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Mothers Day with Birthday Celebrations for Mary Lou Williams and Carla Bley
by Mary Foster Conklin
The Mothers Day broadcast included new releases from the Posi-Tone Swingtet, bassist Anne Mette Iversen, vocalists Joan Watson-Jones, Rachelle Garniez, and Diane Schuur plus the Charles Pillow Ensemble, with birthday shout-outs to Carla Bley and Mary Lou Williams as well as a nod to a few Jazz Mothers and their children. Thanks for your continued support ...
Saxattack & More
by Marc Cohn
Well, not every track is saxed, but we've got some heavyweights here: Johnny Griffin, Rahsaan Roland Kirk, Sonny Rollins, Branford Marsalis, Charlie Parker, Benny Carter, and Sidney Bechet. Breathers from pianists Brad Mehldau, Kris Davis and Bill Evans; as well as the Uptown Jazz Orchestra from New Orleans; trumpeters Roy Eldridge, Fats Navarro, Miles Davis; and ...
Results for pages tagged "Roy Eldridge"...
Roy Eldridge
Born:
Roy David Eldridge was a jazz trumpet player in the Swing era. His sophisticated use of harmony, including the use of tritone substitutions, resulted in him sometimes being seen as the link between Louis Armstrong-era swing music and Dizzy Gillespie-era bebop. Roy's rhythmic power to swing a band was a dynamic tradmark of the Swing Era. Eldridge was born in Pittsburgh, Pennsylvania. His nickname was Little Jazz. Eldridge played in the bands of Fletcher Henderson, Gene Krupa and Artie Shaw before making records under his own name. He also played in Benny Goodman's and Count Basie's Orchestras, and co-led a band with Coleman Hawkins. Also known as “Little Jazz” Roy Eldridge was a fiery, energetic trumpeter who although short in stature was a larger-than-life figure in the jazz trumpet lineage. Stylistically speaking he was the bridge between the towering trumpet stylists Louis Armstrong and Dizzy Gillespie
Jazz Musician of the Day: Roy Eldridge
All About Jazz is celebrating Roy Eldridge's birthday today! Roy David Eldridge was a jazz trumpet player in the Swing era. His sophisticated use of harmony, including the use of tritone substitutions, resulted in him sometimes being seen as the link between Louis Armstrong-era swing music and Dizzy Gillespie-era bebop. Roy's rhythmic power to swing a ...
Mal Waldron: Free At Last
by Karl Ackermann
The sensitivity reflected in much of Mal Waldron's music was a deep aspect of his psyche. The Harlem-born pianist, who died in Brussels, Belgium, in 2002, worked downtown with saxophonist Ike Quebec at Café Society in the early 1950s and went on to record on several Charles Mingus recordings including Pithecanthropus Erectus (Atlantic), Jazz Composers Workshop ...
BU@100, Newk with Monk & More
by Marc Cohn
Art Blakey turns 100 in October. He's too important to have to wait till then. So, we've got 3 more tracks from Bu as well as a 'pre-Bu' segment of tunes associated with or inspired by the great drummer. Our chronological Sonny Rollins celebration continues with a 4tet session with Monk @ the 88s. Along the ...
Pittsburgh Celebrates the Guitar with "Four on Six" at Alphabet City
by Mackenzie Horne
For countless bluesmen, rockers, and bossa players, the guitar is the path to jazz; that trail was blazed as early as the 1920s by practitioners such as Eddie Durham, Eddie Lang, Django Reinhardt, and Charlie Christian. For Pittsburgh guitarist Mark Strickland, it was Kenny Burrell's Midnight Blue (Blue Note, 1963) that first sparked his interest in ...
To Dream the Impossible Dream: the quest for a music education
by Peter Rubie
I've been thinking a lot about how jazz is taught recently. I realize now, my search for a real musical education was not a simple thing, but a series of life changing moments. My son, on the other hand, is planning to study music in college after he finishes high school. Though it would fill his ...
Listener Favorites & DrJ’s Birthday Blowout
by Marc Cohn
It's time for our recurring '5' (as in Show 365) party, listener favorites from Shows 351-360. And a bonus--DrJazz's birthday blowout (we don't usually do this, but this one is a nice round number....'40.' Well, 70 is the new 40?), in which he indulges with some of the tracks that keep his motor running when he's ...
Women in Jazz, Pt. 2: The Girls From Piney Woods
by Karl Ackermann
In Part 1 of Women in Jazz we looked at the historical position of women in early jazz. Despite their influence in shaping the art, their talent as composers, arrangers, instrumentalists, and band leaders, women have often been token additions; marginalized window dressing in a male-dominated world. One hundred years after Lil Hardin held ...
