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Dan Kinzelman: flusso di coscienza
by Neri Pollastri
Dan Kinzelman, sassofonista e clarinettista statunitense da oltre un decennio residente in Italia, è ormai parte del panorama jazzistico nazionale ed è anche tra i suoi artisti più apprezzati, vuoi per le eclettiche e sorprendenti doti di strumentista, vuoi perché anima alcune delle più interessanti proposte del nostro jazz, dal trio collettivo Hobby Horse al suo ...
Jeff Williams: Lifelike
by Mike Jurkovic
Sounding as real as real gets, Lifelike's forward thinking drummer/composer Jeff Williams' heady sextet sure sound like they're all sitting in on a late night, cramped back room cutting session, with each player challenging, coaxing the other to new heights and horizons. Williams, an alumni of such name drops as Stan Getz, Dave Liebman, ...
Peter Madsen: Never Bet The Devil Your Head
by Mike Jurkovic
Based on pianist/composer/bandleader Peter Madsen's extensive CV: Stan Getz, Stanley Turrentine, Dewey Redman, Benny Golson, Don Cherry, Kenny Garrett, Joe Lovano, Dave Liebman, Ravi Coltrane, Maceo Parker, Bill Frisell, John Abercombie and the Mingus Big Band, it's not surprising and often brilliant that on his eighth release for Playscape, Madsen exhibits a nearly prog-rock, anything goes ...
Peter Madsen's Seven Sins Ensemble: Never Bet The Devil Your Head
by Dan McClenaghan
Pianist Peter Madsen has come up with a novel idea for a jazz record: A Tribute to Edgar Allen Poe (1809-1849), America's founding father of macabre/horror fiction. Bringing together a jazz quartet--piano/bass/drums/trumpet--and a string quartet, Madsen and his Seven Sins Ensemble capture the moods and atmospheres of some of the author's better-known tales on Never Bet ...
A Selection of Jazz on Sonorama
by Jakob Baekgaard
A good record is not just an album, it is a story, and few people understand this better than Ekkehart Fleischhammer, who runs Sonorama. The label specializes in reissues and discoveries of lost jazz classics, library music, funk and soul. Every release is a labor of love and the albums in the following batch all include ...
Julian Pressley: From The Duke To Ornette In His Own Way
by Victor L. Schermer
Julian Pressley isn't exactly a household name, but it's a name every jazz aficionado should know. When he plays his alto saxophone, ears perk up because he's playing what they came to hear: music that embodies the legacy. Passionate, quick-witted, and full of new ideas, Pressley stands out in the crowd, a genuine original. Yet you ...
Culture Clubs: Part IV: When Jazz Met Europe
by Karl Ackermann
The Geography of Jazz--When Jazz Met Europe In 2004 Maureen Anderson, a researcher at Illinois State University contributed a dissertation to the journal, African American Review, titled The White Reception of Jazz in America. Ostensibly, her article deals with stories published in high profile periodicals and journals from 1917 and into the 1930s, written by white ...
Formats – Solo Through Nonet
by C. Michael Bailey
One plus Two, equals three, and so on. What arbitrary combo size constitutes a big band? None of these. Solo: Jamie Saft Solo a Genova RareNoise Records 2018 That musical provocateur Jamie Saft, he is a prankster. After making all kinds of noise with the likes of Metallic Taste ...
Walter Smith III: Twio
by Roger Farbey
The unashamedly retro cover art of Twio accurately signposts the content of this imaginative album's track selection of jazz classics and standards. The only exception to this programme is Walter Smith III's original composition “Contrafact," chordally based on “Like Someone In Love" but given a 5/4 makeover. This involves the twin tenors of Smith and guest ...
Jazz Musician of the Day: Stan Getz
All About Jazz is celebrating Stan Getz's birthday today! Beginnings... Stan Getz was born at St. Vincent\'s Hospital in Philadelphia, Pennsylvania on Feb. 2, 1927. He had one brother, Robert, who was born on October 30, 1932. His parents had come from the Kiev area in the Ukraine in 1903, tired and fearful of the Pogroms. ...
