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David Binney: Aliso
by J Hunter
For Aliso, reedman David Binney wanted to get back to “doing things that have been part of my life since I was a kid." It's clear that any time is a good time for a happy childhood, because both Binney and his band dive into Aliso like 10 year-olds on vacation at Disney World. The opening ...
David S. Ware and Joe Rigby: Loft Jazz Soloists
by Clifford Allen
In the void left by the deaths of saxophonists John Coltrane and Albert Ayler, among the cheap rents in Lower Manhattan and Brooklyn offering space to artists and musicians, the presence of affordable loft spaces birthed an intersection of jazz scenes in the 1970s. The music itself favored a variety of approaches, mostly built on the ...
The Multi-Tasking State of David Binney 2010
by C. Michael Bailey
Saxophonist David Binney has been a ubiquitous presence in jazz since his first recording, Point Game (Owl, 1989), both as a leader and a sideman. So prolific is Binney, that any multiple-disc review featuring him will be dated immediately. Well, so be it, this is a summer 2010 snapshot of some of the recent activity of ...
David Binney: Aliso
by Dan Bilawsky
Finding musical parallels to David Binney's work is not always an easy task. As a composer, he has managed to create a distinctive sound, yet no single quality can properly define his work. Binney wears his influences on his sleeve throughout Aliso, choosing to touch on the work of Wayne Shorter, Sam Rivers, Thelonious Monk and ...
David Binney: Aliso
by John Kelman
In a career now in its third decade, alto saxophonist David Binney's greatest accomplishment, despite being a player of no small worth, has been as a composer whose often knottily idiosyncratic tunes manage to remain not just accessible, but deeply compelling. From the earliest days of Lost Tribe through to last year's outstanding Third Occasion, Binney's ...
Roberto Magris and The Europlane Orchestra: Current Views
by Jack Bowers
Although barely known here in the States, Italian composer/arranger/pianist Roberto Magris has been making a name for himself in Europe with a number of rewarding enterprises, among which is his Europlane Orchestra, formed in 1998 to embrace musicians from throughout central Europe. On Current Views, Magris's seventh recording for Soul Note Records, the sidemen hail from ...
James Zollar Debuts at #17 on the CMJ National Jazz Radio Chart
After a twelve year recording hiatus as a leader, Zollar re-emerges with Zollar Systems, a refreshingly sharp hard bop recital, bristling with energy and sonic acuteness. Tired of that old Blue Note '50s-'60s blowing session model? Think again. Zollar breathes new life into the old form, tightening it up and repackaging it for the 21st Century. ...
James Zoller: Zollar System
by C. Michael Bailey
James Zollar is a musical treasure hidden in plain sight. He has played and recorded as a sideman for a variety of artists, including Cecil McBee, Tom Harrell, Weldon Irving and Sam Rivers, as a member of Wynton Marsalis' brass section in the Lincoln Center Jazz Orchestra, The Duke Ellington Orchestra and several of Don Byron's ...
Jason Adasiewicz’s Rolldown: Varmint
by Nic Jones
Varmint is the second release from vibraphonist Jason Adasiewicz's Rolldown, following its self-titled 2008 debut on 482 Music. It's clear, from this program, that Rolldown is not content to stay in one place; no mean feat, considering the extent to which this music pays homage to Blue Note's documentation of artists like Andrew Hill and Sam ...
