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The Archival Producer: Zev Feldman
by B.D. Lenz
I have to be honest. When I approached Zev Feldman about doing this interview I really had no idea what an “archival producer" was. I had the impression that it was a very solitary task that involved working in some, half-lit, library basement searching through dusty stacks. I came to understand that it's really more about ...
Joe Farnsworth: Friends In High Places
by R.J. DeLuke
Joe Farnsworth is one of the top jazz drummers working today, with a resume that includes some of the absolute greats. His muscular swing and precise timekeeping have been attractive to employers like Wynton Marsalis, Diana Krall, McCoy Tyner, George Coleman, Pharoah Sanders, Eric Alexander, Benny Golson and many more. He likes to say ...
Last Dance (for Now)
by Marc Cohn
So, this is our “last dance" at least for now, and we hope to have new Gifts & Messages shows in 2021. As many of you know, even this is only a two-hour show, it's almost a full-time job, with listening to new/old music, selecting tunes, doing the program-specific research and lots of reading, in addition ...
James Brandon Lewis: Molecular
by Dan McClenaghan
Saxophonist James Brandon Lewis offers up an introductory statement in the album packaging as a preface to the liner notes of Molecular. His train of thought is difficult to follow. He leaves an impression of not being a “normal" person, in the best possible sense of that assessment. It is the impression of a deep-thinking artist ...
Big September Birthdays & More
by Marc Cohn
We celebrate big September birthdays this week on G&M: Ray Charles, Muhal Richard Abrams and Sonny Rollins @ 90; Gary Bartz, Hamiet Bluiet, Dave Burrell and Roy Ayers @ 80! Of course, we have more: Horace Silver, Wilbur Ware, Elvin Jones, Sam Rivers, Cannonball Adderley and John Coltrane. So many of the greats and near-greats celebrate ...
David Sills Double Guitar Quintet: Natural Lines
by Mark Sullivan
Los Angeles-based reed player David Sills has usually led a quintet with guitar, piano, bass and drums. Most of his recent performances have taken place in venues lacking a piano, so he began adding a second guitar. The change in instrumentation had a side benefit, opening up new musical possibilities and colors. Having two guitars in ...
Meet Jonathan Glass
by Tessa Souter and Andrea Wolper
New York, New York, we can't imagine our latest jazz Super Fan thriving anywhere else, inspired as he is by the sports teams, the museums, the art galleries, the theater, and the jazz clubs—-perhaps most of all, the jazz clubs. You might have spotted him, sketchbook in hand, capturing the spirit of the night's performance for ...
Discovering Jazz through Pretzel Logic
by Alan Bryson
It's a good bet that most of us have heard people say they don't like jazz, or even worse, drop the H-bomb, “I hate jazz." If you choose to engage, the key is to tread lightly and tailor an approach that considers the tastes and sensibilities of the other person. The “So You Don't Like Jazz" ...
Javon Jackson: Finding Uplift in the Guiding Tradition of Sonny Rollins and John Coltrane
by Christine Passarella
It was a bitterly cold day in January 2013, I had endured a move from Long Beach, Long Island in October 2012 having to leave my beach house for good after the unsettling nature of Super Storm Sandy came down hard on the barrier island. I longed to get back into the city as the new ...
DUX Orchestra: Duck Walks Dog (With Mixed Results)
by John Sharpe
The cover of the 1994 archival recording Duck Walks Dog (With Mixed Results) by the DUX Orchestra presents an intriguing line up which combines American free jazzers with Swedish baritone saxophonist Mats Gustafsson. Even within the New York City contingent there is diversity, as veteran stickman Walter Perkins (who played with Sonny Rollins, Roland Kirk and ...
