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Marcos Resende & Index: Marcos Resende & Index
by Chris M. Slawecki
This debut, eponymous recording by Brazilian keyboard wizard Marcos Resende was recorded in Rio de Janeiro in late summer 1976. This was a truly glorious time for progressive instrumental music in Brazil, as you can hear in the discographies of Eumir Deodato, Marcos Valle, Airto Moreira and many other artists. Resende put together a ...
Italian Spirits, Dubé Debuts and Chasing (Mahogany) Frogs
by Chris M. Slawecki
Paul Colombo Group Rio Crystal Vectordisc Records 2020 Rio Crystal is the perfect title for this bright and clear, warm and sunny set led by guitarist Paul Colombo. Its frontline pairs Colombo's nimble guitar with keyboardist Ron Thomas, supported by bassist Andy Alonso and drummer Chris ...
Horizons Quartet: Horizons Quartet
by Mike Jurkovic
Quite often it's not so much the music itself that compels you to sit and listen but the feeling the music stirs within. You begin to recall moments from the past that have made you feel of a certain place and time when things were just a bit more either out there or, as in the ...
Cecil Taylor: Mixed to Unit Structures Revisited
by Chris May
This story has been revisited before, in the context of an Albert Ayler review, but good stories bear repeating, particularly when they are instructive ones. So here it is again... During a May 2021 interview with All About Jazz, the reed player Shabaka Hutchings was asked to name six albums which had made a more than ...
Marion Brown: Why Not? Porto Novo! Revisited
by Chris May
Alto saxophonist Marion Brown was part of the band on John Coltrane's Ascension (Impulse, 1965), though you would not guess it from Why Not (ESP, 1968). Like fellow Ascension alumnus, tenor saxophonist Pharoah Sanders' contemporaneous Tauhid (Impulse, 1967), Brown's album inhabited an intensely melodic section of the 1960s' New Thing. As were Sanders' own-name ...
Joey DeFrancesco Quartet at Van Gelder Studio
by Victor L. Schermer
Joey DeFrancesco Quartet Live from Van Gelder Studio Englewood Cliffs, NJ May 15, 2021 Rudy Van Gelder (1924-2016) was a rarity among sound engineers in that his name was highlighted on many album covers and he achieved legendary status in the jazz world. He initially held recording ...
John Coltrane: An Alternative Top Ten Albums
by Chris May
Miles Davis once said that you could recite the history of jazz in just four words: Louis Armstrong, Charlie Parker. To that you need to add two more: John Coltrane. A giant during his lifetime, Coltrane continues to shape jazz and inspire musicians decades after he passed. No other player has come remotely close to eclipsing ...
Eddie Sauter: A Wider Focus
by Chris May
For many people, composer and arranger Eddie Sauter's reputation begins and ends with Stan Getz's Focus (Verve, 1962). The album is, indeed, a masterpiece. But it is only one of the pinnacles of Sauter's career, which started during the swing era. Nor is Focus Sauter's only collaboration with Getz. The partnership continued with the less widely ...
Saxophone Colossi: An Alternative Top Ten Banging Albums
by Chris May
Miles Davis once said you could tell the history of jazz in four words: Louis Armstrong, Charlie Parker. You might want to add John Coltrane, you might even want to add Davis. But however you cut it, saxophones and trumpets have been the flag bearers of the music. Trumpets got things rolling and saxophones came into ...
Nicola Conte: Good Juju From Italy’s Spiritual Jazz Shaman
by Chris May
Ever since his debut album, the acid-jazz masterpiece Jet Sounds (Schema), in 2000, the producer, composer, DJ and guitarist Nicola Conte has kept the jazz world guessing by constantly moving the goal posts. The trumpeter Miles Davis famously said, “I always gotta change. It's like a curse." But with Conte, it feels more like a blessing, ...
