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Results for "Taylor Ho Bynum"
AVA Trio: Digging the Sand
by Karl Ackermann
In 2017 the AVA Trio released their debut album Music from an Imaginary Land (Tritone Records) and promptly made their mark by earning spots on several year-end polls. That inaugural release was a unique amalgamation of ethnic influences and free improvisation. With the release of Digging the Sand, the group continues to mine the imagination and ...
New albums from Eric St-Laurent, Logan Strosahl and Taylor Ho Bynum
by Bob Osborne
This week we feature albums from Eric St-Laurent, Taylor Ho Bynum 9-tette and Logan Strosahl. The philosopher Joseph Campbell wrote extensively about “following one's bliss." These influential writings form the conceptual basis for Bliss Station, the 13th album of original music by Toronto-based guitarist and composer Eric St-Laurent. Taylor Ho Bynum's latest ...
Sonic Explorations and Creative Improvisations at The Guelph Jazz Festival
by Dave Kaufman
In North America, there are over 100 annual jazz festivals. Only a small number of these festivals are devoted to the avant-garde, adventurous, and freely improvised music. The Vision Festival in New York City is perhaps the best known festival with its celebration of improvised music, dance, and poetry. There are a few others that are ...
Taylor Ho Bynum: The Ambiguity Manifesto
by Mark Corroto
Cornetist, composer, organizer and curator Taylor Ho Bynum marshals his recording The Ambiguity Manifesto into the categories of before and after, as in AM/PM, BC/AD, and maybe more appropriately before AACM (Association for the Advancement of Creative Musicians) and after AACM. With the entire breadth of recorded jazz history available, Bynum chose the concepts of the ...
Taylor Ho Bynum 9-tette: The Ambiguity Manifesto
by Karl Ackermann
Taylor Ho Bynum's The Ambiguity Manifesto, with its oxymoronic title, is the third album in what the cornetist-composer calls an “accidental trilogy." Following his Firehouse 12 Records releases Navigation (Possible Abstracts XII & XIII) (2013) and Enter the Plus Tet (2016), Bynum recognized a form--however unconventional--both in the composition and performing of these large ensemble works. ...
Anthony Braxton: Quartet (New Haven) 2014
by Mark Corroto
If, as an Anthony Braxton listener, you are confounded by his numeric compositional titles and and hieroglyphic scores, finding this music dedicated to rock, blues, funk and country music legends may give you some relief, albeit temporary. Quartet (New Haven) 2014 is a one-off meeting of the avant-garde's avant-gardist and today's heroes of both rock and ...
Michael Mwenso, Uri Caine, Nérija, Tenor Triage & Other New Releases
by Ludovico Granvassu
Two hours of genre-defying, global, high-octane, music, with a special focus on socially engaged projects, Finnish bands, and charismatic artists whose music has a higher than average density of ideas, like Michael Mwenso and Frank Zappa (by way of the tribute paid to him by the Orchestre Franck Tortiller. It all starts with the much anticipated ...
Asian-American Jazz & Improv
by Ludovico Granvassu
As jazz was born where cultures converged, it's not a surprise that it is the most adaptable form of music. An art form permeable since its very inception to musical traditions from other continents. This week we focus on the contribution of musicians that approached jazz and improvised music benefiting from the wider perspective afforded to ...
Alexander Hawkins: Iron Into Wind
by John Sharpe
On his second solo album pianist Alexander Hawkins creates an adventurous and deeply personal synthesis which draws from both jazz and classical wellsprings. One of the foremost representatives of an exciting younger generation of British musicians, his talents are on display not only on his own projects, like Uproot (Intakt, 2018), but with growing circle of ...
Jason Kao Hwang & Burning Bridge: Blood
by John Sharpe
As the follow-up to his Burning Bridge octet's eponymous debut (Innova, 2012), violinist Jason Kao Hwang has created another ambitious and wide-ranging work. As befits the title Blood, it constitutes a personal meditation on weighty subject matter, precipitated by a narrowly-avoided car accident which caused Hwang to consider the wartime experiences of his mother in China. ...
