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George Garzone: Sax In The City

by Jim Worsley
George Garzone is not the mayor of the city of Boston. If he was appointed to a position it would more likely be king. He is, at the very least, the toast of the town. This isn't news. King George has reigned with a firm grasp of his mighty tenor saxophone for close to half a ...
Samuel Torres: The Interfuse of Percussion and Orchestration

by Jim Worsley
Samuel Torres is a percussionist extraordinaire. Samuel Torres is an exceptional composer. Samuel Torres is an astute arranger. Samuel Torres has vast skills as an orchestrator. All of those statements are valid responses to the question, who is Samuel Torres? The Colombian born artist, who now makes his home in New York City, has, as they ...
Jimmy Haslip: Amperes Beyond the BASSics, Part 2

by Jim Worsley
In case you missed it, Part One of my conversation with Jimmy Haslip covered a lot of ground and had a few good laughs along the way. Although we talked about the Yellowjackets, we delved more deeply into why and how he parted ways with the band some eight years ago. Haslip has been producing records ...
Jimmy Haslip: Amperes Beyond The BASSics, Part 1

by Jim Worsley
The name Jimmy Haslip needs no introduction. So, he doesn't get one. Seriously, we had a lot of ground to cover and he had so many great stories and interesting asides to share that we are breaking the interview into two parts as it is. So, without further ado... All About Jazz: I ...
Darek Oleszkiewicz: Rolls-Royce Groovin'

by Jim Worsley
Inspiring greatness has long been the two-word association with the grand luxury of Rolls-Royce. Britain's entry into automobile finery has thus become benchmark terminology. To hear bassist Darek Oleszkiewicz interact, navigate, and improvise with today's finest jazz musicians is to understand why he has been deemed the Rolls-Royce of the modern day upright. Carrying the torch ...
Alan Pasqua: Keys That Unlock Many Doors

by Jim Worsley
Recently, and just a few days before Thanksgiving (2019), I was thankful for the opportunity to have two separate conversations with renown pianist Alan Pasqua. As generous with his time and candid commentary as he is talented as a musician and composer, both conversations crashed the one-hour mark. For you non mathematicians, that is over two ...
Douye: Live at LACMA

by Jim Worsley
No doubt, LACMA (Los Angeles County Museum of Art) wanted to finish their jazz music series with a flourish. Reaching out to the enchantingly superb jazz vocalist Douye proved to be the right call. Jazz at LACMA is presented on Friday nights from April through November. In the past they have had performances from artists such ...
David Sanborn: The Curtain Rises on Sanborn Sessions

by Jim Worsley
Listed alphabetically, as opposed to first, second, and third place, Cannonball Adderley, Charlie Parker, and David Sanborn are as good as it gets when discussing the best and most influential alto saxophone players of all-time. Now before you say what about Phil Woods or Kenny Garrett or any number of others, let me qualify that this ...
Garzone, Erskine, Pasqua, Oleskiewicz Live at Sam First

by Jim Worsley
The venue in which you see and hear a performance has always mattered. Perhaps much more so than most people realize or even think about. Acoustics, ambiance, and comfort have always been important. In recent years you see more and more listening rooms popping up. Why? Well, neither acoustics nor talented musicians making great music matter ...
Bob Sheppard: The Clark Kent of Jazz

by Jim Worsley
An unassuming bespectacled man in his mid-sixties walks on to the stage. In a band with stellar, famous, and maybe flashier musicians, one could be forgiven if they didn't even notice him right away. But as soon as Bob Sheppard presses a saxophone, clarinet, or flute onto his lips, he is super, man! An incredible musician ...