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255

Article: Album Review

Gary Urwin Jazz Orchestra: Kindred Spirits

Read "Kindred Spirits" reviewed by Jim Santella


With special guests Bill Watrous and Pete Christlieb on board, this big band session really smokes. Gary Urwin's third CD recording puts both guests in the spotlight alongside the band's capable roster of Los Angeles all-stars. The frequent musical conversations between Watrous and Christlieb (trading fours) gives Kindred Spirits a beautiful luster. Their sleek, ...

133

Article: Album Review

Chip Shelton: Peacetime

Read "Peacetime" reviewed by Jim Santella


Flutist Chip Shelton likes variety. His instruments are unique, and his musical programs always come with pleasant surprises. In addition to his arsenal of flutes from every musical register, he's elected this time out to add soprano sax and several poignant vocals to the program. Shelton's lyrical flute warbles like a songbird in the ...

165

Article: Album Review

The Gary Urwin Jazz Orchestra: Kindred Spirits

Read "Kindred Spirits" reviewed by Jack Bowers


When I'm listening to a big band album for the first time, the “grin factor usually comes into play. The wider the smile, the greater the excitement and pleasure. As Gary Urwin's smoking arrangement of Lester Young's “Lester Leaps In sprang through the headphones, I was grinning from ear to ear, and the smile seldom slackened ...

183

Article: Album Review

Matthias Lupri Group: Metalix

Read "Metalix" reviewed by Jim Santella


With this program of original compositions, vibraphonist Matthias Lupri takes his modern mainstream sextet through a series of musical adventures. Along with the standard timbres of an intense unit from today's contemporary jazz scene, he also employs electronic ideas to season the session with an added flair. (Another) Lost Creek, “Dream Nocturne, “Time Design, ...

347

Article: Album Review

Scott Whitfield Jazz Orchestra East: Diamonds for Nat

Read "Diamonds for Nat" reviewed by Jack Bowers


Throughout much of his musical career, trumpeter Nat Adderley was overshadowed by his larger-than-life sibling, the legendary alto saxophonist Julian “Cannonball Adderley. But Nat was a giant in his own right, not only as a player but also as a composer. (Does “Work Song ring a bell?) Nat also went out of his way to nurture ...

132

Article: Album Review

Sai Ghose: New Blood

Read "New Blood" reviewed by Jim Santella


Jazz's modern mainstream needs new blood in the form of emerging artists, innovative ideas, and creative new compositions. Pianist Sai Ghose comes up with a welcome plan on New Blood, bringing several new pieces to interpret with his quartet. They're tight. Everything seems to click as the four artists turn loose a spate of creative fire ...

195

Article: Album Review

Art Lillard's Heavenly Band: Reasons To Be Thankful

Read "Reasons To Be Thankful" reviewed by Michael P. Gladstone


File this one under: Swingin' NYC Big Band! Drummer, bandleader and composer Art Lillard has been leading versions of this organization over the past nineteen years and has produced in Reasons To Be Thankful an upbeat and impressive album that exposes several talented and underappreciated musicians in the Big Apple. The thirteen selections are all Lillard ...

278

Article: Album Review

Matthias Lupri Group: Metalix

Read "Metalix" reviewed by John Kelman


While Same Time Twice (Summit, 2002) found vibraphonist Matthias Lupri emerging as a noteworthy contemporary jazz composer, Transition Sonic (Summit, 2004) represented a significant compositional leap. Lupri fashioned a suite of pieces that, while generally unrelated thematically, ultimately created a longer, more complex narrative whose whole was greater than the sum of its parts. With Metalix ...

25

Song of the Day

Swingin' The Blues Away

Album:
By
Label: Summit Records
Released: 2006
Duration: 03:55

212

Article: Album Review

Art Lillard: Reasons to be Thankful

Read "Reasons to be Thankful" reviewed by Jim Santella


Recorded in 2000, this session by Art Lillard's big band combines lively swing and a traditional mainstream essence into one original package. Lillard and members of his organization wrote the music for this romping program. Lillard, a drummer, leads the band with a swinging rhythmic foundation and comfortable strides. He brings in vocal soloists for six ...


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