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Tony Malaby/ Per-Oscar Nilsson / Johnny Aman / Peter Nilsson: 9 Stygn
by Eyal Hareuveni
The sophomore release of Swedish guitarist Per-Oscar Nilsson strengthens his ties with American jazz. His debut, Now! (Connective, 2010), with his own group, featured saxophonist Marcus Strickland. 9 Stygn, recorded a year later, features Nilsson as the main composer for a quartet comprised of saxophonist Tony Malaby and fellow Malmö bassist Johnny Åman, who collaborated with ...
The Beginners: Two Years Later
by Chris Mosey
The band's name is a typical piece of shy Swedish understatement. Its two leaders, guitarist Erik Söderlind and saxophonist Andreas Gidlund, are anything but beginners; they have a great deal of experience on the local jazz scene. Söderlind has attracted attention for his collaborations with veteran keyboards player Kjell Öhman and his studio ...
Trio Con Tromba's Treasure Trove of Previously Unreleased Recordings
by Florence Wetzel
The term lagom is essential to the Swedish soul. There's no direct translation into English or any other language, but positive connotations of the word include “in balance" and “just the right amount," with the Swedish proverb Lagom är bäst translated as “Enough is as good as a feast." An aural equivalent of lagom can be ...
Fire! Orchestra: Exit!
by John Kelman
Sometimes it's best not to predict. If the idea of expanding Fire!'s core trio of saxophonist/electric pianist Mats Gustafsson, bassist Johan Berthling and drummer Andreas Werlin into Fire! Orchestra's massive, 28-piece behemoth was based on the trio's extant discography-- You Liked Me Five Minutes Ago (Rune Grammofon, 2009), Unreleased (Rune Grammofon, 2011), and In the Mouth ...
Johannesson, Schultz and Berglund, featuring Jacob Karlzon: Cause And Effect
by Chris Mosey
Events from a momentous three-year musical period greatly influenced this album: in 1967 the death of John Coltrane; the release, two years later, of In A Silent Way (Columbia, 1969) by his former boss, trumpeter Miles Davis; and the demise of rock icon Jimi Hendrix in 1970. The line-up is Max Schultz, one ...
Mats/Morgan Band: Live
by Dave Wayne
Keyboardist Mats Öberg and drummer Morgen Ågren--known as much for their musical brilliance as they are for their devotion to the music of Frank Zappa--are at their hyperactive best on this remastered recording from Stockholm's Club Fasching in 1999. Six pieces by Ågren and five by Öberg comprise this all-original set that shows quite a bit ...
Jonas Holgersson: 4003
by Chris Mosey
Four young Swedish musicians and one expat Englishman attempt to reverently recreate hard bop from the 1950s and '60s. The title, 4003, was the catalogue number for Art Blakey's Moanin' (Blue Note, 1958). The album features 12 numbers, most of them considered classics, by the likes of saxophonists Hank Mobley and Clifford Jordan, guitarist Grant Green, ...
Thomas Fonnesbaek: Sound Of My Colors
by Chris Mosey
So what is the difference between “Thomas Fonnesbaek, featuring Lars Jansson and Paul Svanberg," the billing for this album, and the Lars Jansson Trio, which features Jansson on piano, Thomas Fonnesbaek on bass and Paul Svanberg on drums? Well, it's all to do with emphasis. Fonnesbaek wrote nine songs for this, his debut ...
Sten Standell: Music Inside The Language
by Eyal Hareuveni
Swedish pianist Sten Sandell is one of the key figures in the Scandinavian free jazz and improvisation scene: a visionary and experienced musician who has developed a profound musical language. He is a member of the Gush trio, with saxophonist Mats Gustafsson and drummer Raymond Strid, celebrating this year its 20th year of activity, and leads ...
Daniel Lantz Trio: Plays Bond
by Dan Bilawsky
James Bond has a taste for the finer things in life; Aston Martin automobiles, Tom Ford suits, Omega Seamaster timepieces and mysteriously beautiful company from the fairer sex are just a few things that Bond bonds with these days, but jazz, sadly, doesn't make the list. While Monty Norman's famed “James Bond Theme" certainly paints a ...
