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Bill Laswell, Kronos Quartet, Robert Aiki Aubrey Lowe, And More.
by Lawrence Peryer
The first half of our show is a deep dub run: an obscure mid-1990s compilation cut, Harry Mudie's 1976 session with King Tubby, Scientist's early-'80s Channel One sound, Prince Far I, and Bill Laswell, who shows up twice, once under his own name and once as the producer who reassembled Bob Marley's catalog into ambient dub ...
Sequoia Snyder: Growing in the Light of the Masters
by Paul Rauch
It was day three of the 47th annual Detroit Jazz Festival, a sunny Sunday late afternoon with just enough white, puffy, high sky clouds to keep the massive crowd gathered at Hart Plaza comfortable. The JP Morgan Chase stage at the southeast corner of the plaza seemed to hang perilously on the edge of the Detroit ...
Detroit Jazz Festival 2026: A Gathering in a Great Jazz City
by Paul Rauch
Detroit Jazz Festival 2026 Hart Plaza Detroit, MI September 4-7, 2026 Thursday evening is when artists, media and event staffers begin to file into the Detroit Marriott, arriving from points around the globe. The common purpose is the 47th annual Detroit Jazz Festival, an annual tradition on Labor Day weekend. The ...
Thelonious Monk, John Coltrane, Barry Harris, Don Patterson, Sonny Stitt And Others
by Lawrence Peryer
The beating heart of this week's episode emanates from one man's camera expressed through three records:, Thelonious Monk and John Coltrane's 1957 residency, Barry Harris' 1975 Xanadu debut, and a rediscovered Sonny Stitt & Don Patterson date, all appear in a new book of Don Schlitten's jazz photography, the producer and photographer who died earlier this ...
Yoko Ono, Martin Bisi, Fela Kuti, Sons Of Kemet And Others
by Lawrence Peryer
A wide-open hour: a new quartet session from Christer Bothén, Oren Ambarchi, Johan Berthling, and Andreas Werliin opens things, and from there we range through Cibo Matto's take on a Yoko Ono song, brand new records from Laura Veirs, Martin Bisi, Cassie Watson Francillon, and the French trio Namas, a Fela Kuti cut from 1973, and ...
Azar Lawrence, Brad Mehldau, The Bad Plus, Joshua Redman And More
by Lawrence Peryer
I am endlessly interested in the intersection of music and ritual. Formal ritual, spiritual gatherings incorporating music, even liturgical music. Then there are the rituals of making music: the band silently setting up and breaking down, on-stage and in the studio. The order in which gear gets assembled and plugged in. The in-jokes or running gags. ...
Kelan Phil Cohran, Airto Moreira, Nicholas Payton & Butcher Brown, Plus Others
by Lawrence Peryer
Episode 19 is about the many ways of turning old material into new work: Kelan Phil Cohran's 1993 planetarium session resurfacing as a proper vinyl reissue, Concepción Huerta printing electricity onto magnetic tape, Wild Gods treating archival Gaelic lament as material to be worked rather than heritage to be preserved. It closes on two records built ...
Hill Collective, Terri Lyne Carrington, Pharoah Sanders And More
by Lawrence Peryer
This week's Rotations deals in unfinished business, musical and otherwise. Charles Lloyd revisits a Mumbai session he started in 2009 and never finished. Piero Umiliani's old Rome tapes get a new life at the hands of a producer working from what he left behind. Pharoah Sanders and Emahoy Tsege Mariam Gebru's decades-old recordings sit easily next ...
Akusmi, Nelson Patton, arc rae, hackedepicciotto, Grateful Dead and more
by Lawrence Peryer
Episode 17 spends its first half putting things together: drone loops rebuilt into full arrangements, improvised cello reassembled into composition, a century-old fiddle tune rebuilt with dance and harmonics, before heading to Los Angeles for a band that builds the same unresolved tension by hand, live, in a room. The back half turns from a microtonal ...
Camila Nebbia, St. Silva, Danalogue, M. Geddes Gengras, Curio Curio, Myth Math, And More
by Lawrence Peryer
Episode 16 spends its first half in transatlantic synthesis: a Buenos Aires-Berlin improv duo, a Vermont ambient composer's tape collages, and a member of The Comet Is Coming reworking the studio synthesizer as a lead instrument on his own. The back half : Curió Curió's diaspora-pop debut, Matthew S reviving his influential Illegal Art label as ...


