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Nica Carrington: Times Like These
by Pierre Giroux
Intrepid may be the best word to use to describe the singer Nica Carrington's self-produced debut album. Not many months before recording it, Nica, who had been taking voice lessons, came across the highly regarded Los Angeles based pianist, arranger, and jazz voice instructor John Proulx, who thought that she showed such promise that he was ...
Horace Silver: His Only Mistake Was To Smile
by Chris May
In his sleeve note for the audio restored Horace Silver album Live New York Revisited (ezz-thetics, 2022), British writer Brian Morton cut to the chase. “[Silver]'s only mistake," he wrote, “was to smile while he was playing... a challenge to the notion that jazz should be deadly serious and played with a pained rictus."
CTI Records: Ten Tasty Albums With No Added Sugar (Almost)
by Chris May
Few jazz producers divide opinion as much as Creed Taylor. He is a hero to many and a villain to as many more. His fans love him for his high production values. His detractors accuse him of dumbing jazz down with excessively sweetened orchestrations and other sales-oriented compromises. Nowhere is the dispute more heated than over ...
Various Artists: First Impulse: The Creed Taylor Collection 50th Anniversary
by Chris May
The headline news on this lavishly packaged, four-CD collection of the work of the Impulse! label's founding producer, Creed Taylor, is that it includes three previously unreleased tracks by John Coltrane. These were recorded during rehearsals for what would become the saxophonist's Impulse! debut, Africa/Brass, in 1961. They have a combined playing time of less than ...
Creed Taylor Productions, Part 2
by Chris M. Slawecki
Part 1 | Part 2 The place in jazz history held by Creed Taylor is impeccable, stylish, and essential. He produced some of the best music for some of the best labels dedicated to jazz, then formed his own label and with meticulous preparation and his musician's ear kept on making great jazz ...
Mark de Clive-Lowe: Celebrating Pharoah Sanders
by Chris May
It is a curious thing, but among the present day champions of Pharoah Sanders' fundamentally acoustic music are two early adopters of post-production heavy, digitally-enabled, high-tech mutoid jazz: bassist and producer Bill Laswell and keyboardist and broken-beat pioneer Mark de Clive-Lowe, whose Freedom: Celebrating The Music Of Pharoah Sanders (Soul Bank) was released in July 2022. ...
Saxophonists, Classic and Contemporary
by Jerome Wilson
This show features a wide variety of saxophonists, both as soloists and bandleaders. It includes iconic players like Stan Getz and Roscoe Mitchell as well as today's stars with Melissa Aldana and Miguel Zenon. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry ...
The Jazz Professors: Blues and Cubes
by Jack Bowers
Yes, the Florida-based Jazz Professors, as befits the name, are smart—but don't let that throw you. They also swing in the best jazz tradition, even though their fourth album, Blues and Cubes, was inspired by the art of Pablo Picasso. Unlike Picasso's works, however, there is scant abstraction here; the Professors embody far more bop than ...
Joel Frahm at Jazz At The Joint
by C. Michael Bailey
Joel Frahm Jazz At The Joint North Little Rock, AR July 11, 2022 Synergy. The word was first used in 1600, derived from the Greek συνεργός ("synergos"), which means “to work together" or “to cooperate," with the corollary that the results of this “cooperation" afford an output greater than the sum ...
Brian Molley Quartet: Intercontinental
by Ian Patterson
Scottish saxophonist Brian Molley is no stranger to Indian music, having toured India several times since 2015. Rather than merely presenting his music, Molley has sought to expand it, collaborating with the Rajasthani singer & sarangi player Asin Langa and, at the Madras Jazz Festival in 2017, with percussionist Krishna Kishor. Since then, the Brian Molley ...
