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Jazz Musician of the Day: Slide Hampton
All About Jazz is celebrating Slide Hampton's birthday today! Slide Hampton\'s distinguished career spans decades in the evolution of jazz. At the age of 12 he was already touring the Midwest with the Indianapolis-based Hampton Band, led by his father and comprising other members of his musical family. By 1952, at the age of 20, he ...
Glenn Zottola: A Jazz Life - Hollywood, the World and the Stars
by Nicholas F. Mondello
Part 1 | Part 2 | Part 3 World-renown trumpeter, saxophonist, musical director, producer and entrepreneur. These are but a mere handful of words that describe the vast talent in Glenn Zottola's bag of musical marvels. There are others: child prodigy, creative genius, “musical natural" and aural savant also percolate rapidly to mind. Now ...
Just Because: Dizzy Gillespie, 1987
In the year of his 70th birthday, Dizzy Gillespie toured extensively in Europe with prominent jazz artists who had played with him in various phases of his career. On February 27, 1987, he gave a concert at the Theaterhaus in Stuttgart, Germany. It included a set by his quintet with Sam Rivers, tenor saxophone; Ed Cherry, ...
Marshall Gilkes: Relishing Big Band Success
by R.J. DeLuke
Marshall Gilkes is a trombonist of monster chops and great taste whenever he puts the brass to his lips in any performance. He's seen sitting in the trombone section of the Maria Schneider Orchestra in recent years, and has associations with other big bands, either subbing in, or as a member of the WDR Big Band ...
Ezra Weiss Sextet: Before You Know It [Live In Portland]
![Read "Before You Know It [Live In Portland]" reviewed by Dave Wayne](https://s3.amazonaws.com/allaboutjazz/coverart/large/ezraweisssextet_beforeyouknowit_bl.jpg)
by Dave Wayne
On Before You Know It, pianist / composer Ezra Weiss provides convincing evidence for the continued health and well-being of good old, straight ahead, gimmick-free modern acoustic jazz. The archetype for Weiss' beefy band and punchy charts would include Art Blakey's expanded Jazz Messenger lineups, some of McCoy Tyner's larger groups from the early-to-late 1970s, or ...
Jason Jackson: Inspiration
by Jack Bowers
After recording his first CD as leader in 2001, New York-based trombonist Jason Jackson took his time before releasing a second--thirteen years, to be exact. To say it was worth the wait would clearly be an understatement. Inspiration, on which Jackson employs horn, rhythm and string sections to emblazon his musical scenario, is a superb anthology ...
Jason Jackson: Inspiration
by Victor L. Schermer
Jason Jackson is an outstanding versatile and well-heeled New York-based trombonist. Somehow, you don't hear his name mentioned along with peers like Robin Eubanks, Steve Turre, Steve Davis, John Fedchock, and Conrad Herwig. Perhaps that's because Jackson plays first chair in big bands, studio work, and Broadway musicals. He doesn't often link up with small groups ...
Martin Wind: Appreciating Bill Evans
by R.J. DeLuke
Bassist Martin Wind had already gigged with American jazz musicians prior to moving to New York City in 1996 to advance his musical studies. Though classically trained, Wind is highly versatile, having played in orchestras, small jazz groups, crossing genres on the electric bass prior to departing his native Germany. Now, years later, he ...
Joe Sullivan: Whisky Jack Waltz
by Geannine Reid
Trumpeter, composer, arranger and educator Joe Sullivan grew up in a large Franco-Ontarian family in the Northern Ontario town of Timmins. As a youth, music was a part of daily life. Sullivan began his formal training on piano and at the age of fifteen he also started playing the trumpet. In his formative years, Sullivan led ...
Nick Grinder: Ten Minutes
by Daniel Lehner
It's a shame that more trombonists don't make records like the one 25-year-old Nick Grinder has. The instrument has long since proven its worth in bebop, post-bop and neo- bop, but few bone players have elected to exploit the instrument's unique timbre and music- making structure, not to mention writing music most conducive for it, in ...
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