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Sammy Nestico and the SWR Big Band: Fun Time and More Live
by C. Michael Bailey
Big band jazz has evolved into its own avant-garde art form, where the arrangements have become progressively more complex and cerebral. Not that there is anything wrong with that, but it does make for a different type of big band listening experience. Modern big band jazz, in some quarters, has veered off into a non-swinging, Stan ...
Let's Give Thanks for the DVD
by Jack Bowers
As there isn't much to report--well, nothing, actually--about big bands this month, I'll use the space to say a few words in praise of the DVD. Yes, I know there aren't a whole lot of jazz DVDs on the market, especially big band videos, but there are a few, and I'm grateful for every one of ...
Laurindo Almeida, Charlie Byrd, and Ralph Towner
by Sean Dietrich
The concert guitar is hailed by many as the perfect instrument. After being perfected in the Baroque age, virtuosos believed the wooden torso to posses the variety of an orchestra. The concert guitar produces a wide range of tone, timber, color, and dynamic expression unlike any other stringed instrument, capable of projecting a delicate voice of ...
Mr Ho's Orchestrotica: Endless Bachelor Party
by Gordon Marshall
Led by pianist and multi-percussionist Brian O'Neill, Mr Ho's Orchestrotica plays the kind of music you can listen to with your mother. She'll love the '50s atmosphere of The Unforgettable Sounds of Esquivel (Exotica For Modern Living, 2010)--while you'll pick up all the left-of-center global hints--and she won't even know it's good for her! It's good, ...
Mr Ho's Orchestrotica's Brian O'Neill Interviewed at All About Jazz
Led by pianist and multi-percussionist Brian O'Neill, Mr Ho's Orchestrotica plays the kind of music you can listen to with your mother. She'll love the '50s atmosphere of The Unforgettable Sounds of Esquivel (Exotica For Modern Living, 2010)—while you'll pick up all the left-of-center global hints—and she won't even know it's good for her! It's good, ...
Winter Jazzfest, New York City, Day 1: January 7, 2011
by Gordon Marshall
Day 1 | Day 2 Winter JazzfestNew York, NYJanuary 7-8, 2011 What with the snow, the lines, the standing-room-only crowds, New York City's Winter Jazzfest can be a hectic, hectoring hell of force-feeding, a speed-read tasting menu of mad musical difference, as hard to digest in the instant ...
Portland Jazz Orchestra: Nor'easter
by Nicholas F. Mondello
Although the era of the gig-to-gig road-traveling big band is defunct, save for a few ghost bands, fine regional big bands continue to thrive around the United States. From Los Angeles, killer bands such as Gordon Goodwin's Big Phat Band and Tom Kubis's and Gary Urwin's respective ensembles, to the East Coast where groups such as ...
Zeno de Rossi / Shtik: The Manne I Love! (Vol. 1 & Vol. 2)
by Mark Corroto
Drummer Zeno De Rossi's tribute to the late Shelly Manne covers the valiant west coast drummer's contributions from swing to bebop, and from soundtracks to Frank Zappa. Recorded over a two-year period, this double-disc set incorporates varying ensembles and diverse styles into an inexhaustible homage to a neglected jazz hero. Shtik'sprevious release--Me'or 'Einayim (El ...
Ray Brown’s Great Big Band: Kayak
by Robert J. Robbins
Not to be confused with the late, legendary bassist of the same name, San Francisco-based bandleader/arranger Ray Brown, an ex-trumpeter with the Stan Kenton and Full Faith and Credit big bands, drives his own nineteen-piece ensemble populated by the Bay Area's A-list musicians. Brown, whose percussionist father pioneered jazz education in the public schools of Long ...
Kenton Declares Jazz is Finished
Six months before Stan Kenton recorded Kenton Plays Wagner, the bandleader let jazz have it in an April 1964 Down Beat article. Like the January 1964 Granz interview that I posted yesterday, Kenton blamed jazz's woes on folk—a rather quaint scapegoat of choice among one-time jazz powers. Folk surged in popularity in the 1950s but never ...
