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Pat Martino: Nexus
by Victor L. Schermer
This CD is not only a fine addition to the Pat Martino catalogue, it is also of historical importance with respect to his personal and musical development. Recorded at the well-known eclectic nightclub the Tin Angel in Philadelphia in the mid-nineties (the exact date is not given and probably unknown), it is a duet set (or ...
Peter Kuhn Is Back With A New Trio Recording And His Archive Recordings Reissue
Livin' Right is a product of the amazing NYC loft scene of the 1970s, where players from around the world gathered in a rare period of community, harmony, and creativity, a time when a relative unknown from California could meet and play with the great musicians on this disc. William Parker was already a phenomenon at ...
Gil Scott-Heron, Sun Ra e Rahsaan Roland Kirk, visionari in video
by Enrico Bettinello
Tre splendidi film in DVD, accomunati dal fatto di avere come protagonisti tre artisti afroamericani di straordinaria forza visionaria, Gil Scott-Heron, Sun Ra e Rahsaan Roland Kirk. I primi due sono firmati dal regista Robert Mugge, artista da sempre focalizzato sui temi della musica nera (nella sua lunga carriera ha girato ...
The Branford Marsalis Quartet with Special Guest Kurt Elling: Upward Spiral
by Dan Bilawsky
To one extent or another, jazz has always maintained a discriminatory dividing line between vocalists and instrumentalists. Instead of being viewed as equals--artists on par with all the rest, possessing the same good sense, skill, and stake in an artistic outcome--vocalists have often been unfairly stigmatized and interned in a separate category. But all of that ...
Paul Chambers: Bass on Top – 1957
by Marc Davis
In the world of 1950s hard bop, there is no more prominent bassist than Paul Chambers. The man was absolutely everywhere. He shows up on an astonishing number of jazz classics, including Miles Davis' Kind of Blue, John Coltrane's Giant Steps, Thelonious Monk's Brilliant Corners, Sonny Rollins' Tenor Madness and Oliver Nelson's The Blues ...
Jazz: The Sacred and the Profane
by Victor L. Schermer
“As above, so below" --Hermes Trismegistus A warning: this article is worth reading only if you believe, as I do, that jazz is not just a form of entertainment, but an art form that has deep significance for our lives and contributes to our search for meaning. I fully appreciate the value of “digging ...
Bray Jazz 2016
by Ian Patterson
Bray Jazz Various venues Bray, Ireland April 29 -May 1, 2016 With first-rate music festivals mushrooming all over Ireland, Bray Jazz remains a highlight in a crowded calendar. Now in its seventeenth year, Bray Jazz' tried and tested format strikes a pleasing balance musically, with jazz, folk and world musics in ...
Aaron Parks Group and Joel Ross at the SOUTH Jazz Kitchen
by Asher Wolf
Aaron Parks Group SOUTH Jazz Kitchen Philadelphia, PA May 4, 2016 I apologize in advance if the following descriptions come off as grandiose. But regarding the Aaron Parks Group, anything that doesn't walk the line of hyperbole feels like an undersell. They were one of the most exciting acts ...
Melissa Aldana: Back Home
by Mark F. Turner
Saxophonist Melissa Aldana leaves an indelible impression of her musicality in Back Home, her fourth release as a leader. She was the first female instrumentalist and first South American to win the Thelonious Monk International Jazz Competition in 2013. One listen to her tenor's flowing birdsong and the symbiotic connection with longtime trio mates bassist Pablo ...
Center City Jazz Fest: Five Years Strong
by Geno Thackara
Center City Jazz Festival Philadelphia, PA April 30, 2016 “The Fifth Annual Center City Jazz Festival is officially sold out!" Thus tweeted a spokesperson from @ccjazzfest two days before the start of Philadelphia's annual celebration (most likely its founder, local trombonist Ernest Stuart). I'm not sure if there was any backup plan ...
