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David Binney: Underground Tremors
by Ian Patterson
There are recordings that constitute a personal high watermark for a composer; then there are, less frequently, recordings that mark an era. Graylen Epicenter (2011), alto saxophonist David Binney's latest recording on his own label, Mythology Records, is both. For more than two decades, this exhilarating alto saxophonist has made a string of absorbing recordings as ...
The New Gary Burton Quartet: Common Ground
by John Kelman
In a career now entering its sixth decade, vibraphonist Gary Burton has participated in plenty of one-off recordings, paying tribute to everyone from tango master Astor Piazzolla to mallet-men who have come before, like Lionel Hampton and Milt Jackson. His discography has been nothing if not unfailingly consistent--every recording meticulously conceived and flawlessly executed. A project, ...
Tineke Postma: Keeping Honest in Holland
by R.J. DeLuke
Tineke Postma's bright voice from Holland has been making a mark on the U.S. scene over the last couple years, with its a bright, clear alto sax sound and a penchant for thoughtful, enthralling melodies. Postma started listening to classical music while growing up in Heerenveen in the northern part of The Netherlands, starting on flute ...
54th Annual Monterey Jazz Festival September 16 - 18
The 54th Monterey Jazz Festival, three-time winner of the JazzTimes Readers poll for “World's Best Jazz Festival" takes place September 16 to September 18 at the Monterey Fairgrounds, home to the Festival for 54 consecutive years. Described as “a cultural colossus" by the San Jose Mercury News and “a mecca for true jazz fans" by the ...
Kenny Werner: Balloons
by John Kelman
Times sure have been tough for pianist Kenny Werner, and yet, he seems to be turning tragedy into triumph, mining the depths of emotion caused by the accidental death of his daughter, Katheryn, in 2006. While he's been playing in the years since, he was noticeably quiet on the recording front until No Beginning, No End ...
Billy Childs: The Perfect Picture
by Esther Berlanga-Ryan
There is a somewhat-still-virgin musical territory that rests its innocent heart where classical music ends and jazz commences. Many have beautifully tiptoed on its smooth surface before, mixing, experimenting, creating and even challenging its balance with both improvised and organized notes. Music is in constant evolution, and jazz has always, in one way or another, embraced ...
Brooklyn Jazz Wide Open Presents Joe Lovano and Scott Colley @ The Brooklyn Conservatory of Music!
CONNECTION WORKS PRESENTS The 4th SEASON OF BROOKLYN JAZZ WIDE OPEN The Brooklyn Conservatory of Music Concert Hall 58 Seventh Ave (at Lincoln Place), Park Slope, Brooklyn, NY 718-622-3300, Tickets are $15, and $10 for students and seniors NEXT CONCERT! Wednesday, April 13, 2011 2 sets ...
Gary Burton's Vibe
I met with the legendary vibraphonist Gary Burton last night to put together a video piece on his upcoming Mack Ave recording Common Ground. From what I heard this looks to be a truly great album and showcases Gary's newly formed quartet featuring Julian Lage (guitar), Scott Colley (bass) and Antonio Sanchez (drums). While we were ...
Thomas Savy: The French Suite
by Greg Simmons
Frenchman Thomas Savy seems intent on making a statement with his bass clarinet, and he's doing so in a challenging format: a trio, accompanied only by bass and drums. He's out of the gate running with French Suite. The bass clarinet is a terrific sounding instrument, with a big wooden resonance and dimensional texture, ...
Scott Colley: Empire
by Mark F. Turner
Empire is another exceptional release by Scott Colley, the first-call bassist whose deep strings have been the mainstay with numerous leading artists and a part of several fine recordings including drummer Antonio Sanchez's outstanding Live in New York at Jazz Standard (Cam Jazz, 2010). “January," the album's opener, sets a mood that is as cinematic as ...
