Home » Search Center » Results: Ted Curson
Results for "Ted Curson"
Results for pages tagged "Ted Curson"...
Ted Curson

Born:
Theodore "Ted" Curson (born June 3, 1935, died November 4, 2012) was a jazz trumpeter. He was perhaps best-known for recording and performing with Charles Mingus. Curson got interested in playing trumpet through the fact that the local newspaper salesman had a silver trumpet that he was playing on the streets while selling newspapers. Curson's father could not afford a trumpet and besides, he wanted Ted to become an alto player like his idol, Louis Jordan. Finally, when Ted was 10 years old, his father found an old trumpet for him in the Navy Yard. He soon after formed a band, the Bebop Trio, with friends from the neighbourhood
Tommaso Starace: Narrow Escape

by Angelo Leonardi
Com'è noto Tommaso Starace opera prevalentemente nel Regno Unito, dove s'è trasferito a 19 anni diplomandosi al conservatorio di Birmingham e poi conseguendo il master alla Guildhall School of Music and Drama. Da allora è trascorso un ventennio e oggi il sassofonista è tra i migliori jazzmen d'oltremanica, con all'attivo alcuni dischi da leader e decine ...
Cykada: Cykada

by Chris May
Cykada has been making waves on London's genre-melting alternative-jazz scene since 2017, but has yet to acquire a profile akin to those of some of the other bands with which its musicians are involved. These include spiritual-jazz septet Maisha and the Afrobeat-infused Ezra Collective. The release of Cykada, however, is going to strap a booster rocket ...
Charles Mingus: Jazz In Detroit / Strata Concert Gallery / 46 Selden

by Chris May
Summer 2018 saw the general release of privately held recordings by two giants of twentieth century jazz. First up was John Coltrane's Both Directions At Once: The Lost Album (Impulse!). It was followed by Thelonious Monk's Mønk (Gearbox). In autumn 2018, recordings by another totemic figure, Charles Mingus, become the year's third newly revealed archaeological discovery. ...
Mosaics: The Life and Works of Graham Collier

by Duncan Heining
The following is an excerpt is from Chapter 9: The Eighties or Graham Collier -The Wilderness Years" of Mosaics: The Life and Works of Graham Collier by Duncan Heining (Equinox Publishing, 2018). All Rights Reserved. The late Graham Collier was a bandleader, a composer and a jazz educator. As far as this latter ...
Jeff Williams: Lifelike

by Mike Jurkovic
Sounding as real as real gets, Lifelike's forward thinking drummer/composer Jeff Williams' heady sextet sure sound like they're all sitting in on a late night, cramped back room cutting session, with each player challenging, coaxing the other to new heights and horizons. Williams, an alumni of such name drops as Stan Getz, Dave Liebman, ...
Dominic Lash: Extremophile

by John Sharpe
According to Wikipedia, an extremophile is an organism that thrives in physically or geochemically extreme conditions that are detrimental to most life on Earth. By titling the second disc from his Quartet in this way you can't help but think that bassist Dominic Lash is drawing an analogy with the place of the improviser in the ...
L'ultimo hipster. La vita e la musica di Mark Murphy

by Angelo Leonardi
Non trovate accenni a Mark Murphy nelle più recenti storie del jazz, neanche il nome. Una lacuna che appare inspiegabile (a differenza di Frank Sinatra, Mel Tormè e Tony Bennett) che si giustifica solo col ritardo a collocare il cantante di Syracuse in una prospettiva storica. Eppure già prima della sua scomparsa -il ...
Nick Brignola: Between A Rock And The Jazz Place

by Rob Rosenblum
Party 1 | Part 2 This interview was originally published in 1969 in an Albany, New York area arts publication called Transition. It documents a time when saxophonist Nick Brignola was in the process of trying to break out of the confines of bebop and incorporate some of the elements of fusion that was ...
Nick Brignola: Big Horn, Strong Words

by Rob Rosenblum
This article first appeared in Coda Magazine in 1978. With the possible exception of torture, there has never been an art form more maligned than jazz. So, it is inevitable that every once in a while there is an exceptional musician who finds that the financial rewards of being a jazz musician are too ...