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327

Article: Forgotten Finds

Lions in Winter

Read "Lions in Winter" reviewed by Greg Simmons

by Greg Simmons

Recently passed jazz greats, saxophonist James Moody and pianist Hank Jones, were both fortunate enough to be making solid, vital recordings right up to the ends of their lives. Moody's 4A (IPO, 2009) and 4B (IPO, 2010) were as well-played as any he ever recorded, and Jones, who was still active in his last year at ...

69

News: Birthday

Jazz Musician of the Day: Roy Eldridge

Jazz Musician of the Day: Roy Eldridge

All About Jazz is celebrating Roy Eldridge's birthday today! Roy EldridgeRoy David Eldridge was a jazz trumpet player in the Swing era. His sophisticated use of harmony, including the use of tritone substitutions... more Website | Photos | Articles Follow Roy Eldridge Put AAJ's Musician of the ...

57

News: Radio

Portrait of Little Jazz: a Centennial Tribute to Roy Eldridge

Portrait of Little Jazz:  a Centennial Tribute to Roy Eldridge

They called him “Little Jazz," but he was born David Roy Eldridge on January 30, 1911 in Pittsburgh, Pennsylvania. Roy Eldridge has often been called the link or bridge between Louis Armstrong and Dizzy Gillespie. He was indeed a strong influence on Gillespie, who called him “the Messiah of our generation," and he certainly admired Armstrong, ...

865

Article: Interview

Loren Schoenberg: From Benny Goodman to The Savory Collection

Read "Loren Schoenberg: From Benny Goodman to The Savory Collection" reviewed by AAJ Staff

by AAJ Staff

Saxophonist, band-leader and writer Loren Schoenberg, now Executive Director of the National Jazz Museum in Harlem, spent an interesting childhood and teenager-hood growing up in New Jersey in the 1970s, meeting and befriending both Teddy Wilson and Hank Jones, and ultimately becoming employed by Wilson's famous '30s boss, Benny Goodman. Schoenberg was first an assistant to ...

151

Article: Album Review

Mac Gollehon: Mac Straight Ahead

Read "Mac Straight Ahead" reviewed by Dan Bilawsky

by Dan Bilawsky

Brass man Mac Gollehon means business on Mac Straight Ahead. The ten tracks on this album present Gollehon in a variety of settings and on a variety of instruments...at the same time. While the idea of overdubbing oneself on record is fraught with peril, Gollehon beats the odds. Sometimes he conjures sounds of a full, brassy ...

64

News: Interview

Saxophonist/Writer/Historian Loren Schoenberg Interviewed at All About Jazz

Saxophonist/Writer/Historian Loren Schoenberg Interviewed at All About Jazz

Saxophonist, band-leader and writer Loren Schoenberg, now Executive Director of the National Jazz Museum in Harlem, spent an interesting childhood and teenager-hood growing up in New Jersey in the 1970s, meeting and befriending both Teddy Wilson and Hank Jones, and ultimately becoming employed by Wilson's famous '30s boss, Benny Goodman. Schoenberg was first an assistant to ...

105

News: Radio

Riverwalk Jazz Interviews Nat Hentoff

Riverwalk Jazz Interviews Nat Hentoff

Author and columnist Nat Hentoff is one of America's most revered commentators on jazz. This week on Riverwalk Jazz, host David Holt caught up with the 85-year-old at his home in Greenwich Village to talk about the people and personalities covered in his new book, At the Jazz Band Ball: Sixty Years on the Jazz Scene. ...

312

Article: Album Review

Hilario Duran Trio: Motion

Read "Motion" reviewed by Jerry D'Souza

by Jerry D'Souza

Hilario Duran continues to essay his skills as a pianist and composer of remarkable virtuosity on Motion. The compositions open a vista of stylistic opportunities, into which he delves with relish and focus, as he drives his creative forces to a new high. Duran's father, Hilario Duran Sr., was part of the “Movimiento del ...

243

Article: Album Review

Coleman Hawkins: The High and Mighty Hawk

Read "The High and Mighty Hawk" reviewed by Samuel Chell

by Samuel Chell

Recorded in England in 1958, this little-known session, originally released on the obscure Felsted label, is an inarguable gem. Perhaps even the word “masterpiece" is not too much of a stretch. It's doubtful that the putative “father of the tenor saxophone," Coleman Hawkins, made a better recording in the age of long-playing records, and it's just ...

1,442

Article: Profile

Wadada Leo Smith: A Vital Life Force

Read "Wadada Leo Smith: A Vital Life Force" reviewed by Lyn Horton

by Lyn Horton

“To teach and create and not expect or demand anything in return."--Wadada Leo Smith, quoted in an article printed in The Houston Chronicle, November 4, 2006 On the nine-by-eleven inch cover of the February, 2010, issue of Wire magazine is a full-page photo of trumpeter Wadada Leo Smith. Only the upper half of his body is ...


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