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MUSICIAN Born:

Serge Chaloff

The baritone saxophonist Serge Chaloff was born in Boston on November 24th 1923 to two classical pianists. His father was the Boston Symphony Orchestra’s pianist and his mother was a famous piano teacher at the Boston conservatory whose students include such musicians as Keith Jarrett and Dick Twardzik. Serge himself learned to play the piano first then the clarinet in his teens but switched to the baritone sax as an adult. His two major influences were Harry Carney and Charlie Parker. The former on his choice of instrument and the latter on his choice of genre: he was the first bop baritonist

ARTICLE: RADIO

Stan Kenton and West Coast Jazz (1950 - 1958)

Read "Stan Kenton and West Coast Jazz (1950 - 1958)" reviewed by Russell Perry

In the last hour, we heard evidence of Woody Herman's capacity for talent development in the form of further work by reed players Stan Getz, Serge Chaloff, Al Cohn, Zoot Sims and Jimmy Giuffre. In this hour we turn the spotlight on alumni of the Stan Kenton Orchestra which produced several significant players in the West ...

ARTICLE: RADIO

Cool - Four Brothers After Woody Herman (1946 - 1961)

Read "Cool - Four Brothers After Woody Herman  (1946 - 1961)" reviewed by Russell Perry

Bandleader Woody Herman created a distinctive sound around The Four Brothers -the three tenor plus baritone sax front line of Stan Getz, Zoot Sims, Herbie Stewart (later Al Cohn) and Serge Chaloff--and the writing of clarinetist Jimmy Giuffre. In time, Getz, Sims, Chaloff, Cohn and Giuffre would all become distinctive soloists and all had a role ...

ARTICLE: BIG BAND REPORT

Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 2-4

Read "Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 2-4" reviewed by Simon Pilbrow

Los Angeles Jazz Institute Festival “Woodchoppers' Ball" Four Points by Sheraton at LAX Los Angeles, CA May 23-27, 2018 Part 1 | Part 2 | Part 3 | Part 4 Concert 4: Keen and Peachy: Music of the Woody Herman Second Herd -Directed by Michael Berkowitz ...

ARTICLE: RADIO

The New Album From Mario Costa And A Dip Into The Archive

Read "The New Album From Mario Costa And A Dip Into The Archive" reviewed by Bob Osborne

On this show new cutting edge jazz together with classic and contemporary sounds from the archives. The featured album is the latest release on Clean Feed from Portuguese drummer Mario Costa playing live at the 26th Festival de Jazz na Praca da Erva, in Viana do Castelo, Portugal, in July 2017, along with French ...

ARTICLE: INTERVIEWS

Julian Pressley: From The Duke To Ornette In His Own Way

Read "Julian Pressley: From The Duke To Ornette In His Own Way" reviewed by Victor L. Schermer

Julian Pressley isn't exactly a household name, but it's a name every jazz aficionado should know. When he plays his alto saxophone, ears perk up because he's playing what they came to hear: music that embodies the legacy. Passionate, quick-witted, and full of new ideas, Pressley stands out in the crowd, a genuine original. Yet you ...

ARTICLE: UNDER THE RADAR

Culture Clubs: A History of the U.S. Jazz Clubs, Part III: Kansas City, Philadelphia, Los Angeles & Beyond

Read "Culture Clubs: A History of the U.S. Jazz Clubs, Part III: Kansas City, Philadelphia, Los Angeles & Beyond" reviewed by Karl Ackermann

Beyond the Hubs While jny: New Orleans, jny: Chicago, jny: Kansas City and jny: New York City were the incubators of modern jazz, they were by no means the only locations with an appetite for live music. Jazz artists whose point of origin could not sustain multiple venues ventured to locations near and far ...

ARTICLE: TAKE FIVE WITH...

Take Five with Ralph Hepola

Read "Take Five with Ralph Hepola" reviewed by Ralph Hepola

About Ralph Hepola Born in Saint Paul, Minnesota in the United States, Ralph Hepola studied piano before starting on the tuba at age twelve. At seventeen, he was chosen to play before the British Royal Family in the Manitoba All-Province Band at Brandon, Manitoba in Canada. While still in high school, Ralph began performing ...

Mats Gustafsson

Read "Mats Gustafsson" reviewed by Vincenzo Roggero

If Mats Gustafsson's approach to music were to be described with a single adjective, it would have to be “intense." This applies to him both as a musician, as illustrated by over three decades of playing with stalwarts of the free and creative jazz scenes on both sides of the Ocean (Ken Vandermark, Peter Brötzmann, Joe ...

Mats Gustafsson

Read "Mats Gustafsson" reviewed by Vincenzo Roggero

1. Hank Mobley, Hank Mobley (Blue Note, 1957). Il disco jazz definitivo?! È tutto perfettamente bilanciato in questa supersession. Il sax tenore è poetico e la tromba di Art Farmer non è mai stata così lirica ed emozionante. Art Blakey è un genio dello swing e la foto di copertina è una delle mie ...


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