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Janet Evra: Ask Her to Dance
by Mackenzie Horne
When bassist Janet Evra dropped her debut solo record in the fall of 2018, she gifted something special to the residents of her adopted hometown. A veteran of the St. Louis circuit, Evra has made a name for herself on the scene vis-à-vis her Brazilian-heavy repertoire and charming voice. Many hours spent poring over the discographies ...
Arturo Sandoval: Two Counties, Two Lives, One Trumpet de Oro
by Jim Worsley
Arturo Sandoval is widely considered the world's premier living trumpet player. You will get no argument from me. After a tumultuous life in Cuba, he and his family successfully sought political asylum in the United States. His story is well documented in For Love or Country (HBO, 2000). Andy Garcia portrays Sandoval in this movie that ...
Jeff Williams: Bloom
by Roger Farbey
In a new departure, Jeff Williams has forsaken the quartet, quintet or sextet configurations of his previous four albums for Whirlwind in favour of this very convincing trio format. In tandem with this slimmed-down enterprise, he's employed a pianist and composer who is undoubtedly a rising star of jazz. Carmen Staaf graduated with a joint degree ...
Nate Najar with the John Toomey Trio at Attucks Theatre
by Mark Robbins
In 1961, under the sponsorship of the U.S. State Department, jazz/classical guitarist Charlie Byrd toured South America. This trip proved to be fortuitous for both Byrd and North America for it introduced Byrd to the Brazilian Bossa Nova. Back in the states Byrd played Bossa Nova tapes for Stan Getz who then convinced producer Creed Taylor ...
Federico Ughi: Transoceanico
by Patrick Burnette
Dozens of jazz albums modeled on trumpeter Miles Davis's Miles Smiles (Columbia, 1966) or saxophonist John Coltrane's Crescent (Impulse!, 1964) get released each year, but a record reminiscent of Albert Ayler's Spiritual Unity (ESP-Disc, 1964) is less common. Drummer Federico Ughi's Transoceanico nods vigorously in Ayler's direction, even as it marks Ughi's twentieth anniversary as a ...
Mosaic Blow-Out, Anita @ 100 & More
by Marc Cohn
So, my log book reminded me it was time to play some Fats Waller, and the Savory box just arrived from Mosaic, which contains fabulous Waller airchecks. Done! Well, one thing lead to another, and as you see below, more Mosaics screamed for attention. Anita O'Day is 100 in the Fall--time for a warmup with Sings ...
Harold Danko: His Own Sound, His Own Time
by Jakob Baekgaard
The famous sculptor, Henry Moore, hit the nail on the head when he said: “there's no retirement for an artist, it's your way of living so there's no end to it." This statement certainly rings true in the case of pianist and composer, Harold Danko. Even though he has retired from a long and distinguished career ...
CTI on BGO, Part 2
by Jakob Baekgaard
2018 proved to be a very good year for reissues of CTI-albums on the British label, BGO. They stepped up with an abundance of albums from the likes of guitarist Jim Hall, saxophonist Stanley Turrentine and flautist Hubert Laws (you can read about them here). So far, 2019 also looks promising and kicks off with releases ...
Kenny G: Playin' It Straight
by Ken Dryden
Kenny G has been categorized as a jazz musician by record companies simply because he plays saxophone. The reality is that his style is actually banal pop consisting of repetitious melodies with short passages of bland improvisation and, occasionally, long-held notes to show off his grasp of circular breathing—a technique Clark Terry and Rahsaan Roland Kirk ...
Ron Carter Quartet At Regattabar
by Peter Jurew
Ron Carter Quartet Regattabar Cambridge, MA February 22, 2019 You are the “World's Greatest Jazz Bassist," as a sign used to say at The Knickerbocker Saloon in New York City, where you and Cedar Walton held forth for many years. You have been at the top of your ...
