Results for "Stephanie Richards"
Label: Firehouse 12 Records
Track listing: Composition No. 402; Composition No. 408; Composition No. 409; Composition No. 410; Composition No. 412; Composition No. 413; Composition No. 414; Composition No. 415; Composition No. 416; Composition 418; Composition No. 419; Composition No. 420.
Featuring the music of Stephanie Richards
by Ludovico Granvassu
This week our playlist is bursting at the seams with great projects, several of which explore the renewed interest in what many like to call 'spiritual jazz,' from Roberto Ottaviano to Dwight Trible's Cosmic Vibrations and Matthew Halsall out of the increasingly interesting Manchester jazz scene. The rest of the playlist alternates forward looking projects like ...
by Mike Jurkovic
With all the threatening weirdness and desperate surrealism that has become life in the USA, it makes absolute sense that Supersense, daring trumpeter/composer Steph Richards' third full length album, starts out like an encroaching invasion of ants, or microbes, or a disruptive, divisive, myopic political movement. As with such forward seeking rebels as Henry ...
by Peter J. Hoetjes
When a large ensemble like the one heard on Pure Heart contains such dynamic personalities as Ravi Coltrane, Oscar Noreiga and Dezron Douglas, it's a sure bet that a bandleader is going to have their hands full directing them through his compositions. However, with just five songs to the album, pianist James Carney is able to ...
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Results for pages tagged "Stephanie Richards"...
"The musical headspace in which rising Brooklyn-via-Canada trumpeter Steph Richards operates stretches far beyond avant-garde jazz—an area she’s explored with visionaries such as Anthony Braxton, Henry Threadgill, and John Zorn—and into art- pop territory (she’s logged studio time with Yoko Ono and David Byrne too).” (JazzTimes). Driven by a curiosity of how listeners engage with sound, Canadian trumpeter and composer Steph Richards is a radical innovator in the avant and experimental scenes. From choreography to underwater percussion, her compositions have premiered on stages as varied as Carnegie Hall, the Blue-note and Lincoln Center to underground iconic venues such as The Stone