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Randy Kaye Quintet: Brooklyn 1967, May 24th
by Alberto Bazzurro
Ha abbastanza dell'incredibile il destino di queste matrici: registrate, verosimilmente per finire su un doppio LP, nella primavera 1967, in studio, con materiale di sicuro interesse e adeguata resa fonica, sono rimaste invece nel fatidico cassetto (o scaffale che dir si voglia) per quasi mezzo secolo, uscendo a otto anni (nessun anniversario particolare, quindi) dalla morte ...
Albert Ayler Quartet: European Radio Studio Recordings 1964
by Giuseppe Segala
Cosa si può aggiungere alle precise, esaustive note discografiche stilate nel gennaio 2016 da Andy Hamilton per questa splendida edizione delle registrazioni radiofoniche di Albert Ayler effettuate in studio e in concerto nel 1964? Certo, aggiungiamo qualche nostra considerazione a questo ascolto tuttora straordinario di materiali già in precedenza pubblicati, scelti ora dalla svizzera hatOLOGY per ...
The Blue Notes and the Brotherhood of Breath - Marching to a Different Drum
by Duncan Heining
Early one August morning in 1964, seven people crossed the border by train passing from South Africa into Mozambique. It was an unusual group of people--five black men, one white man and one white woman. Any “mixing of the races" was, of course, immediately suspicious in apartheid South Africa. The six men--Louis Moholo, Chris McGregor, Dudu ...
Mark Dresser Seven: Sedimental You
by Jerome Wilson
Bassist Mark Dresser has had a long, distinguished career in jazz and new music working with a long list of musicians that includes Anthony Braxton, Tim Berne, Anthony Davis and John Zorn but he hasn't recorded much lately as a leader. This project sees him leading and writing for a diverse group of familiar and relatively ...
Three New Releases from Peter Kuhn
by Dave Wayne
Clarinetist Peter Kuhn came up in the 1970s. In those days, one could count the number of modern jazz clarinet specialists on one hand: John Carter, Perry Robinson, Theo Jorgensmann, Alvin Batiste and—if you include the bass clarinet—Michel Pilz. So, one hand and a finger. Still associated with Benny Goodman, Dixieland and Swing, the clarinet was ...
Merzbow/Keiji Haino/Balazs Pandi: An Untroublesome Defencelessness
by Mark Corroto
The often repeated refrain to a complaint about music is, “If it's too loud, then you're too old," doesn't apply to An Untroublesome Defencelessness by Merzbow, Keiji Haino, and Balázs Pándi. You probably should just agree, it is too loud. With any Merzbow record, it just seems to never gets old. Of late, Merzbow's, ...
Rich Halley 5: The Outlier
by Jerome Wilson
Veteran Oregon saxophonist Rich Halley has assembled here a CD that combines the volcanic force of the 60's avant-garde with a modern fealty to rhythm. On these ten tracks Halley and fellow Pacific Coast veterans, saxophonist Vinny Golia and trombonist Michael Vlatkovich storm and rumble wildly while bassist Clyde Reed and drummer Carson Halley ...
Carla Bley/Andy Sheppard/Steve Swallow: Andando el Tiempo
by Karl Ackermann
There are few figures in modern music that are truly more iconic than Carla Bley. Her list of accomplishments are impossible to chronicle in this limited space, but suffice to say that her influence traverses genres, styles and generations, in a way that perhaps no other artist has approached. Her early crowning jewel—the jazz opera Escalator ...
Roberto Cecchetto Core Trio: Live at Cape Town
by Claudio Bonomi
Roberto Cecchetto, classe 1965, è un chitarrista milanese con una solida e ricca esperienza alle spalle di musicista e di docente. Oltre a una discreta discografia, il suo primo album risale al 2003 (Slow Mood firmato insieme al fido Giovanni Maier), vanta collaborazioni importanti a fianco, tra gli altri, di Paolo Fresu, Daniele Cavallanti, Enrico Rava ...
Monkbeatz: Ugly Beauty
by Mark Corroto
Seventy years ago, nobody was playing pianist Thelonious Monk's music, except Monk. One of the originators of bebop, along with Dizzy Gillespie; Charlie Parker, and Bud Powell, he created his own language. As the 1940s turned into the 50s, Monk's music developed its own distinctive parlance. The earliest interpreter of Monk, maybe a better ...
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