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Meet Tom Kohn
by Tessa Souter and Andrea Wolper
Like many of our Jazz Super Fans, Tom Kohn's passion for music started when he was a teen, with a job in a record store and a penchant for acquiring albums that would impress even the most dedicated adult collectors. He grew up into a music business day job but, after suffering a life-changing event, he ...
Caroline Kraabel: Last 1 and Last 2 (2016/7)
by John Eyles
Caroline Kraabel gets sole credit for this album, justifiably, as she composed the music, conducted one performance of it, acted as musical director and played alto sax in another performance of it. However, after listening several times, the album leaves a sneaking feeling that Robert Wyatt probably deserved equal billing rather than just being mentioned in ...
Denver Comes Alive 2020
by Geoff Anderson
Oteil & Friends / Poppa Funk and the Night Tripper / Ghost Live / Star Kitchen Mission Ballroom Denver Comes Alive Denver, CO January 31, 2020 The first European settlers arrived in the Denver area in 1858. Since then, it's been (nearly) non-stop growth flooding the plains with humanity and ...
About Soft Machine
Instrument: Band / ensemble / orchestra
Results for pages tagged "Soft Machine"...
Soft Machine
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Soft Machine was formed in 1966 by Robert Wyatt, Mike Ratledge, Kevin Ayers and Daevid Allen. Wyatt had already worked with Allen in the Daevid Allen Trio (which Ratledge occasionally jammed with) in 1963, and with Ayers in the Wilde Flowers in 1964. Although the band had its roots in Canterbury, it soon became a London- based band. In January 1967, the band's one and only single ever was recorded : it had two songs on it, "Loves Make Sweet Music" and "Feelin', Reelin', Squeelin'". Three months later, a collections of demos was recorded at DeLane Lea Studios with producer Giorgio Gomelsky, but not officially released until 1971 (on two compilations on the French Byg label)
Soft Machine: Hidden Details
by Chris M. Slawecki
Hidden Details celebrates the fiftieth anniversary of Soft Machine's 1968 eponymous debut, a seismic event in the British psychedelic, jazz and rock music landscapes that still reverbates as the Canterbury scene/sound. This anniversary studio celebration also brought about Soft Machine's first tour of North America since 1974, with several 2018 shows featuring Gary Husband as guest ...
Big Bands, Orchestras and Soft Machines
by Chris M. Slawecki
Randy Brecker & NDR Bigband Rocks Piloo Records & Productions LLC 2019 The easiest answer isn't always the best answer, but sometimes it is. So it's both easy and proper to point out that trumpet and flugelhorn master, composer, and bandleader Randy Brecker was kind enough ...
Daniel Cano: Social Music
by Roger Farbey
Interviewed by Bryant Gumbel for NBC's the Today Show in 1982, Miles Davis wrily responded “I don't like that word jazz...I think social music...all the social melodies...out in [the] air...it's not jazz anymore...that's the social music I'm talking about. You take what you want out and leave what you don't like. You know, like food." Thus ...
Ian Carr: Torrid Zone - The Vertigo Recordings 1970-1975
by Roger Farbey
Cherry Red Records and its subsidiary labels excel in reissues; especially so with their occasional jazz-related box sets. Memorable examples include the 6-CD Jack Bruce collection, Can You Follow?, (Esoteric Recordings, 2008), Turtle Records--Pioneering British Jazz 1970-1971 (RPM, 2015) and most recently Gordon Beck—Jubilation! (Turtle Records, 2018). Now they've done it again with a painstakingly assembled ...
Bristol International Jazz and Blues Festival 2019
by Mike Collins
Bristol International Jazz and Blues Festival Bristol, UK March 22-24, 2019 Pee Wee Ellis is an alternative spelling of 'funk' for many people, but on the last night of Bristol International Jazz and Blues Festival, we got a reminder of his roots deep in jazz. In the full to capacity St. George's ...
Allan Holdsworth: Live in Japan 1984
by John Kelman
The loss of Allan Holdsworth in the spring of 2017 remains the passing of one of the most distinctive and innovative guitarists of the past half century. Born in the U.K in 1946, but moving to the U.S.A. in the early '80s, most who are familiar with Holdsworth's work also know how vastly influential he became, ...
