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Dizzy Gillespie & Charlie Parker: Live Revisited
by Chris May
The first six tracks on this album, which were recorded at New York City's Town Hall on June 22, 1945, are amongst the most exciting in the jazz compendium. Not only because of their intrinsic artistic merit but also because they mark one of the first, if not the first, occasion the vanguard of the bop ...
Kevin O'Connell Quartet Featuring Adam Brenner: Hot New York Minutes
by Neil Duggan
Finding one's own voice as a musician is never an easy process; extending that to taking the spotlight and leading your own band is another step up. For some, it can take years. Kevin O'Connell is an example of exactly that. He has been a jazz pianist since the 1980s, working with the Clifford Jordan Quartet ...
Bert Joris: Octet Sessions, Vol. 3
by Jack Bowers
For the Octet Sessions, Vol. 3 in Brussels-based Jazz Master Tracks' series of accessible apps, the renowned Belgian trumpeter/composer Bert Joris was tasked with rearranging eight of his splendid compositions written for big bands, symphonic orchestras and other large ensembles for an octet comprised of some of western Europe's leading jazz musicians. Joris chose to do ...
Violin Works For Jazz, Coltrane Between Miles And Sheets Of Sound
by David Brown
In week's edition we visit vivacious violin works in jazz from Ray Nance of the Ellington Outfit, Billy Bang & His Quartet, Jennifer Curtis with Tyshawn Sorley and a new release form NYC-based South Korean violinist Katherine Kyu Hyeon Lim. We'll also check in on some post Miles, pre-Atlantic/Impulse recordings from John Coltrane. Teddy Wilson the ...
Anthony E. Nelson Jr.: Swinging Sunset
by Pierre Giroux
The fascination with Hammond B3 organ trios, which were so prevalent in the '50s and '60s, remains undiminished. And rightly so as there were some stellar organists who were plying their trade in that period, including Jimmy Smith, Milt Buckner and Wild Bill Davis. However, the mystique around the clubs in which these performers played may ...
Tomas Janzon: Nomadic
by Jack Bowers
Nomadic, Tomas Janzon's sixth album as leader, is a pleasant, easy-going session that benefits greatly from the presence, on half a dozen tracks, of the superb vibraphonist Steve Nelson who adds substance and color to what is essentially a quartet or trio session wherein Janzon's mellow guitar carries much of the weight. There ...
Anthony E. Nelson Jr.: Swinging Sunset
by Chris May
Swinging Sunset, New Jersey-based tenor saxophonist Anthony E. Nelson Jr.'s fifth album on his Musicstand label, is an unpretentious, undemanding and utterly enjoyable celebration of the organ trios of the 1950s and 1960s. From the first bars of the opener, Eddie Heywood's “Canadian Sunset," it feels like we are in for a good time and, over ...
About Madd For Tadd
Instrument: Band / ensemble / orchestra
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Madd For Tadd
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When Kent J. Engelhardt, Ph.D. was rewarded a YSU Research Professorship for the 2016-2017 school year, he had no idea that his project would garner the attention it is now receiving. Engelhardt’s project, “Tadd Dameron: The Magic Touch” is a recreation of the music on Tadd Dameron’s last album as a leader recorded in 1962. Engelhardt transcribed and notated ten Dameron compositions including “On A Misty Night,” “Fontainbleau,” “Just Plain Talkin’,” “Our Delight,” “Dial B For Beauty,” “Look, Stop And Listen,” “Bevan’s Birthday,” and “Swift As The Wind,” as well as collabortions with lyricist Bernie Hanighen titled “You’re A Joy” and with lyricist Carl Sigman titled “If You Could See Me Now.” Tadd Dameron was born on February 21, 1917 in Cleveland, Ohio, and is known as a composer, arranger, bandleader, and pianist. In addition to composing for his own groups, Dameron wrote for Jimmie Lunceford, Count Basie, Coleman Hawkins, Benny Goodman, Sarah Vaughn, Dizzy Gillespie, and Ted Heath
Dave Bass: The Trio Vol. 3
by Pierre Giroux
The life of any jazz musician is precarious and the road to that life is often compromised by unexpected misadventures. Just ask pianist Dave Bass. After completing piano studies with renowned teacher Madame Margaret Chaloff, and composition with George Russell, he began playing firstly around San Francisco but subsequently moved to Southern California. One day on ...
Tom Harrell: Number Five
by John Kelman
"If it ain't broke, don't fix it," they say, and since coming to HighNote in 2007, trumpeter Tom Harrell has lived by that old adage, utilizing the same quintet for its auspicious debut, Light On, and three subsequent recordings, culminating in 2011's outstanding Time of the Sun. Number Five continues Harrell's winning streak with the same ...
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