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86

Article: Album Review

Nakatani Tiner Drake: Ritual Inscription

Read "Ritual Inscription" reviewed by Eyal Hareuveni


Epigraph Records first release, Ritual Inscription, documents live, improvised creative music in Bakersfield, California, Epigraph's home base. Renowned Japanese percussionist Tatsuya Nakatani meets two local comrades, trumpeter Kris Tiner (the founder of the label) and guitarist Jeremy Drake for two intense improvisations.Chaotic sounds of gongs and assorted percussion merge with serene lines from the ...

Album

Michiyuki

Label: H&H Production
Released: 2011

Album

Essences

Label: H&H Production
Released: 2010

Album

Abiogenesis

Label: H&H Production
Released: 2010

397

Article: Multiple Reviews

Tatsuya Nakatani: Essences and Abiogenesis

Read "Tatsuya Nakatani: Essences and Abiogenesis" reviewed by Clifford Allen


What is improvised music without visuality? While the music of improvising composers can be felt and picked apart aurally, the physical act of making music in an un- preconceived setting is something rather extraordinary and easily lost through the audible distance of a recording. It's not just the dynamic, theatrical high jinks of a player like ...

154

News: Performance / Tour

Tatsuya Nakatani Quartet on 7/23 at Outpost 186

Tatsuya Nakatani Quartet on 7/23 at Outpost 186

World renowned master percussionist Tatsuya Nakatani, bassist Carl Testa (from Anthony Braxton's 12+1tet) and Boston's own avant-jazz co-conspirators Kevin Frenette (guitar) and James Rohr (fender rhodes) present an evening of improvised music centering on exceptionally intricate interplay, texture and timbre. Friday July 23, 2010 OUTPOST 186 186 1/2 Hampshire Street Cambridge, MA 02139

1,181

Article: Interview

Greg Kelley: Flesh to Metal

Read "Greg Kelley: Flesh to Metal" reviewed by Gordon Marshall


Boston trumpeter Greg Kelley takes an atom and constructs a world out of it. Taking his cue from the metallic tubes of his instrument and how they are connected to his mouth, and ultimately his body, his sounds are never wholly disembodied but rather maintain the precise quality of that apparatus that, in his hands, is ...

1,103

Article: Interview

Forbes Graham: Magenta Haze

Read "Forbes Graham: Magenta Haze" reviewed by Gordon Marshall


Forbes Graham isn't hell-bent on taking the jazz world over by fiat. Then again, a sterling tone like Louis Armstrong's, a sense of stride and a sidewinder sleekness position him to do so. He brings spot-on timing, inherited from his key precursor, Don Cherry, into the icy age of post jazz--and swings, too, situated ...

991

Article: Interview

Vic Rawlings: Hardball

Read "Vic Rawlings: Hardball" reviewed by Gordon Marshall


On a June night in 2009, Vic Rawlings was spinning 1950s LPs at a local record store in Central Square in Cambridge, Massachusetts. At his side, the “sound fountain"--a true period piece of a hi-fi tower (mono, of course). Buddy Holly started the party, segueing into Doris Day and The Ink Spots. Sometimes the records skipped ...


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