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Dave Brubeck: Small Groups, Large Stature
by Jack Bowers
Dave Brubeck wasn't really a big-band kinda guy; in fact, he was seldom seen in groups larger than four or five. On the other hand, he was an extraordinary musician, one whose influence will no doubt be felt for generations to come. Brubeck, who remained active almost to the end of his life, died December 5 ...
Jazz On Film... Beat, Square & Cool, Vol. 2 In The Highly Acclaimed Jazz On Film Box Set Series
Beat Square & Cool—the 2nd box set in the Jazz on Film series following last year’s Film Noir—is not just a collection containing some of the greatest jazz-inspired film scores ever recorded, but it also tells the story of how jazz (mostly drawing from the bebop that was one of the defining American subcultural and artistic ...
Fresh Sound Records and the Legacy of Recorded Jazz
by Bruce Klauber
If the importance and the contributions of jazz are measured by its recorded legacy, then Fresh Sound Records--and its founder, Jordi Pujol--must be duly recognized for rescuing a legacy that might otherwise be lost or nearly impossible to find, and for making it available to the public. Specifically, this legacy includes recorded works by ...
Did Stan Kenton Swing? You Bet Your Walkin' Shoes He Did...
by Jack Bowers
I've been listening to a lot of Stan Kenton's music recently while coming to grips with the age-old question, did the Kenton orchestra really swing? The answer, to me, is a no-brainer: Yes, Kenton swung. Liberally and often. [Note: This of course depends on how “swinging" is defined; opinions may vary]. In his own way--although he'd ...
Dave Pell: Remembers John Kirby and Big Small Bands
by C. Michael Bailey
Historical recreations of music are nothing new. Every tribute recording ever released is one. In the 1980s and '90s, classical music went through its “period instrument-performance practice" phase, where the entire Baroque, Classical and early Romantic repertoires were recreated using instruments and metronomic markings from the 18th and 19th Centuries. In the late 1950s, jazz was ...
Marc Myers: Why Jazz Happened
by Ian Patterson
Why Jazz HappenedMarc Myers266 pagesISBN 9780520268784University of California Press2012Jazz's timeline and the iconic figures of each of its successive stylistic movements are well known to aficionados. Less well understood, however, are the underlying conditions that created these changes. Advances in recording technologies, social trends, ...
Wes Montgomery: Echoes of Indiana Avenue
by Dan Bilawsky
In the mid-twentieth century, Indianapolis was an incubator for jazz talent. Trombonist J.J. Johnson, trumpeter Freddie Hubbard and guitarist Wes Montgomery all began their individual ascents to stardom from the heart of Hoosier country. While the first two artists had long careers, Montgomery wasn't so lucky. This self-taught genius, who burst onto the national scene in ...
Shorty Rogers: Four Classic Albums
by David Rickert
Shorty RogersFour Classic AlbumsAvid Group 2011 Trumpeter Shorty Rogers was one of the few jazz musicians to embrace the big band sound long after the commercial appeal for the genre was over, and despite the lack of commercial viability, he produced a series of terrific albums in ...
Andre Previn: Four Classic Albums
by David Rickert
Andre PrevinFour Classic AlbumsAvid Group 2011 Andre Previn may not be as well known as fellow West Coast pianists Vince Guaraldi and Dave Brubeck, but he nevertheless created a respectable body of work, mostly as a trio with drummer Shelly Manne, with whom he created a series ...
