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About Bert Wilson

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Musician

I was born in Evansville, IN in 1939, and at the age of 4, I contracted polio. I've been in a wheelchair ever since. The chair doesn't define me, but it has affected my life (and certainly my access to those basement jazz clubs). I got into jazz while living in a hospital school in Chicago, where one of the other kids turned me on to Charlie Parker at the age of 10. THAT affected my life far more than the polio did! Upon graduating from high school, I moved to L.A. and became a part of the "fringe" jazz scene there (in the early-to-mid '60s). By this time, I could play a bunch of "Bird's" music in 12 keys, but Ornette Coleman and 'Trane had gone off into a more modal free space and that's what all my friends wanted to play

About Anton Schwartz

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Musician

Anton Schwartz

Born: July 16, 1967

“What I require for music to really captivate me,” Anton says, “is groove and intellect working in tandem. Music that gets into your bones, into your head and into your heart.” From Louis Armstrong and Lester Young to Charlie Parker and John Coltrane, jazz’s greatest improvisers create music that carries an emotional wallop. It’s a lesson that tenor saxophonist Anton Schwartz learned well. Like the giants from whom he draws inspiration, Schwartz approaches jazz as a vehicle for reaching the heart and the head. At a time when many of his contemporaries seem to be making music more for their musical colleagues than a wider audience, Schwartz stands out as a player determined to communicate with his listeners

About Ahmad Alaadeen

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Musician

Ahmad Alaadeen

Born: July 24, 1934

Born in Kansas City, on July 24, 1934, Alaadeen grew up around music. “I listened to all types of styles. I went to Philharmonic concerts, loved Lester Young, liked T-Bone Walker and was crazy about Eddie “Cleanhead” Vinson. He began on the saxophone when he was in sixth grade, in time also mastering flute, clarinet and oboe. He studied at R.T. Coles High School under the tutelage of Leo H. Davis, a well respected music instructor reported to have taught Charlie Parker. “The way he taught improvisation was to sing the melody in my ear when I soloed so I’d always keep the melody in mind.” Alaadeen debuted as a professional with Davis’ concert band playing e-flat horn when he was 14 and his first major job was playing baritone sax with the great pianist-bandleader Jay McShann