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Article: Album Review

Gunnar Siljabloo Nilson: Gunnar Siljabloo Nilson

Read "Gunnar Siljabloo Nilson" reviewed by Chris Mosey


Two sounds fought for the musical soul of Gunnar “Siljabloo" Nilson: one, Artie Shaw's smoothly swinging clarinet; the other, Slim Gaillard's crazed, frenetic vocals. When the battle grew too intense and he could stand it no longer, Nilson took to drink. Born in 1925 in the desolate far north of Sweden, young Gunnar ...

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Article: Album Review

Samuel Hallkvist: Return to Center

Read "Return to Center" reviewed by Eyal Hareuveni


Return to Center is a detailed staging of a sonic meeting between man and machine. Swedish, Denmark-based guitarist Samuel Hällkvist, on his third solo album, contrast the digital exactness of MIDI programming with the human qualities and modes of expression that we traditionally associate with acoustic instruments. Thus Hällkvist and like-minded associates orchestrate a nuanced texture ...

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Article: Multiple Reviews

Introducing Sweden's Havtorn Records

Read "Introducing Sweden's Havtorn Records" reviewed by Eyal Hareuveni


The new Swedish label, Havtorn Records, was founded in 2011 by three musicians-- drummer Måns Wikenmo, bassist Donovan von Martens and pianist Oscar Johansson. The three longed to create a label that would also be a platform for a community of a new generation of musicians, most of them residing in the cities of Malmö and ...

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Article: Extended Analysis

Fredrik Ljungkvist / Yun Kan 10: Ten

Read "Fredrik Ljungkvist / Yun Kan 10: Ten" reviewed by Eyal Hareuveni


Acclaimed Swedish reed player Fredrik Ljungkvist's key solo outfit is the Yun Kan band. This band, in its incarnation as a quintet, released two remarkable albums, Yun Kan 12345 and Badaling (Caprice, 2004 and 2007) and in recent years operated in a slimmed down version as Yun Kan 3 and as an ambitious outgrowth of the ...

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Article: Album Review

Pierre Sward Organ Jazz 'n' Soul Group: Slow But Fast

Read "Slow But Fast" reviewed by Chris Mosey


This album poses two problems. First: the electric organ. Even when played by a master like Jimmy Smith, monotony can easily set in. It's something to do with the way the instrument dominates so completely, leaving no space. Problem No.2: funk, the dominant genre on Slow But Fast. The idea is to hit ...

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Article: Multiple Reviews

Lisa Ullen / Nina de Heney / Okkyung Lee / Mariam Wallentin

Read "Lisa Ullen / Nina de Heney / Okkyung Lee / Mariam Wallentin" reviewed by Eyal Hareuveni


The duo of acclaimed Swedish improvisers pianist Lisa Ullén and double bassist Nina de Heney, winner of the Swedish radio prize Jazzkatten for 2012 as the musician of the year, has been active now for more than four years and was documented on the remarkable double album Carve (LJ Records, 2009). Ullén and de Heney managed ...

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Article: Album Review

David's Angels: What It Seems

Read "What It Seems" reviewed by Eyal Hareuveni


The Swedish quartet David's Angels has proven in its debut release, Substar (Kopasetic, 2010), its ability to encompass emotionally charged issues with expressive, storytelling musical articulations. The sophomore release puts this approach in a more demanding test. What It Seems chronicles the demise of a meaningful love affair and its protagonist, singer-songwriter Sofie Norling making the ...

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Article: Take Five With...

Take Five With Jens Persson

Read "Take Five With Jens Persson" reviewed by AAJ Staff


Meet Jens Persson: Started playing the alto saxophone when I was about 14. The music was mostly swing and bebop in the beginning but has developed over the years.I play in all kinds of bands: swing, reggae, free improv, big bands and more.I have my own group, Perssons Sexa (Perssons Six), which ...

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Article: Album Review

Anders Jormin: Between Always And Never

Read "Between Always And Never" reviewed by Chris Mosey


Anders Jormin leads a remarkably busy life. Bassist with pianist Bobo Stenson's Trio, he has also played with the likes of saxophonists Lee Konitz, Joe Henderson, Charles Lloyd and Joe Lovano, as well as drummers Elvin Jones and Jack DeJohnette. He records under his own name, composes works for symphony orchestras, studies ethnic music in Cuba ...

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Article: Album Review

Alberto Pinton: Nascent

Read "Nascent" reviewed by Eyal Hareuveni


Italian-born, Stockholm-based sax and woodwinds player Alberto Pinton new quartet Nascent = 14719 brings the best of him. Pinton is an experienced and varied musician who honed his art in dozens of recordings as a leader, co-leader-- in his own former quartet and quintet, Dog Out quartet with saxophonist Fredrik Nordström and another collaborative quartet with ...


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