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Article: Album Review

Fire! Orchestra: Exit!

Read "Exit!" reviewed by John Kelman

by John Kelman

Sometimes it's best not to predict. If the idea of expanding Fire!'s core trio of saxophonist/electric pianist Mats Gustafsson, bassist Johan Berthling and drummer Andreas Werlin into Fire! Orchestra's massive, 28-piece behemoth was based on the trio's extant discography-- You Liked Me Five Minutes Ago (Rune Grammofon, 2009), Unreleased (Rune Grammofon, 2011), and In the Mouth ...

3

Article: Album Review

Johannesson, Schultz and Berglund, featuring Jacob Karlzon: Cause And Effect

Read "Cause And Effect" reviewed by Chris Mosey

by Chris Mosey

Events from a momentous three-year musical period greatly influenced this album: in 1967 the death of John Coltrane; the release, two years later, of In A Silent Way (Columbia, 1969) by his former boss, trumpeter Miles Davis; and the demise of rock icon Jimi Hendrix in 1970. The line-up is Max Schultz, one ...

2

Article: Album Review

Mats/Morgan Band: Live

Read "Live" reviewed by Dave Wayne

by Dave Wayne

Keyboardist Mats Öberg and drummer Morgen Ågren--known as much for their musical brilliance as they are for their devotion to the music of Frank Zappa--are at their hyperactive best on this remastered recording from Stockholm's Club Fasching in 1999. Six pieces by Ågren and five by Öberg comprise this all-original set that shows quite a bit ...

2

Article: Album Review

Jonas Holgersson: 4003

Read "4003" reviewed by Chris Mosey

by Chris Mosey

Four young Swedish musicians and one expat Englishman attempt to reverently recreate hard bop from the 1950s and '60s. The title, 4003, was the catalogue number for Art Blakey's Moanin' (Blue Note, 1958). The album features 12 numbers, most of them considered classics, by the likes of saxophonists Hank Mobley and Clifford Jordan, guitarist Grant Green, ...

2

Article: Album Review

Thomas Fonnesbaek: Sound Of My Colors

Read "Sound Of My Colors" reviewed by Chris Mosey

by Chris Mosey

So what is the difference between “Thomas Fonnesbaek, featuring Lars Jansson and Paul Svanberg," the billing for this album, and the Lars Jansson Trio, which features Jansson on piano, Thomas Fonnesbaek on bass and Paul Svanberg on drums? Well, it's all to do with emphasis. Fonnesbaek wrote nine songs for this, his debut ...

4

Article: Extended Analysis

Sten Standell: Music Inside The Language

Read "Sten Standell: Music Inside The Language" reviewed by Eyal Hareuveni

by Eyal Hareuveni

Swedish pianist Sten Sandell is one of the key figures in the Scandinavian free jazz and improvisation scene: a visionary and experienced musician who has developed a profound musical language. He is a member of the Gush trio, with saxophonist Mats Gustafsson and drummer Raymond Strid, celebrating this year its 20th year of activity, and leads ...

2

Article: Album Review

Daniel Lantz Trio: Plays Bond

Read "Plays Bond" reviewed by Dan Bilawsky

by Dan Bilawsky

James Bond has a taste for the finer things in life; Aston Martin automobiles, Tom Ford suits, Omega Seamaster timepieces and mysteriously beautiful company from the fairer sex are just a few things that Bond bonds with these days, but jazz, sadly, doesn't make the list. While Monty Norman's famed “James Bond Theme" certainly paints a ...

5

Article: Album Review

Mats Gustafsson: Stones

Read "Stones" reviewed by John Eyles

by John Eyles

Stones is a recording of the very first meeting of two remarkable saxophonists--legendary Swedish baritone and tenor player Mats Gustafsson and Montreal-based American Colin Stetson, a member of Arcade Fire's touring band as well as bass saxophonist of choice for an impressive list of musicians including Laurie Anderson, David Byrne and Tom Waits. The album's four ...

3

Article: Album Review

Christian Spering: Inside Bach

Read "Inside Bach" reviewed by Eyal Hareuveni

by Eyal Hareuveni

The arrangement of violin sonatas and partitas, and the cello suites of Johan Sebastian Bach for solo double bass is a tasking and rare challenge, especially for improvising bassists. Classically trained bassist like Edgar Meyer have transposed Bach's cello suites to double bass on the critically acclaimed Bach: Unaccompanied Cello Suites Performed on Double Bass (Sony, ...

1

Article: Album Review

Christina Gustafsson: The Law Of The Lady

Read "The Law Of The Lady" reviewed by Chris Mosey

by Chris Mosey

This has nothing to do with the transition to democracy in Burma; instead, it's Swedish jazz singer Christina Gustafsson's third attempt at emerging from under the shadow cast by her much better-known sister, Rigmor. Sadly, it's unlikely to make much of a dent internationally. The principal fault lies in drummer Calle Rasmusson's production; ...


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