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Piccola guida al nuovo jazz italiano
by Luca Canini
Non è vero che il jazz italiano sta bene. Non è vero che siamo il paese dei festival e che abbiamo musicisti che tutto il mondo ci invidia. Possiamo raccontarcela tra di noi, se vi va. Facendo finta che questo sia il migliore dei mondi possibili e che il sole dell'avvenire splenda alto sopra l'orizzonte, ma ...
Didier Verna: Roots and Leaves
by Roger Farbey
Don't judge a book a book by its cover or a recording by its first track. “Old Times" is certainly that, a paean to the swinging age of the Quintet of the Hot Club of France and guitarist Didier Verna displays his considerable talent with a nimble solo, as do each of the other members of ...
Eberhard Weber: Hommage à Eberhard Weber
by John Kelman
Despite being waylaid from playing the instrument that defined his approach to both performance and composition by a severe 2007 stroke, Eberhard Weber has managed to accomplish the seemingly impossible feat of continuing to make recordings that revolve around his instantly recognizable, custom-made electro-acoustic instrument: 2013's Resumé and 2015's appropriately titled Encore, both on ECM Records, ...
Norfolk And Norwich Festival 2015
by Bruce Lindsay
Norfolk And Norwich Festival Norwich, UK May 8-24, 2015 With a program that includes dance, visual arts, site-specific theatre in city streets and ancient woodland and a few almost impossible to define events, a festival such as the annual Norfolk and Norwich Festival still manages to find space for jazz. ...
Federico Britos: Hot Club of the Americas
by Edward Blanco
Violinist extraordinaire Federico Britos originally from Montevideo, Uruguay and affectionately referred to by his close friends as “Federico the Uruguayan"--state's one of his closest colleagues, Paquito D'Rivera--has always had a particular affinity for the music of Django Reinhardt, Stephane Grappelli and the renowned Hot Club of France. Britos pays tribute to the music of that era ...
Larry Coryell: Less Rock, More Jazz
by Todd S. Jenkins
This interview was originally published at All About Jazz in June 2001. A true jazz pioneer, guitarist Larry Coryell was one of the earliest musicians to experiment with the fusion of jazz and rock styles. Originally from Galveston, Texas, Coryell moved to New York in 1965, at a time when the city's music scene ...
Lisanne Tremblay: Violinization
by Dan McClenaghan
Say “jazz" and the musical instrument that comes to mind might be the saxophone or the trumpet. Say “classical" and it's probably the violin. But there's a long history of players of that have taken that quintessentially classical instrument and moved into the jazz/improvised music world: Stephane Grappelli (1909-1997) and his swinging Quintette du Hot Club ...
Tomoko Omura: Roots
by Ian Patterson
The roots of the title of violinist Tomoko Omura's second CD as leader refer to traditional and popular melodies familiar to several generations of Japanese. But if the melodies of Omura's childhood have left an indelible stamp on her musical DNA, so too has the past decade spent in America absorbing the roots of jazz. It's ...
International Jazz Day - Paris, France - April 30, 2015 - Join the celebration!
On April 30, 2015, the world will celebrate the fourth edition of International Jazz Day. In parallel with hosting UNESCO's ongoing 70th Anniversary celebration, Paris, France will serve as the International Jazz Day 2015 Global Host City. This special designation recognizes the historically significant influence that Paris, and more broadly France, has had on jazz music ...
McCoy Tyner
by AAJ Staff
Some jazz fans only have a partial acquaintance with McCoy Tyner, that being that “he was Coltrane's pianist." Indeed, it is fairly common to know McCoy Tyner only through his stellar contributions as a sideman in the 1960s, not only with Coltrane but also with Wayne Shorter, Bobby Hutcherson and Joe Henderson. Along with 'Trane, these ...
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