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How Moonchild Put The Jazz Into Soul
by Peter Jones
Last summer, an online-only big band called The Sages of Future Soul recorded their arrangement of Moonchild's “The List," featuring reeds wunderkind Alexa Tarantino. What strikes you on listening to the Sages' version is not so much that it has transcended its origins, but that the original tune has such inbuilt jazz sensibility. Moonchild's Andris Mattson ...
George Coleman: An Alternative Top Ten Albums
by Chris May
Born in Memphis, Tennessee, saxophonist George Coleman cut his teeth in local rhythm and blues bands and made his first recording, aged twenty, with B.B. King in 1955. That year he switched from alto to tenor, because King already had an alto player; but Coleman has continued to play the alto from time to time and, ...
Greg Abate: Magic Dance: The Music of Kenny Barron
by Chris M. Slawecki
Musicians will sometimes honor another musician who influenced their lives or work with a tribute or memorial recording after that influential musician has passed on. There's an abundance of first-rate music on the double-disc Magic Dance: The Music of Kenny Barron. But the best thing about it is that the leader, flutist and saxophonist Greg Abate, ...
Rediscovery and Re-Creation, and an NYC Farewell
by Chris M. Slawecki
Greg Abate Magic Dance: The Music of Kenny Barron Whaling City Sound 2021 Musicians will sometimes honor another musician who influenced their lives or work with a tribute or memorial recording after that influential musician has passed on. There's an abundance of first-rate music on the ...
John Coltrane: Chasin' The Trane Revisited
by Chris May
A high-tide moment in jazz history, John Coltrane's November 1-5 1961 engagement at New York's Village Vanguard was exhaustively documented on a series of Impulse albums during the 1960s and 1990s. Those discs have now, in autumn 2021, been supplemented by the Swiss-based ezz-thetics label's magnificent Chasin' The Trane Revisited. Before examining the new ...
Marcos Resende & Index: Marcos Resende & Index
by Chris M. Slawecki
This debut, eponymous recording by Brazilian keyboard wizard Marcos Resende was recorded in Rio de Janeiro in late summer 1976. This was a truly glorious time for progressive instrumental music in Brazil, as you can hear in the discographies of Eumir Deodato, Marcos Valle, Airto Moreira and many other artists. Resende put together a ...
Italian Spirits, Dubé Debuts and Chasing (Mahogany) Frogs
by Chris M. Slawecki
Paul Colombo Group Rio Crystal Vectordisc Records 2020 Rio Crystal is the perfect title for this bright and clear, warm and sunny set led by guitarist Paul Colombo. Its frontline pairs Colombo's nimble guitar with keyboardist Ron Thomas, supported by bassist Andy Alonso and drummer Chris ...
Horizons Quartet: Horizons Quartet
by Mike Jurkovic
Quite often it's not so much the music itself that compels you to sit and listen but the feeling the music stirs within. You begin to recall moments from the past that have made you feel of a certain place and time when things were just a bit more either out there or, as in the ...
Cecil Taylor: Mixed to Unit Structures Revisited
by Chris May
This story has been revisited before, in the context of an Albert Ayler review, but good stories bear repeating, particularly when they are instructive ones. So here it is again... During a May 2021 interview with All About Jazz, the reed player Shabaka Hutchings was asked to name six albums which had made a more than ...
Marion Brown: Why Not? Porto Novo! Revisited
by Chris May
Alto saxophonist Marion Brown was part of the band on John Coltrane's Ascension (Impulse, 1965), though you would not guess it from Why Not (ESP, 1968). Like fellow Ascension alumnus, tenor saxophonist Pharoah Sanders' contemporaneous Tauhid (Impulse, 1967), Brown's album inhabited an intensely melodic section of the 1960s' New Thing. As were Sanders' own-name ...
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