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Daniel Bennett Group: The Mystery at Clown Castle
by Mark Sullivan
The Daniel Bennett Group's music is seductive. Bennett's jazz/rock tunes are bright, attractive, and relentlessly catchy: but odd meters, minimalism, hard rock guitar, and outside jazz are all lurking just below the surface. He even manages to make spoken word go down just as easily as vocals, no doubt greatly aided by the skills of guest ...
Sanguine Hum: Now We Have Light
by John Kelman
Sometimes things take a long time to gestate in the minds of musicians, but Sanguine Hum may well be eligible for entry in the Guinness Book of World Records-- if there was such a category (and if there isn't, perhaps now there should be)--for Longest Time to Bring a Musical Concept to Fruition. OK, it's a ...
MONOGLOT: MONOGLOT
by Mark Sullivan
MONOGLOT comes by their band name honestly, a Swiss/German/Icelandic jazz/rock quintet based in Basel, Switzerland that speaks with one voice. Their music is all instrumental, and the improvisational elements clearly mark it as jazz, but the rock elements are strong as well. This is a contemporary group with one foot in the jazz tradition and another ...
ICP Orchestra Plus Ken Vandermark/Nate Wooley at FringeArts
by Victor L. Schermer
ICP Orchestra FringeArts Ars Nova Workshops Philadelphia, PA January 11, 2015 Despite a cold and damp Sunday night in January, a packed house came to hear a stellar group of musicians from the Netherlands for a performance at the FringeArts Center in the Old City section of town. This ...
Philip Glass: Low Symphony
by Nenad Georgievski
Back in 1977 singer David Bowie released two groundbreaking records, Low (EMI, 1977) and Heroes, (EMI, 1977) which together with Lodger constitute (EMI, 1979) a famous triptych of records or the iconic Berlin Trilogy. It was during this period that he created some of the critically most acclaimed and forward looking music (but commercially less successful) ...
Sylvain Rifflet & Jon Irabagon: Perpetual Motion (A Celebration of Moondog)
by Karl Ackermann
In 1932, when he was sixteen years old, living in the heartland of depression era America, a farm accident left Louis Thomas Hardin blind. For roughly twenty-five years spanning the 1940s to the mid-1970s, he was often found on some street corner in the vicinity of 52nd Street and 6th Avenue in Manhattan, sometimes talking philosophically ...
Diatribe Records Solo Series II
by Ian Patterson
Four years on from Diatribe Records' outstanding Solo Series I, which featured solo piano recordings by Izumi Kimura and Isabelle O'Connell, a guitar solo offering from Simon Jermyn and a clarinet solo work from Paul Roe, the Dublin label is back with the equally impressive Solo Series II. The four musicians presented in this second round ...
Topology And Trichotomy: Healthy
by Bruce Lindsay
Collaboration is a jazz staple, just one of the many ways musicians seek to breathe a freshness into their performance or composition. Mostly, such collaborations take place between individuals. Healthy takes collaboration one stage further, joining together two Australian outfits--jazz piano trio Trichotomy and contemporary classical quintet Topology--on a collection of original compositions plus a take ...
Copenhagen Jazz Festival 2014
by Henning Bolte
Copenhagen Jazz Festival Copenhagen July, 8-10, 2014 The ten-day Copenhagen Jazz Festival, with its 1,200 concerts, is maybe the largest of its kind in Europe. This number of concerts is the consequence of a unique concept. The core of the festival, with some international headliners, is a relatively small scale ...
Manfred Eicher: ECM - Selected Signs III - VIII
by John Kelman
When München's Haus der Kunst sponsored a nearly three-month exhibition about the ECM Records label, ECM: A Cultural Archeology, which ran from November, 2012 to February, 2013, there was far more to it than just bringing together collections of album covers, rarely seen video, archival tapes, imagery and concert performances. As much as ECM has carved ...
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