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Musician

Susie Ibarra

Born:

Susie Ibarra, percussionist and composer lives in New York City. She received a music diploma from Mannes College of Music and B.A. from Goddard College. Susie Ibarra studied Kulintang with Danongan Kalanduyan and drum set with Buster Smith, Vernel Fournier and Milford Graves. As a percussionist, she has performed southeast Asian gong music, jazz, avant-garde, improvised and solo concert works. She has performed with many great artists such as John Zorn, Dave Douglas Pauline Oliveros, Derek Bailey, Ikue Mori, Sylvie Courvoisier, William Parker, Dr. L Subramaniam, Kavita Krishnamurti, John Lindberg, Wadada Leo Smith, Mark Dresser, Thurston Moore, Savath and Savalas, Prefuse 73, Yo La Tengo, among others. Susie Ibarra has taught across the U.S and attended

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Article: Building a Jazz Library

Instrumental Duos

Read "Instrumental Duos" reviewed by Karl Ackermann


The early days of jazz were not always harmonious. Converted dance orchestras often sounded like unbalanced acoustic junkyards; a single violin, cornet, trombone, clarinet, tuba, drums, banjo, and piano, all fighting for attention. The piano was meant to be the glue holding the shrill and boisterous elements together. In 1921 a prodigy pianist named Zez Confrey ...

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Article: Radio

Elin Forkelid, Susie Ibarra, Benoît Delbecq, Chris Speed and More New Releases

Read "Elin Forkelid, Susie Ibarra, Benoît Delbecq, Chris Speed and More New Releases" reviewed by Ludovico Granvassu


Navasha Daya's tribute to Gil Scott Heron, several projects that explore the trail Coltrane blazed, artists for whom rhythm is melody and melody is rhythm, musicians who plunge themselves into the inner space and the outer space, debut CDs, reissues, label showcase albums... There's something for everyone in this hour of new and upcoming jazz.

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Article: Building a Jazz Library

Solo Recordings for Non-Traditionalists

Read "Solo Recordings for Non-Traditionalists" reviewed by Karl Ackermann


On January 24, 1975, a Bösendorfer 290 Imperial concert grand piano was to be wheeled onto the stage of the Cologne Opera House. Instead, a rehearsal piano, smaller, beaten-up, and out of tune, was the only instrument available to then twenty-nine-year-old piano prodigy Keith Jarrett. The pianist was not in much better shape than the piano. ...

Album

Duck Walks Dog (With Mixed Results)

Label: NoBusiness Records
Released: 2020
Track listing: Duck Walks Dog; Mixed Results Part I; Mixed Results Part II.

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Article: Album Review

David S. Ware New Quartet: Théâtre Garonne, 2008

Read "Théâtre Garonne, 2008" reviewed by Giuseppe Segala


È giusto ricordare un gigante come David S. Ware. La quantità di energia e poesia che egli convoglia nella propria musica e nel suono poderoso del sax tenore (e stritch) lo accomuna a grandi come Sonny Rollins, John Coltrane, Albert Ayler. L'etichetta AUM Fidelity lo ricorda con merito nella collana a lui appositamente dedicata, denominata DSW-ARC ...

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Article: Album Review

DUX Orchestra: Duck Walks Dog (With Mixed Results)

Read "Duck Walks Dog (With Mixed Results)" reviewed by John Sharpe


The cover of the 1994 archival recording Duck Walks Dog (With Mixed Results) by the DUX Orchestra presents an intriguing line up which combines American free jazzers with Swedish baritone saxophonist Mats Gustafsson. Even within the New York City contingent there is diversity, as veteran stickman Walter Perkins (who played with Sonny Rollins, Roland Kirk and ...

3

Article: Radio

Give the Drummer (More Than) Some! Part 1

Read "Give the Drummer (More Than) Some! Part 1" reviewed by Ludovico Granvassu


As we hunker down amidst a terrifying pandemic what we need is to drum up our positive energy and attitude. So here's a special home edition of Mondo Jazz spotlighting projects led by creative drummers. Just another way to give drummers more than some! Stay home, socially distance, but musically connected. And don't forget ...

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Article: Radio

All-Female Bands Are a Riot!

Read "All-Female Bands Are a Riot!" reviewed by Ludovico Granvassu


As much as we favor a complete integration of the jazz sexes, this week we feature twenty-four bands or projects with not a single man in sight, actually in hearing. After all, how much jazz radio have you listened to (not on Mondo Jazz) with playlists made exclusively of all male bands? Here's a small contribution ...

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Article: Radio

Asian-American Jazz & Improv

Read "Asian-American Jazz & Improv" reviewed by Ludovico Granvassu


As jazz was born where cultures converged, it's not a surprise that it is the most adaptable form of music. An art form permeable since its very inception to musical traditions from other continents. This week we focus on the contribution of musicians that approached jazz and improvised music benefiting from the wider perspective afforded to ...


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