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Either/Orchestra: New York City, February 11, 2011
by Daniel Lehner
Either/OrchestraLe Poisson Rouge New York, NYFebruary 11, 2011 If you graduated school to work for a law firm or a contracting company, your reunion would probably not be a raucous or joyous event. However, if you and your classmates went on to be the employees of Lee Konitz, Lester Bowie, ...
Roberta Piket: Sides, Colors
by Wilbert Sostre
Some people describe music in terms of colors. Composers like Duke Ellington used them in song titles like “Black, Brown And Beige," “Black And Tan Fantasy" and “Mood Indigo," to describe the mood and feeling of his music, Sides, Colors is a perfect title for this release by pianist Roberta Piket, as she ...
Posi-Tone Records: Creating a New Iconic Catalogue
by John Patten
When Posi-Tone Records founder Marc Free was growing up, he looked forward to each new record purchase, cherishing the cover artwork, devouring the liner notes and most of all, feasting on the music. He came to love the music and albums issued by iconic labels such as Blue Note and Impulse!, knowing that even if he ...
Bones & Tones: Bones & Tones
by Dan Bilawsky
Percussion might very well be the oldest form of communication known to man, but practitioners of the percussive arts are often relegated to supporting roles in the majority of today's music. When percussionist Lloyd Haber received an invitation to form a group for the 2009 Long Beach Jazz Festival, he fought this notion and put together ...
Roberta Piket: Sides, Colors
by Dan McClenaghan
Back in earlier days, when the vinyl, 33 RPM long playing record was the way to listen to music, Roberta Piket's Sides, Colors would have been released as a double disc, with its generous seventy-six minutes of music and two distinctly different moods. After her beautiful piano trio outing, Love and Beauty (Thirteenth Note Records, 2007), ...
Walter Smith III: Redefining a New Era in Jazz
The rich airy transparent sound is what identifies rising modern tenor saxophonist Walter Smith III. His music explores the many different avenues in jazz and introduces a new melodic perspective. When he plays, his creativity is made apparent through his ability to incorporate new musical ideas and undercover a unique relationship between harmonic and rhythmic composition. ...
Darius Jones: From Johnny Hodges To Noise Jazz
by AAJ Staff
Alto saxophonist Darius Jones--who won most critics' nomination for the best jazz newcomer album of 2009 for Man'ish Boy (A Raw And Beautiful Thing) (AUM Fidelity, 2009)--is a great fan of Johnny Hodges. He says that the lyrical Duke Ellington altoist is his hero, and this is pleasantly noticeable at the beginning of Man'ish Boy. It ...
Eric Harland: Voyager Live by Night
by Mark F. Turner
The long wait for Eric Harland's debut release is understandable. One of modern jazz's most dynamic and in-demand drummers, he's been a little preoccupied: early stints with Terence Blanchard and Wynton Marsalis; high profile gigs with Kurt Rosenwinkel, McCoy Tyner, and The Monterey Quartet; and tenures with the SFJAZZ Collective and Charles Lloyd's ensembles, are just ...
Eric Harland: Voyager Live By Night
by John Kelman
In the space of a few short years, he's become drummer of choice for icons like saxophonist Charles Lloyd and bassist Dave Holland, established next-generationers including trumpeter Terence Blanchard and guitarist Kurt Rosenwinkel, and young up-and-comers such as pianists Taylor Eigsti and Aaron Parks. Behind all of them--and as a member of the SFJAZZ Collective since ...
Tarbaby: The End Of Fear
by Bruce Lindsay
A band name that some might see as confrontational--although the band denies this--an album title that could be wildly optimistic, a statement of faith or simply ironic; some of the fieriest jazz players on the scene and a scary Hieronymus Bosch-style cover design. What kind of music might emanate from such a combination? Free form, loud, ...
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