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Musician

Shirley Scott

Born:

Shirley Scott began playing piano and trumpet in her native Philadelphia. By the mid 1950s, she was playing piano in the city's thriving club scene - often with the very young John Coltrane. A club owner needed her to fill in on organ one night and the young Shirley took to it immediately, crafting a swinging, signature sound unlike anyone else almost from the get go. On a swing through town, Basie tenor man Eddie "Lockjaw" Davis (1922-86) heard Scott and asked her to join his band. They recorded prolifically together - as co-leaders - and released a hugely popular series of "Cookbook" records for Prestige during the late 1950s. Shirley launched her solo career in 1958, recording 23 albums for Prestige (1958-64), 10 for Impulse (1963-68), three for Atlantic (1968-70), three for Cadet (1971-73), one in 1974 for Strata East, two for Muse (1989-91) and three for Candid (1991-92). She was married to the late, great tenor sax player Stanley Turrentine (1961-71) and the two made some of their finest music - together - for the Blue Note, Prestige, Impulse and Atlantic labels. Her playing consistently possessed one of the most graceful and lyrical touches applied to the bulky B-3

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Article: Radio

New Releases, Birthday Shoutouts As Women's History Month Continues

Read "New Releases, Birthday Shoutouts As Women's History Month Continues" reviewed by Mary Foster Conklin


Now in full swing, Women's History Month continues—this broadcast features new releases from Jane Monheit, Rebecca Dumaine, Yelena Eckemoff, Roni Ben-Hur and Kenney Polson with birthday shoutouts to Keely Smith, Shirley Scott, Nicki Parrott, Judy Niemack, Anat Fort, Miki Yamanaka, Bobby McFerrin and Mark Murphy, among others. Thanks for listening and please support the artists you ...

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Article: Interview

Logan Richardson: To Boldly Go Where No Jazz Has Gone Before

Read "Logan Richardson:  To Boldly Go Where No Jazz Has Gone Before" reviewed by Chris May


In a 2016 interview, jny: Kansas City-born alto saxophonist Logan Richardson said: “Jazz will constantly change because there's constantly a new us, new times. There will always be a fight from the conformists--but they don't represent where the tradition is coming from." Richardson was talking not long after the release of his adventurous Blue Note album, ...

News: Video / DVD

Shirley Scott in 8 Albums and 2 Videos

Shirley Scott in 8 Albums and 2 Videos

Naturally, my afternoon with tenor saxophonist Stanley Turrentine on Tuesday led to an afternoon with organist Shirley Scott yesterday. It was inevitable. Once you get Scottie in your ear, you want her to go on and on. I have virtually all of her albums, so I focused on her 1960s releases, which are loaded with powerful ...

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Article: Building a Jazz Library

Atlantic Records: More Giant Steps: An Alternative Top 20 Albums

Read "Atlantic Records: More Giant Steps: An Alternative Top 20 Albums" reviewed by Chris May


Ahmet and Nesuhi Ertegun's Atlantic Records differs in one key respect from Prestige, Riverside, Impulse!, Strata-East and Flying Dutchman, the most prominent labels covered so far in this Building A Jazz Library series. Those labels' discographies consist almost exclusively of jazz. Atlantic had parallel interests in soul and rhythm-and-blues and, later, rock. This had consequences, as ...

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Article: Building a Jazz Library

Impulse! Records: An Alternative Top 20 Zeitgeist Seizing Albums

Read "Impulse! Records: An Alternative Top 20 Zeitgeist Seizing Albums" reviewed by Chris May


There can be little argument that a jazz label ever captured a zeitgeist more completely than Impulse! did during its original 1960s incarnation. In the US, the fight back against white racism was cresting, opposition to the Vietnam war was growing, outrage over the assassinations of figures of hope such as President Kennedy, Martin Luther King ...

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Article: Interview

Michelle Lordi: Career Evolution

Read "Michelle Lordi: Career Evolution" reviewed by R.J. DeLuke


Some artists are blessed to be born into situations where opportunities are at the ready. Education and training are easily obtainable. Maybe they have connections to the professional world, via their lineage or other friends. Even so, it's still up to them to produce and deal with the inevitable vagaries of their choice to pursue music ...

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Article: Radio

The Soul Jazz Organ of Jimmy Smith, Baby Face Willette, Shirley Scott (1957 - 1965)

Read "The Soul Jazz Organ of Jimmy Smith, Baby Face Willette, Shirley Scott (1957 - 1965)" reviewed by Russell Perry


Rarely has a jazz instrument been so completely redefined as the organ was at the hands of Jimmy Smith. In his wake, the Hammond B3 organ gained wide-spread popularity and attracted a suite of talented adherents. B3 players Jimmy Smith, Baby Face Willette and Shirley Scott in this hour of Jazz at 100 as we continue ...

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Article: Interview

Pat Bianchi: B3 Master

Read "Pat Bianchi: B3 Master" reviewed by R.J. DeLuke


It may be that young Pat Bianchi had little choice but to follow a career in music. After all, his father and both his grandfathers played professionally in his hometown of Rochester, NY, an area that also produced the likes of the Mangione brothers (Chuck and Gap), pianist Frank Strazzeri, saxophonist Gerry Niewood and drum legend ...

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Article: Live Review

Joey DeFrancesco at Chris’ Jazz Café

Read "Joey DeFrancesco at Chris’ Jazz Café" reviewed by Victor L. Schermer


Joey DeFrancesco Trio & Quartet Chris' Jazz Café Philadelphia, PA November 30, 2019 In the 1970s, before he became a famed performer, Joey DeFrancesco was already at the prodigious age of 10 (!) playing gigs with the likes of Philly Joe Jones, Shirley Scott, and Hank Mobley at ...


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