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Musician

Ryuichi Sakamoto

Born:

When Ryuichi Sakamoto was a high schooler in Tokyo, he had to ride a commuter train to get to class. The passengers were always crammed on, trapping one another between stray limbs and contorted torsos. Unable to move, all the teenage Sakamoto could do was listen. He amused himself by counting the sounds the train made, identifying more than 10 that he would listen out for every morning.

Close listening is a habit that has carried Sakamoto through nearly 70 years of musical exploration, each decade leading him in new directions. He was born in 1952, the year John Cage composed 4′33″. When he was a toddler, he was introduced to the piano, an instrument he would go on to examine from many Cageian angles. As the ’70s bled into the ’80s, he segued from an ethnomusicology and composition degree to the role of keyboardist and songwriter for Yellow Magic Orchestra, the proto-synthpop group led by Haruomi Hosono. In the solo career years that followed, Sakamoto’s embrace of a new wave of electronic instruments led to fruitful experiments in fusing global genres, which in turn made way for close studies of classical impressionism. Many times over Sakamoto’s sonic path has leapt forward then looped back on itself, forever telling the present something of both its past and future.


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