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39

Article: History of Jazz

Vince Guaraldi’s Christmas Sauce: Adding Spice to Charlie Brown Vanilla

Read "Vince Guaraldi’s Christmas Sauce: Adding Spice to Charlie Brown Vanilla" reviewed by Arthur R George

by Arthur R George

It's not simply that pianist Vince Guaraldi slipped jazz past the unsuspecting in composing A Charlie Brown Christmas, the evergreen “Peanuts" animation and soundtrack that has become inescapably part of the holiday. First broadcast in 1965, going on to six decades ago, A Charlie Brown Christmas is a tradition unto itself. It returns to television through ...

10

News: Obituary

Scott H. Thompson, Founder of Scott Thompson Public Relations Passes at 71

Scott H. Thompson, Founder of Scott Thompson Public Relations Passes at 71

Scott H. Thompson, Jazz Journalist and Public Relations expert, died peacefully at his home in Palm Beach, Florida on October 24, 2025.  He was 71. Born in New York City in 1954, Scott’s love of music ignited in 1968 at age 14 when he attended a Jimi Hendrix concert in Kansas City. Scott discovered Wes Montgomery ...

7

Article: Album Review

Roy Brooks: The Free Slave

Read "The Free Slave" reviewed by Pierre Giroux

by Pierre Giroux

Roy Brooks's The Free Slave, newly reissued on Time Traveler Recordings as a 180-gram vinyl LP, stands as a passionate tribute to the drummer's remarkable artistry and his often overlooked role as one of the most rhythmic thinkers of the post-bop period. Recorded live by Muse Records on April 26, 1970, at Baltimore's renowned Left Bank ...

15

Article: Multiple Reviews

The "Jazz Detective" Finds A New Muse, Reissues Lost Classics

Read "The "Jazz Detective" Finds A New Muse, Reissues Lost Classics" reviewed by Joshua Weiner

by Joshua Weiner

Joe Fields (1929-2017) was a jazz producer and record executive who worked for Columbia, MGM, Verve, and, most impactfully, at Prestige in the 1950s and 1960s. Shortly after Prestige was sold to Fantasy in 1971, ending a classic era for the storied label, Fields founded Muse Records to document the next phase in jazz. Muse brought ...

8

Article: Interview

Gary Bartz Is Nobody's Jazz Musician

Read "Gary Bartz Is Nobody's Jazz Musician" reviewed by Bridget A. Arnwine

by Bridget A. Arnwine

Gary Bartz is nobody's jazz musician. What he has built and created as an artist with a career that spans six decades defies labels, especially ones that have storied racist connotations and otherwise derogatory origins like the word jazz. He is a composer of the finest order and as gifted as the most revered names in ...

1

Article: Radio & Podcasts

Final Recordings of Jazz Masters of the 1950s and '60s

Read "Final Recordings of Jazz Masters of the 1950s and '60s" reviewed by Larry Slater

by Larry Slater

The 1950s and early '60s were a high point for jazz. Jazz was popular. You could hear it on TV, on college campuses, and on US State Department tours. It was an era of mind-boggling creativity. Cool jazz, hard bop, bossa nova and free jazz were all born and nurtured during these years. Many jazz musicians ...

41

Article: Album Review

Cory Weeds: Cory Weeds Meets Jerry Weldon

Read "Cory Weeds Meets Jerry Weldon" reviewed by Jack Bowers

by Jack Bowers

A proper response to the statement Cory Weeds Meets Jerry Weldon could well be “it's about time!" Although widely separated geographically--Weeds is Canadian, Weldon a native New Yorker--these masters of the tenor saxophone have been brightening stages and delighting audiences at venues in the U.S. and around the world for decades. And even though they have ...

1

Article: In Pictures

Jazz Dispatch Series / Simons Summer Concert Series: Tom Manuel, Champian Fulton, Dean Johnson and Dan Pugach

Read "Jazz Dispatch Series / Simons Summer Concert Series: Tom Manuel, Champian Fulton, Dean Johnson and Dan Pugach" reviewed by Dan Bilawsky

by Dan Bilawsky

A 5 p.m. performance on a Tuesday in a math and physics building on a college campus isn't exactly your garden variety jazz hit. But then again, what is?! In programming for The Jazz Loft's Dispatch Series stop at Stony Brook's Simons Center for Geometry and Physics--part of that institution's summer concert slate within its broader ...

41

Article: Album Review

Sam Dillon: My Ideal

Read "My Ideal" reviewed by Jack Bowers

by Jack Bowers

Any impartial assessment of My Ideal, Sam Dillon's second album for Cellar Music (following 2018's Out in the Open), should leave no doubt that the New York-born and based tenor saxophonist has definitely hit his stride, punctuating an already strong and persuasive voice on the horn with ample self-confidence and and a bounteous wellspring of innovative ...

8

Article: Rising Stars

Meet Alto Saxophonist Erena Terakubo

Read "Meet Alto Saxophonist Erena Terakubo" reviewed by Sanford Josephson

by Sanford Josephson

For many years, trumpeter/educator Tiger Okoshi has been directing the Hokkaido Grove Jazz Camp during summers in Sapporo, Japan. At one of his first camps, he met a 12-year-old alto saxophonist named Erena Terakubo."She was shining, and she knew it," he recalled. “She was determined, driven, and already sounded like a young Charlie Parker."


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