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7

Article: Profile

Roland Kirk: Here Comes The Whistleman

Read "Roland Kirk: Here Comes The Whistleman" reviewed by Duncan Heining


This December, it will be thirty-nine years since Rahsaan Roland Kirk split the scene for good. He was forty-one and about two-thirds of that short life span had been spent as a professional musician. He might not have been around long but he left behind a powerful legacy that may have no parallel in jazz or ...

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Article: Album Review

Kenny Washington: Moanin'

Read "Moanin'" reviewed by Chris Mosey


Feed “Kenny Washington" into Google and up come “Kenny Washington (Football player)," “Kenny Washington (Basketball)" and “Kenny Washington (Drummer)." None of whom is the Kenny Washington who wowed Danish jazz audiences for three nights at Jazzhus Montmartre, Copenhagen in October 2015. That Kenny Washington was born in New Orleans and presently inhabits the ...

6

Article: Album Review

Ashleigh Smith: Sunkissed

Read "Sunkissed" reviewed by Jeff Winbush


Summer 2016 was hot, sticky and not a lot of fun. Many big name Hollywood blockbusters tanked. The presidential election has been a long slog. Television ratings for the Summer Olympics were off and every time you turned on the TV there were plenty of reasons to turn it back off. Then along came ...

9

Article: Album Review

Warren Wolf: Convergence

Read "Convergence" reviewed by Mark F. Turner


The paucity of jazz vibraphonists may be due in part to the complexity of mastering an instrument that's like a hybrid of drums, percussion and piano. Notwithstanding, one of the instrument's brightest stars is 36 year old Baltimore native Warren Wolf, a rising virtuoso whose form and technical abilities continue the lineage of great vibe players ...

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Article: Album Review

Scott Tixier: Cosmic Adventure

Read "Cosmic Adventure" reviewed by James Nadal


If there is a French connection in contemporary jazz, it might arguably be the violin. Though the instruments role was explored by American pioneering ensembles, the French players added an innovative approach to improvisation, incorporating more of the European influence. Heralded as a violin trendsetter for the current generation, French wunderkind Scott Tixier returns four years ...

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Article: Album Review

Eric Bibb: The Happiest Man In The World

Read "The Happiest Man In The World" reviewed by Chris Mosey


Like his mentor Taj Mahal, Eric Bibb plays and sings acoustic country blues in praise of the simple things in life. He doesn't go in for flashy solos or what used to be called “the old moody." His career spans five decades and this is 36th album. In “Prison of Time," the best, most heartfelt song ...

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Article: Album Review

Telmo Fernandez / Phil Wilkinson / Caspar St Charles: The Soul Jazz Beat Vol. 2

Read "The Soul Jazz Beat Vol. 2" reviewed by Bruce Lindsay


The Telmo Fernández Organ Trio has already been on the soul jazz beat--as the title of The Soul Jazz Beat Vol. 2 makes clear. The Soul Jazz Beat Vol. 1 (Free Code Jazz Records, 2015) was delightful, Vol. 2 carries on in the same vein, this time giving each individual musician a name credit.For ...

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Article: Album Review

Robert Glasper, Miles Davis: Everything's Beautiful

Read "Everything's Beautiful" reviewed by Asher Wolf


Miles Davis birthed cool in 1949 and nearly took it to the grave with him 52 years later. His first venture into hip-hop and last studio album, Doo-Bop, represented the least cool moment for America's icon of coolness itself. By the '90s, Miles' prowess as a trumpeter had only waned from legendary to excellent, but younger ...

1

Article: Live Review

Thelma Houston at the Catalina Jazz Club

Read "Thelma Houston at the Catalina Jazz Club" reviewed by Belinda Ware


Thelma Houston and Taalam Acey Catalina Jazz Club Los Angeles, CA April 29, 2016 It was a beautiful starry night. The weather was just right. Perfect for a stroll down Sunset Boulevard in the heart of Hollywood. I took a short cut walking from the Walk of Fame ...

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Article: Catching Up With

Jane Monheit and her Muses...

Read "Jane Monheit and her Muses..." reviewed by C. Michael Bailey


When vocalist Jane Monheit blew the music community's hair back with her debut recording Never Never Land (N-Coded Music) in 2000, she was 22-years old, beautiful, sensual, soon-to-be-married and talented with chops to spare. By 2016, Monheit had released nine additional studio recordings, including the well-received Come Dream With Me (N-Coded Music, 2001) and Surrender (Concord, ...


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