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26

Article: Radio & Podcasts

Savoy Almost Gave Me a Migraine & More!

Read "Savoy Almost Gave Me a Migraine & More!" reviewed by Marc Cohn


I promised to play more from that fabulous 1968 Houston Person release this week--so yeh, that's here (Soul Dance, Prestige 7621) with Boogaloo Joe Jones). It's criminally out-of-print, as is our Carmen McRae centennial feature (the classic As Time Goes By on JVC, issued for 'a minute' as an LP on Catalyst in the US many ...

64

Article: Building a Jazz Library

Prestige Records: An Alternative Top 20 Albums

Read "Prestige Records: An Alternative Top 20 Albums" reviewed by Chris May


Along with Alfred Lion's Blue Note and Orrin Keepnews' Riverside, Bob Weinstock's Prestige was at the top table of independent New York City-based jazz labels from the early 1950s until the mid 1960s. Like those other two labels, Prestige built up a profuse catalogue packed with enduring treasures. Originally a record retailer, Weinstock ...

11

Article: Interview

Yuri Honing: Sounds And Vision

Read "Yuri Honing: Sounds And Vision" reviewed by Ian Patterson


Strange that such a gruesome tale, drowning in blood, could have inspired so much great art. So it goes with Bluebeard, the seventeenth century French folktale, which continues to inspire artists to this day. Dutch saxophonist/composer Yuri Honing's Bluebeard (2020)-- his fourth album on Challenge Records with his acoustic quartet--is not just a highly personal take ...

10

Article: Album Review

Ted Moore Trio: The Natural Order of Things

Read "The Natural Order of Things" reviewed by Jack Bowers


A piano trio led by a drummer? While that may not always be The Natural Order of Things, it is here. The drummer is the veteran Ted Moore, his teammates the talented pianist Phil Markowitz and rock-solid bassist Kai Eckhardt. Moore composed and arranged (almost) all of the music, which enlivens themes from Brazil and Spain, ...

26

Article: Radio & Podcasts

Trumpets? Yes (And More)

Read "Trumpets? Yes (And More)" reviewed by Marc Cohn


Lots of trumpeters this week (mostly 21st century music): Marcus Printup, Ron Horton, Roy Hargrove, Farnell Newton, along with Buck Clayton (and Buddy Tate) plus Emmett Berry (and Don Byas). Big band (a bit off center) from Marty Ehrlich and Django Bates and the Charlie Parker centennial (Koko, including the 'famous' breakdown) and our chronological Sonny ...

1

Article: Multiple Reviews

Composer Tributes: Strayhorn, Shorter, Monk and Sam Jones

Read "Composer Tributes: Strayhorn, Shorter, Monk and Sam Jones" reviewed by Jerome Wilson


There always seem to be albums coming out that pay tribute to accomplished jazz composers. Here are some newer ones, three on very familiar names and one on an often overlooked musician. John Di Martino Passion Flower: The Music of Billy Strayhorn Sunnyside Records 2020 Pianist John ...

26

Article: SoCal Jazz

Frank Tiberi: The Thundering is Still Heard

Read "Frank Tiberi: The Thundering is Still Heard" reviewed by Jim Worsley


The term “ninety-two years young" is a bit cliché, but if the shoe fits (oops, another cliché). Saxophonist Frank Tiberi (pictured above playing with saxophonist and long time friend George Garzone to the left) spoke with the verve and energy of a much younger man. He got excited, as if being back in the moment, when ...

12

Article: Extended Analysis

Live in Schauburg, Bremen, Germany, 1983

Read "Live in Schauburg, Bremen, Germany, 1983" reviewed by Jakob Baekgaard


The history of jazz is not only a story of great individuals, but also a narrative of partnerships that have shaped the development of the music. Just think of Charlie Parker and Dizzy Gillespie, Louis Armstrong and Earl Hines and Al Cohn and Zoot Sims. There's also a proud tradition of combining saxophone and piano with ...

7

Article: Album Review

Jeff Rupert/George Garzone: The Ripple

Read "The Ripple" reviewed by Jim Worsley


The Ripple refers to the infectious, warm, intimate, yet big sound developed by the great Lester Young, starting in the late 1930s. While Young pioneered improvisational creativity, Stan Getz later took the baton (well, it was actually a saxophone) and further expanded his idol's stylish approach with new and creatively open-ended visions. Young and Getz collectively ...

4

Article: Radio & Podcasts

Chick Corea in the Fusion Era - Acoustic and Electric (1966 - 1973)

Read "Chick Corea in the Fusion Era - Acoustic and Electric (1966 - 1973)" reviewed by Russell Perry


Chick Corea began recording as a sideman for artists like Mongo Santamaria, Blue Mitchell, Herbie Mann and Cal Tjader in 1962. In 1966, he started his career as a leader, while still touring with Stan Getz. Like many others, his studio work and touring with Miles Davis from 1968--1970 raised his profile, leading him to a ...


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