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Let's Tribute Ourselves
by Vincent Gardner
Like many other jazz musicians, I am fortunate enough to travel all over the globe and present this wonderful music. While I haven't been playing professionally for an extremely long time--only about 15 years--during those years I have seen quite a bit of change in the world and on the jazz scene. Not that it compares ...
Oscar Feldman: Oscar e Familia
by Raul d'Gama Rose
Oscar Feldman is ready, with Oscar e Familia, to put his own stamp on the alto saxophone. Not since the fire of Jackie McLean, the cool breeze of Lee Konitz, Eric Dolphy's rhythmic advances, Ornette Coleman's Harmolodic theories, and Steve Coleman's mBase concepts, has someone attempted to create a new language for that instrument. True, Charlie ...
Uwe Oberg / Christof Thewes / Michael Griener: Lacy Pool
by Mark Corroto
Lacy Pool, by pianist Uwe Oberg, drummer Michael Griener, and trombonist Christof Thewes, demonstrates the “circles within a circle" puzzle that mathematicians have riddled over for centuries. The piano covers of soprano saxophonist Steve Lacy's compositions were accomplished without the use of a saxophone, much like Lacy's interpretations of Thelonious Monk were made without a piano. ...
The State of ECM Records 2009: Steve Kuhn, Jan Garbarek and Thomas Zehetmair
by C. Michael Bailey
Its 40th anniversary year, 2009, has been a good one for Manfred Eicher's Edition of Contemporary Music Company. ECM was selected the Best Classical Label by Gramophone magazine. If that wasn't enough, ECM was selected Jazz Label of the Year and Manfred Eicher, Producer of the Year by Downbeat magazine. No record label since the Blue ...
Chuck Owen & the Jazz Surge / Swiss Jazz Orchestra / The Aggregation
by Jack Bowers
Chuck Owen & the Jazz Surge The Comet's Tail MAMA Records 2009 On The Comet's Tail, Chuck Owen's superb Florida-based Jazz Surge performs the compositions--yes, compositions--of the late great tenor saxophonist Michael Brecker. As Owen writes in the liner notes, “[Michael's] blinding brilliance as a performer / improviser...may ...
How Jazz May Have Influenced The Beatles
by AAJ Staff
Introduction A publication from the French general knowledge “Tu Sais..." book series ("You Know..."), entitled “Tu Sais... Jazz," contains a final chapter on rock bands such as The Beatles and The Rolling Stones. It states that both the Beatles and the Stones “knew and loved old jazz and blues." From Paul McCartney's long familiarization with George ...
Join #jazzlives and Show 'em!
by Fradley Garner
WITH THE JAZZ PUBLIC “SHRINKING," a new group of activists formed a “#jazzlives" campaign on Twitter to buck the trend. Surveys by the National Endowment for the Arts picture jazz being viewed by ever more Americans as a high-culture art form, like classical music. Fewer are hearing it live than at any time since the late ...
Stefon Harris: Authenticity and Audacity
by R.J. DeLuke
Authenticity is a special word for vibraphone wizard Stefon Harris when it comes to his art, which springs from the tradition of jazz music, but is approached through a modern lens that takes into account the sounds and perspective of 2009. He has enough audacity--also a special word for Harris--to say it clearly, to ...
Buckingham Palace Makes Jazz List
Buckingham Palace has been included on a shortlist of locations crucial to the development of jazz in Britain, part of a competition to pick the most important British site in honor of the 50th anniversary of the Miles Davis album Kind of Blue, the BBC reported. The British royal family's London residence made the list, along ...
Sam Newsome: To Play or Not to Play the Soprano
by Sam Newsome
When I think about the radical move I made 14 years ago, switching from the tenor to the soprano saxophone, I sometimes ask myself: “What in the hell were you thinking?" Even though in hindsight I look back on my decision with amazement and disbelief, I'm happy to say that it's one I've never regretted. Becoming ...
