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Chuck Deardorf: Transparence
by C. Michael Bailey
Bassist Chuck Deardorf follows up his pairing with Dave Peterson on Portal (Origin Records, 2004), with his multidimensional Transparence. Deardorf raises his bass presence to that of the guitar and keyboards on the board, allowing for a turbulent sound mix that resolves itself with time, like incorporating color in paint. This sonic phenomenon is well illustrated ...
Michael William Gilbert: I Can See From Here
by C. Michael Bailey
If the NPR radio show, Hearts of Space, were hipper and less ambient, it would fall over itself playing Michael William Gilbert's I Can See From Here. The recording is a 14-part suite, made up of Gilbert compositions synthetically prepared by the composer. Gilbert plays all instruments--that is, synthesizer, computer samples and loops, as well as ...
New Universe Music Festival: Day 1, November 20, 2010
by John Kelman
Day 1 | Day 2 The New Universe Music FestivalRaleigh, North CarolinaNovember 20-21, 2010 With so many jazz festivals taking place around the world--and new ones emerging each and every year--just as it's become increasingly challenging, in this world of DIY recordings, for artists to filter through and be heard, how ...
Anna Webber: Third Floor People
by C. Michael Bailey
Those who stand up and give the finger to the status quo must be honored. New York saxophonist/flautist Anna Webber does exactly that, with a recording that brags not one, but two bass-less quartets. Third Floor People is a collection of 11 original compositions by Webber, employing two quartets--one from Montreal and one from New York ...
Natalie John: Unveiled
by C. Michael Bailey
Listening to Natalie John's Unveiled is a jarring, almost alarming experience. It is comparable to a first listen to Tony William's Emergency (Polydor, 1969), or Miles Davis on the verge, with his “Lost Quintet" (Chick Corea, Dave Holland, Jack DeJohnette, and Wayne Shorter), on the recently uncovered It's About That Time (Columbia, 2001). Those recordings presented ...
Abstract Logix's Souvik Dutta: From Living Room to Center of the Universe
by Ian Patterson
Although tribes, cities and even nations have all at various times claimed to lie at the center of the universe, few have taken the claims seriously. Most recognize such boasts as either thinly veiled marketing ploys or thinly veiled insanity. However, on the 20th and 21st of November, devotees of good music from Australia, Japan, South ...
The Glenious Inner Planet: The Glenious Inner Planet
by C. Michael Bailey
This is not yourt parent's Dave Brubeck. For that matter, if you put Brubeck in the Telepod from the 1958 film The Fly, with the spirit of Shawn Lane, and teleported them into the future, that might come closest to describing this “Blue Rondo a la Raad." Brubeck is replaced by Chris Cortez's precisely reverberated electric ...
Shawn Lane with Jonas Hellborg: Issues and Reissues
by John Kelman
While he was far from a household name when he passed away in September, 2003 at the tender age of forty, guitarist Shawn Lane was considered something of a god within fusion circles. Starting out professionally at the age of fifteen in the unlikely context of the '70s Southern Rock outfit Black Oak Arkansas, he quickly ...
Remembering Shawn Lane: 1963-2003
by Souvik Dutta
Shawn Lane was a dear friend of mine and though he wasn't a household name outside the world of fusion and prog-rock, the impact he had on guitarist around the world was profound. His contribution to music can only be understood by listening to his collective works which crossed many genres. An endless ...
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