalk early in January. Pairs of vibes players, many of whom had never ...
Jason Adasiewicz's Sun Rooms: From the Region
by Luca Canini
Ne ha fatta di strada il barbuto Jason Adasiewicz da quando, anno di grazia 2010, il disco d'esordio del trio Sun Rooms gli fruttò l'iscrizione di diritto all'albo dei grandi. Nelle fila dell'Exploding Star Orchestra, nel quintetto Sound Is e nel trio Starlicker di Rob Mazurek, faccia a faccia con Peter Brotzmann, in allegra compagnia nel ...
Teddy Charles: la rotta di un navigatore dimenticato
by AAJ Italy Staff
Il 16 aprile 2012 moriva all'età di 84 anni Teddy Charles, uno dei massimi vibrafonisti della storia del jazz e un compositore innovativo ingiustamente sottovalutato. A un anno di distanza sentiamo doveroso ricordare il suo percorso artistico ed esistenziale, augurandoci che il contributo che ha dato allo sviluppo del jazz moderno non venga dimenticato. Strumentista, compositore ...
Is Jazz Dead? Or Is It Just Pining for the Fjords?
by Duncan Heining
Is Jazz Dead? (Or Has It Moved to a New Address?)Stuart Nicholson288 pages, softcoverISBN: 978-0415975834Routledge2005Stuart Nicholson's Is Jazz Dead? (Or Has It Moved To A New Address?) came out in 2005 and has proved a remarkably successful book for both author and his publisher. ...
Teddy Charles: (1928-2012)
Teddy Charles, a hard-swinging four-mallet vibraphonist, composer, pianist and player-producer who in the late 1940s and early '50s transformed the steel-plated instrument into a cooler, jazz-classical protagonist, died on April 16, He was 84. Trained at the Juilliard School of Music, Teddy was able to reach effortlessly into modern classical music theory and deploy modal ...
Gary Burton Quartet: New York, NY, September 21, 2011
by Dan Bilawsky
Gary Burton QuartetBlue NoteNew York, NYSeptember, 21, 2011 Lionel Hampton carved out a place for the vibraphone in a swing setting, and Milt Jackson brought the instrument into bop, but Gary Burton remains the guru and guiding light in virtually every other aspect for vibraphonists and fans the world over. ...
Introducing Booker Little
by Robert Levin
[Editor's Note: This interview last appeared in Jazz & Pop, 1970. Little died in 1961, just a few months after it was originally published in Metronome.] Booker Little, twenty-three year-old composer, arranger and trumpet player (the order is arbitrary, each role has equal importance to him), has lately come to demonstrate, in recordings and ...
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