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Simon Thacker's Svara Kanti: Rakshasa
by Ian Patterson
Following the acclaimed guitar concerti of Nava Rasa Ensemble (Slap The Moon, 2011), which saw nine musicians blend Carnatic, Hindustani and Western classical traditions, classical guitarist/composer Simon Thacker scales back the ensemble size, but not his ambition, for Rakshasa, a formidable quartet exploration of Asian and Western sounds that bends the traditions as much as it ...
John McLaughlin & The 4th Dimension Begin 2014 Asian Tour
Legendary English guitarists John McLaughlin and The 4th Dimension kick off a 15-date Asian tour that will take this highly acclaimed group through nine countries. Beginning on March 11th in Singapore, the 4th Dimension’s tour will take in some of Asia’s most iconic cities before culminating in a special solidarity concert in The Palestinian Territories one ...
Tarun Balani: Sacred World
by Dave Wayne
Jazz fans of a certain age were most likely introduced to the world of Indian music via the recordings of John McLaughlin who, with the group Shakti, introduced American listeners to the dazzling virtuosity of musicians such as violinist L. Shankar, and percussionist Zakir Hussain. Shakti's music extended the compositional style that characterized his previous group, ...
Herbie Hancock: The Complete Columbia Albums Collection 1972-1988
by John Kelman
As Legacy Records slowly works its way through complete album collection boxes for artists ranging from Stanley Clarke and The Brecker Brothers to the massive Miles Davis and Johnny Cash boxes, one of the notable absences has been keyboardist Herbie Hancock. While he was not a Columbia artist for as long as either Cash or Davis, ...
John McLaughlin & The 4th Dimension: Now Here This
by Ian Patterson
Guitarist John McLaughlin and his 4th Dimension group's studio debut, To The One (Abstract Logix, 2010), mined the past for inspiration. The spirit of saxophonist John Coltrane's A Love Supreme (Impulse!, 1965) drove McLaughlin's most charged electric playing in years, proving he'd lost none of his fire. Two years on, and McLaughlin's 4th Dimension returns another ...
Dutch Jazz & World Meeting 2012: October 5-6, 2012
by John Kelman
Dutch Jazz & World Meeting Amsterdam, The NetherlandsOctober 5-6, 2012With Jazzahead! 2012--the annual European jazz trade fair--demonstrating that jazz is, if not exactly big business, then certainly bigish business, it's no surprise to find that The Netherlands' biannual Dutch Jazz & World Meeting is making the same salient point, albeit more narrowly ...
Boi Akih: Circles in a Square Society
by Ian Patterson
The soul of Boi Akih--a duo, sextet, and all configurations in between-- is Monica Akihary's soulful voice and guitarist Niels Brouwer's jazz/world-inflected acoustic guitar. Boi Akih has always experimented; Lagu Lagu (Bromo, 2005)--an exquisite meeting between jazz, blues and Indonesian folk--was sung in the almost extinct Haruku language of Akihary's ancestors. With Indian percussionist Sandip Bhattcharya, ...
Herbie Mann: An Amalgamation of Everything
by Bob Kenselaar
[Flauist Herbie Mann was often ahead of the trend with his wide explorations into sounds from everywhere. When I asked him in this 1978 interview where music in general was heading, he talked about a broad mix--"an amalgamation of everything"--which might be a good way to describe Mann's overall career, except that it doesn't account for ...
Rez Abbasi: Thoroughly Modern Marvel
by Lawrence Peryer
Guitarist Rez Abbasi is part of a generation of jazz musicians who came of age after the conservative backlash of the 1980s. He and his peers are making their mark on America's art form by contributing their rich and varied cultural backgrounds and with an embrace of popular culture that was heresy in some quarters for ...
Trilok Gurtu: Stirring the Big Old Pot
by Ian Patterson
There is a popular theory of mathematical probability, that if you put a typewriter in front of a monkey, it will, through a process of trial and error, eventually produce a play of William Shakespeare. Swayed by the same sweeping logic, others believe that if you put a trap kit and assorted percussive instruments in front ...
