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293

Article: Album Review

Kenny Drew: Undercurrent

Read "Undercurrent" reviewed by Samuel Chell

by Samuel Chell

The only Blue Note recording under pianist Kenny Drew's leadership and the last to be released under his name for a thirteen-year period, during which time the pianist would relocate to Europe, Undercurrent is a strong outing by the gifted pianist, composer and session leader. In the latter capacity, his job is greatly facilitated by a ...

176

Article: Album Review

John Pizzarelli: Dear Mr. Sinatra

Read "Dear Mr. Sinatra" reviewed by Samuel Chell

by Samuel Chell

Whether they know it or not, performers pay tribute to the Master Storyteller every time they interpret and resuscitate one of the thousands of songs from the so-called “Great American Songbook"--a repository of the best songs written between 1920 and 1960 by Berlin, Kern, Porter, Gershwin, Rodgers & Hart, Arlen, Van Heusen, Styne and company--and all ...

396

Article: Album Review

Richard "Groove" Holmes: Soul Message

Read "Soul Message" reviewed by Samuel Chell

by Samuel Chell

The Hammond B-3 organ, even more than the Fender Rhodes electric piano, simply refuses to surrender to the proponents of digital synthesis, be they manufacturers of keyboards or aging keyboardists looking for less strenuous gigs. The instrument continues to exert a universal appeal, offering a soul-stirring Sunday-morning message at a time and place that suits Saturday-night ...

326

Article: Album Review

Johnny Griffin: The Congregation

Read "The Congregation" reviewed by Samuel Chell

by Samuel Chell

A highly regarded recording in the impressive discography of Johnny Griffin, this recently remastered RVG edition of The Congregation is more likely to appeal to the faithful than win many new converts. On this 1957 session, the “world's fastest tenor sets aside his gun-slinging ways in favor of comparatively restrained, straightforward preaching, consisting of some basic, ...

506

Article: Album Review

Charlie Parker: Bird & Diz

Read "Bird & Diz" reviewed by Samuel Chell

by Samuel Chell

A 1950 recording released on a 10" LP in 1952, this session was conceived by Norman Granz as an opportunity to win for Charlie Parker a larger audience by showcasing him in the company of jazz stars playing “pretty tunes written by good songwriters. But with the exception of “Melancholy Baby" these are exactly the same ...

379

Article: Album Review

Coleman Hawkins: The Hawk Relaxes

Read "The Hawk Relaxes" reviewed by Samuel Chell

by Samuel Chell

Coleman Hawkins had every right to rest on his laurels by the time of this 1961 recording. But The Hawk Relaxes finds the father of the tenor saxophone--aka Hawk or Bean--doing anything but clinging to his perch. He may no longer be soaring in search of prey but he's gliding on buoyant and vital air-streams, performing ...

568

Article: Extended Analysis

Jug and Jaws: The Titanic Tenor Voices of Gene Ammons and Eddie Davis

Read "Jug and Jaws: The Titanic Tenor Voices of Gene Ammons and Eddie Davis" reviewed by Samuel Chell

by Samuel Chell

Gene Ammons, Boss Tenor (Prestige, 1960/2006)Eddie “Lockjaw" Davis, Cook Book, Vol. 1 (Prestige, 1958/2006) Before the Trojan prince Aeneas ended his torrid love affair with the African queen Dido, sailing from Carthage to Italy, he certainly must have created with his companion a select gene pool that would eventually produce not only the lyric ...

287

Article: Album Review

Red Garland: Red Garland's Piano

Read "Red Garland's Piano" reviewed by Samuel Chell

by Samuel Chell

Bass players owe Red Garland the biggest debt of all whereas piano players may be forgiven for blaming their left-handed awkwardness on the incalculable influence of the former boxer-turned-pianist. Because of Garland, pianists no longer voiced, for example, a C7 chord in root position (C-E-G-Bb) but made a habit of placing the third (E) or flatted ...

1,026

Article: Film Review

Bill Evans: The Oslo Concerts

Read "Bill Evans: The Oslo Concerts" reviewed by Samuel Chell

by Samuel Chell

Bill Evans Trio The Oslo Concerts Shanachie Entertainment Corp. 2007 Arguably sharing with John Coltrane the distinction of being the primary shaper of the language of jazz over the past fifty years, Bill Evans was also a remarkably focused and consistent artist who paradoxically manifested different musical personae, ...

372

Article: Album Review

Bill Evans and Bob Brookmeyer: The Ivory Hunters

Read "The Ivory Hunters" reviewed by Samuel Chell

by Samuel Chell

Yes, that's Bob Brookmeyer the valve trombonist, and it's Bill Evans the pianist who, during the same year as this recording, would appear with Miles Davis on the fabled Kind of Blue session (Columbia, 1959). Some listeners will no doubt be familiar with the session, originally issued by United Artists under Brookmeyer's name and with the ...


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