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Musician

Steely Dan

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Steely Dan has been more of a conceptual framework for inventive music-making than a typical rock band. Spearheaded by a pair of resourceful musical auteurs Donald Fagen and Walter Becker - they have done nothing by the books since launching Steely Dan in 1972. The band’s very name is a scatological reference from a novel by Beat Generation anti-hero William Burroughs. Though Steely Dan recorded prolifically for much of the Seventies, they toured for only a brief spell early in that decade, deciding they much preferred the studio to the road. This allowed them to craft a wry, nuanced and hyper-literate series of albums - seven in all, released from 1972 to 1980 - that are highly regarded by connoisseurs of pop hooks, jazz harmony and desiccating wit. Beneath the highly polished surface of Steely Dan’s music, astute listeners could hear a visceral love of and identification with the very soul of jazz

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Article: Album Review

James Robert Murphy: Sunday Morning

Read "Sunday Morning" reviewed by Kyle Simpler


Some musicians stick to one style and consistently remain true to it, while others continually explore new sounds and musical styles. Guitarist James Robert Murphy, aka Austin Jimmy Murphy, falls into this second category. He has worked in various genres, but he is clearly a jazz player at heart. With Sunday Morning, he offers a satisfying ...

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Article: Radio & Podcasts

Eric McPherson, Adegoke Steve Colson, and Emma Hedrick

Read "Eric McPherson, Adegoke Steve Colson, and Emma Hedrick" reviewed by Jerome Wilson


This episode incudes recent music from Eric McPherson, Adegoke Steve Colson and Emma Hedrick as well as older tunes from Steely Dan, Lee Konitz, and Billy Childs. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Weather Report ...

Article: Album Review

Catherine Russell, Sean Mason: My Ideal

Read "My Ideal" reviewed by Angelo Leonardi


Un album come questo può nascere solo dall'amore per i tesori nascosti del songbook statunitense. E l'amore vero, si sa, non fa calcoli. Sulla carta è ampiamente controcorrente (o se preferite demodé) e quindi fuori mercato per la sua scelta di escludere quasi completamente brani in grado di sollecitare la memoria del pubblico. L'unico ...

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Article: Interview

Ola Onabulé: A Tapestry of Soul, Jazz and Global Roots

Read "Ola Onabulé: A Tapestry of Soul, Jazz and Global Roots" reviewed by Angelo Leonardi


Singer-songwriter and producer Ola Onabulé shares insights into his life and work, spotlighting his eclectic collaboration with guitarist Nicolas Meier, which led to the release of Proof of Life (Self Produced, 2025). Both based in London, the British-Nigerian vocalist and Swiss guitarist discovered, during the isolation of the pandemic, a shared empathy in their ...

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Article: Interview

Ola Onabulè: una musica senza confini

Read "Ola Onabulè: una musica senza confini" reviewed by Angelo Leonardi


Il cantautore e produttore Ola Onabulé ci parla della sua vita e del suo lavoro a partire dall'eclettica collaborazione col chitarrista Nicolas Meier, che ha portato alla recente uscita dell'album Proof of Life. Entrambi residenti a Londra, il vocalist britannico d'origine nigeriana e il chitarrista svizzero hanno scoperto, nei mesi dell'isolamento pandemico, di condividere empaticamente i ...

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Article: Album Review

Jim Doherty: Jim Doherty's Spondance

Read "Jim Doherty's Spondance" reviewed by Ian Patterson


Jim Doherty never lacked ambition, but a suite for jazz ballet or even jazz dance was always going to be a difficult sell in '80s Ireland. All was not lost for the pianist and composer, however. A few strings pulled here and there saw Doherty and his long- term collaborator, Louis Stewart decamp to Los Angeles, ...

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Article: Album Review

Branford Marsalis Quartet: Belonging

Read "Belonging" reviewed by Mike Jurkovic


For his Blue Note debut, saxophonist Branford Marsalis and his long-standing quartet--pianist Joey Calderazzo, bassist Eric Revis and drummer Justin Faulkner--hit the sweet spot again and again and again, reinterpreting and re-imagining Keith Jarrett's epochal 1974 ECM classic, Belonging. Not only did Jarrett introduce the world to his no-holds-barred fear-no-idea European quartet--saxophonist Jan Garbarek, ...

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Article: Highly Opinionated

Why Steely Dan Can Never Really Be Yacht Rock

Read "Why Steely Dan Can Never Really Be Yacht Rock" reviewed by Eric Pettine


This article was first published on All About Jazz on April 20, 2019. The website Really Smooth Music provides the definition of the term Yacht Rock as being “a variation of popular Soft Rock that peaked between the years of 1976 and 1984 (as featuring a) highly polished brand of soft rock that emanated ...

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Article: Album Review

John Ambrosini: Songs for You

Read "Songs for You" reviewed by Richard J Salvucci


John Ambrosini is a New York City-based pianist, composer and arranger. He has a number of recordings to his credit and this one, strictly speaking, is a bit of a departure. Ambrosini's band is populated by a number of well-known jazz professionals in and around the city. So the music swings and the solos--including piano--are all ...


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