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The Renewal of AACM: Nicole Mitchell, Mike Reed, Tomeka Reid, Matana Roberts
by Russell Perry
In 100 one-hour programs, the series Jazz at 100 told the story of recorded jazz. It established the foundations upon which the broadly diverse music of today is built. This is the first hour of the successor series which aims to give voice to the current jazz scene and appreciates its countless creators. In ...
The Series Finale - All Jazz is Local (2011 - 2018)
by Russell Perry
So far, we have broadcast ninety-nine one-hour programs to tell the story of the first 100 years of recorded jazz. We have heard the creative work of hundreds of players, composers, arrangers, and bandleaders, famous and obscure. Each of the contributors to this rich history had colleagues and bandmates with whom they played as they grew ...
Highlights of the Final Decade of the First 100 Years of Recorded Jazz (2011 - 2018)
by Russell Perry
This is the last of a series of five programs featuring jazz since 1990, presented as a single selection for each year to reflect trends, career highlights and new artists, at least as the narrative appears from the temporally-challenged context of the last 25 years. The idea to attempt such an abbreviated one-track--per-year survey comes from ...
Highlights of Jazz in the Late 2000s (2004 - 2010)
by Russell Perry
This is the 98th of 100 programs in the Jazz at 100 series. The programs have chronologically followed the history of recorded jazz and, as we approach the present, the question of historical perspective becomes relevant. Just how well can we predict what will endure? What will have lasting importance? We are in the ...
Highlights of Jazz in the Late 1990s (1995 - 1999)
by Russell Perry
This is the 96th of 100 programs in the Jazz at 100 series. As we present more recent music, we face the historian's dilemma, what performances will have lasting value? What players will be remembered for their contributions to advancing the music? What trends will turn into dominant themes? We are following the lead of critic ...
Highlights of Jazz in the Early 1990s (1987 - 1994)
by Russell Perry
This is the 95th of 100 programs in the Jazz at 100 series. For 94 programs, we have moved on a roughly chronological path through 100 years of jazz recordings, following trends, introducing major players and stylistic evolutions. As we approach the present, we face the historian's dilemma: in more recent music, what performances will have ...
John Zorn and The Downtown Scene (1983 - 1995)
by Russell Perry
Never far from the pulse of jazz innovation, New York in the 1980s incubated what has become known as the “downtown scene." Radically multi-stylistic, the resulting music was unabashedly eclectic, celebrating influences from bebop to punk rock to cartoon music and eventually klezmer and Balkan music “From the shrill, colorful legacy of noise music and new ...
Jazz from the Black Saint Label (1975 - 1989)
by Russell Perry
Ironically, the record label that most consistently offered an outlet for the American jazz avant-garde in the 1980s was the Italian Black Saint / Soul Note imprint. On All About Jazz, Jeff Stockton wrote, ..."from 1984 to 1989 Black Saint won the Down Beat critics poll for “Best Label" and “Best Producer" and established itself as ...
David Murray & the World Saxophone Quartet (1979 - 1996)
by Russell Perry
Perhaps no jazz musician recorded a more varied output in more diverse settings in the 1980s than tenor saxophonist and bass clarinetist David Murray. Three of the best bands to emerge in the decade were his Octet, his Quartet and the collaborative World Saxophone Quartet. He may have been the most recorded jazz artist of the ...
Whither Freedom? Avant-Garde Jazz in the '80s (1978 - 1990)
by Russell Perry
In the 1980s, the avant-garde, although still home to many fine free jazz players, increasingly adopted an ecumenical approach to historical styles. Freedom came to include freedom to be “in the tradition." The broadly-influenced music of alto saxophonists Arthur Blythe and Henry Threadgill, clarinetist John Carter and pianist Don Pullen illustrate this trend--in this hour of ...
