Results for "Susie Ibarra"
About Susie Ibarra
Instrument: Percussion
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Susie Ibarra
Born:
Susie Ibarra, percussionist and composer lives in New York City. She received a music diploma from Mannes College of Music and B.A. from Goddard College. Susie Ibarra studied Kulintang with Danongan Kalanduyan and drum set with Buster Smith, Vernel Fournier and Milford Graves. As a percussionist, she has performed southeast Asian gong music, jazz, avant-garde, improvised and solo concert works. She has performed with many great artists such as John Zorn, Dave Douglas Pauline Oliveros, Derek Bailey, Ikue Mori, Sylvie Courvoisier, William Parker, Dr. L Subramaniam, Kavita Krishnamurti, John Lindberg, Wadada Leo Smith, Mark Dresser, Thurston Moore, Savath and Savalas, Prefuse 73, Yo La Tengo, among others. Susie Ibarra has taught across the U.S and attended
For The Love Of Fire And Water
By Myra Melford
Label: Rogue Art
Released: 2022
Track listing: I; II; III; IV; V; VI; VII; VIII; IX; X.
Troy Dostert's Best Releases of 2022
by Troy Dostert
Did 2022 represent a return to “normal" in the jazz world? Perhaps, although it might be more valuable to keep our eyes focused on the shifting trajectories and stylistic heterodoxies that make this music as unpredictable and surprising as ever. Releases from Steve Lehman and Eve Risser were especially noteworthy, involving pan-continental strivings that are always ...
Yuko Fujiyama: Quiet Passion
by John Sharpe
American-based Japanese pianist Yuko Fujiyama has recorded sparingly over a 40-year career, so the arrival of Quiet Passion, only the fourth date under her leadership, is an occasion to perk up the ears. Also noteworthy is the unusual instrumentation she has chosen, supplementing her piano with the cornet of Graham Haynes and electronics of Ikue Mori. ...
Resetting the Standard - Part 2
by Ludovico Granvassu
This is the second part of an edition of Mondo Jazz that explores the repertoire built over the years by countless women composers, which are in part included in New Standards, the collection of 101 compositions by women composers curated by Terri Lyne Carrington for Berklee Press. For our selection we focus on instrumental tunes by ...
Six of the Best
by Jerome Wilson
Here are some thoughts on six recent quality jazz releases of varying types. Malcolm Earle Smith Vocal Intent Self Produced 2022 British musician Malcom Earle Smith is a trombonist by trade but on this album, he confines himself to vocals with pleasing results. His light, swinging voice ...
Myra Melford: For The Love Of Fire And Water
by John Sharpe
Inspired by artist Cy Twombly, pianist Myra Melford has produced a superb album which combines notated signposts with unbridled exchanges. She's helped by an all star agglomeration comprising some of New York's most accomplished instrumentalists: guitarist Mary Halvorson, saxophonist Ingrid Laubrock, cellist Tomeka Reid and drummer Susie Ibarra. As might be expected of the city's brightest ...
Matthew Shipp Trio: World Construct
by Karl Ackermann
Throughout his long and prolific career, Matthew Shipp has presented several different and impressive trio formations. Among the featured members have been bassists William Parker, and Joe Morris, and drummers Guillermo E. Brown, Whit Dickey, and Susie Ibarra. In 2015, two other premier players, bassist Michael Bisio, and drummer Newman Taylor Baker stepped in as the ...
Myra Melford, Eric Plaks & Music For Ukraine
by Maurice Hogue
Myra Melford's new recording, For The Love Of Fire And Water, is an excellent one. It's a multi-part suite performed by Melford, Ingrid Laubrock, Mary Halvorson, Tomeka Reid and Susie Ibarra. It's one of the feature recordings in a decidedly internationally-flavored show. New York pianist Eric Plaks contributes music from four of his groups, German saxophonist ...
A Different Drummer, Part 5: Terri Lyne Carrington
by Karl Ackermann
In her 2003 Carnegie Mellon University paper Experience West African Drumming: A Study of West African Dance-Drumming and Women Drummers, Leslie Marie Mullins explains that drumming was explicitly the territory of male musicians in West Africa. Mullins reveals that several myths were employed to keep women and drums far apart. Among them, Ghanaian women were thought ...
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