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New Orleans Jazz and Heritage Festival 2009
by Gary Firstenberg
If you want to experience music as wide and as deep as the mighty Mississippi River, it is best to go right to the source. In the lush surroundings of the oldest horse racing track in The Big Easy, the 40th Annual New Orleans Jazz and Heritage Festival celebrated a diverse assortment of music, and provided ...
2009 JJA Jazz Awards Winners
Drumroll, please! And the winners of the 2009 Jazz Journalist Association (JJA) awards are... Top Honors 1. Lifetime Achievement in Jazz Lee Konitz 2. Musician of the Year Sonny Rollins 3. Composer of the Year Maria Schneider 4. Up and Coming Artist of the Year Esperanza ...
Stefan Keune / Hans Schneider / Achim Kramer: No Comment
by Nic Jones
Improvised music is rife with precedents in these early years of the twenty-first century, both on record and otherwise. The one for the trio of saxophone, bass and drums was set under the leadership of Sonny Rollins over half a century ago and since then the line-up has been amply documented on record. Set against those ...
Bobby Broom: Plays For Monk
by Mark Corroto
Monk lives! Perhaps it can be said that Thelonious Monk has had many lives. Ever since the unique pianist established his repertoire in the 1940s and '50s musicians have, probably beginning with saxophonist Steve Lacy, taken up the task of covering the now infamous music. With Plays for Monk, guitarist Bobby Broom delivers one of the ...
The Making of Icons Among Us: Jazz in the Present Tense
by Eric Benson
On an August morning in 1958, a 33-year-old photographer named Art Kane gathered 57 jazz musicians together on the steps of a Harlem brownstone. The resulting picture, known as A Great Day in Harlem," appeared in the January 1959 issue of Esquire and has become the most famous image in jazz history. The photograph lacks the ...
Bobby Broom: Plays for Monk
by John Barron
Chicago-based guitarist Bobby Broom pays tribute to jazz icon Thelonious Monk on Plays For Monk, a fresh take on eight of the late pianist's compositions, along with a couple of standards associated with Monk's repertoire. Joining Broom for his third release on Seattle's Origin Records are his long time trio mates, bassist Dennis Carroll and drummer ...
J. D. Allen Trio: Shine
by Mark Corroto
It's impossible to be an impostor at the gambit in which J.D. Allen's trio is participating. His jukebox length compositions either hit or have the possibility to miss badly. Luckily, he has released a second trio album of all bull's-eyes. Shine! follows the pattern established on I AM I AM (Sunnyside, 2008). ...
Jon Irabagon with Mike Pride: I Don't Hear Nothin' But The Blues
by Mark Corroto
Without playing name that tune," it is easy to mistake Jon Irabagon and Mike Pride's one song, 48-minute recording for one by Bill Laswell's Massacre. Same energy, same intensity, and volume, lots of volume. Funny, because this is an acoustic duo between saxophone and drums, while Massacre is a trio of drummer Charles Hayward, ...
Lucky Thompson: New York City (1964-65)
by George Kanzler
Eli Lucky" Thompson should be remembered as one of the premier tenor saxophonists of the bebop/hard bop era, right along with Sonny Rollins and John Coltrane. Before Rollins, he had recorded with piano-less trios; before Coltrane he had taken up, and mastered, the soprano sax. And he appeared on one of Miles Davis' most influential record ...
Marian McPartland: Living Through the History
by Maxwell Chandler
Marian McPartland, whose personal artistic history is deeply entwined with that of jazz, continues writing, touring and educating. Following her muse, she has encountered a who's who of jazz while leaving her own indelible mark on the music. Her radio program, Marian McPartland's Piano Jazz, is the longest running show on National Public Radio, and she ...


